by David Wilcock

from Scribd Website

Spanish version




Part I
May 16, 2007

Just this past autumn, I was alerted to a HUGE new development in the story of the Philadelphia Experiment. Yesterday I found the documentation!





As you may already know, Thomas Townsend Brown has an interesting story - he is one of the secret fathers of antigravity technology.


The reason why his name was lost in the sands of time (at least as far as the mainstream is concerned) is simply that his work was classified for ‘national security’ purposes.





Nonetheless, working antigravity technology was discovered by Brown at least back in the 1920s - and possibly even earlier by Nikola Tesla.

Although there are many great references to Tesla, this link is unusually good - and it also contains the contents of Chapter 4 from the same book that we’ll be examining Chapter 7 of in this article, regarding the Philadelphia Experiment.


We may draw on the information in this link for other articles later.





Dr. Townsend T. Brown discovered that strong electromagnetic fields produce an anti-gravity effect. Gradually his work got attention. You can see here one of his earlier prototypes, in the shape of a cylinder.





As I’ve written in Divine Cosmos, if you create a strong-enough flow of current between a negative and positive pole, you will get an anti-gravity ‘thrust’ that starts propelling your device in whatever direction the positive pole is pointing.


Here’s a description of how this actually works in terms of the ‘flow’ of space-time ‘fabric’, as Einstein would call it:





This is actually a very simple physics principle and shows the hidden unity between gravity and electromagnetism. All that is required, ultimately, is high voltage - higher than we typically use in any household appliances.

In Brown’s designs, the negative pole is much larger than the positive pole. If you think of a UFO designed like this, you’d have the entire bottom of the ship be a negative plate, and the small sphere at the very top of the ship as the positive plate.


You can navigate the ship by breaking up the negative plate into a series of pie-shaped sections and varying the current flow between them.





I met Mark McCandlish at the Disclosure Project event in May 2001, where he explained the above drawing as being an accurate rendition of an ‘Alien Reproduction Vehicle’ or ‘Flux-Liner’ already in use by various forces within the secret government.



Of course, Brown’s principle ties directly in with quantum mechanics as well.


You have negatively-charged electron clouds and a positively-charged nucleus in the atom. In the Divine Cosmos model (and others I studied), the Biefeld-Brown effect is what causes the electrons to rush into the nucleus.

Ultimately, to understand this physics you have to see all atoms and molecules as almost like ‘portals’ that a much greater source of energy is flowing into and through. All matter is constantly taking in this energy to replenish itself each and every moment - and if the flow was cut off, the object would disintegrate.

Remember Einstein’s discoveries that space and time are part of one unified ‘fabric’. This leads to the conclusion that an atom is simply a ‘displacement’ - a vortex - in space and time. All we have is a flow within space-time - an aperture through which the flow may occur.

Space-time starts out ‘flat,’ without curvature, and as you accelerate it towards the speed of light, the curvature increases.


This curvature bends gravity along with it - though on the quantum level it is too small to be appreciated as part of the same basic force, so we would refer to it as the ‘weak force’, for example - one of the four basic fields in mainstream physics.

At the speed of light you create a torus - as you see in below image. Space could now be thought of as the outside surface of the torus, and time as the inside.





What happens when you accelerate the curvature PAST the speed of light? The torus unrolls again - but now it is INSIDE OUT.

Time, which was on the INSIDE of the torus, has now moved to the OUTSIDE of the torus - the SURFACE.

What was once time has now become space. Everything inverts.


And as your velocity further increases (from our perspective) or decreases (from the other side’s perspective), the torus again flattens out, becoming a stable, inhabitable plane.

You have just created a gateway into ‘time-space’ - a parallel reality in which there are three dimensions of time (as we think of it) and one dimension of space (to our perspective.) Over there, the three dimensions of time become the space you move through, and experience as space - and the one dimension of space (to us) becomes the steady flow of time.

I know this is probably very confusing. This is actually where the ‘aetheric plane’ or ‘astral plane’ is located. It is literally the ‘inside out’ version of our own reality. Everything is inverted. A ‘particle’ here is a ‘wave’ over there, and vice versa. If you try to bring a piece of matter over there into our reality too abruptly, it turns inside-out very quickly and explodes.


We would call this ‘anti-matter’ - so in a sense, time-space is the ‘antimatter plane’.



Anyway, with a strong enough high-voltage current, you can bend space PAST the ‘crossing point’ of light, and reach ‘crescendo’.


At that point you have created a direct portal into time-space. When any person or thing in our reality transitions into time-space, it becomes invisible to our perspective.

A vortex into time-space may appear as a jet-black "hole" in the space in front of you, a slate-gray surface as in the case of certain stargate technologies, or as a mirage-like bubbling ‘lens’ effect within the room around you in other cases I’m aware of.

You can go THROUGH time-space to instantly travel anywhere in our space or time. There are many problems with this, however, and that gets into what went wrong with the Philadelphia Experiment. I can only scratch the surface as this is a very complex field of inquiry (pun intended).


The more you read through the material on this site the more you’ll understand.



Certain areas of the Earth have a much higher torsion-field flux - and these are known as ‘grid nodes.’ In these areas it is faster and easier to bend space, and thereby create anti-gravity AND ‘warp’ effects.


The best treatment I gave of it was in Shift of The Ages, the first volume.





It seems that Norfolk, Virginia - the same latitude line and approximate location as Virginia Beach, where Edgar Cayce did his readings - is a key ‘vortex point’ on the Earth’s surface.


With enough of a blast of high-intensity electromagnetic fields from the arc-welding going on in shipbuilding at the Norfolk Naval Shipyard, strange ‘warp’ effects were being observed.

As word of this reached the highest levels, the US government called Dr. Thomas Brown in to investigate - and it was from these observations that the Philadelphia Experiment was ultimately born.



My contact at the last conference told me that all the information about this could be found in Chapter Seven of Gerry Vassilatos’ book "Lost Science" - and much to my delight, I just found the text for the entire chapter online!


I’ve tried to order the book at least once (which came highly recommended from other contacts) but it never actually shipped to me. Now all the relevant text is posted online.

Here’s the key part of the book, which is apparently based on at least two or three accurate insiders’ testimonies. I’ve introduced modern web-standard paragraph spacing to make it easier to read: "Electric Flying Machines" - Thomas Townsend Brown

The increasing financial pressures of America’s Great Depression forced Dr. Brown to leave the NRL, sign with the Naval Reserve, and join the Civilian Conservation Corps in Ohio. In 1939 Dr. Brown became a lieutenant in the Reserve and, after brief employment with the Glenn L. Martin Company, was directed toward the Bureau of Ships. There he worked on the magnetic and acoustic aspects of warships.

It was during this time that Dr. Brown was to embark on an adventure, which would alter the path of his life forever. Many of the details and facts have been pieced together in a patchwork of intrigues.

Gleaned from several reputable science sources, the incident reached public awareness as the "Philadelphia Experiment". What sequence of events triggered the Naval Research Laboratories to investigate the possibility of optically "cloaking" vessels of war?

It all began when several Naval researchers were asked to investigate a peculiar phenomenon, which was plaguing a classified arc welding facility. This facility was classified because it protected a new Naval process for fabricating very durable armor plated hulls.

The spot-welding process employed an incredibly intense, high amperage discharge.


The process was similar to modern MIG welding, but was conducted on a titanic scale. Electrical power for this welding process was supplied by a massive capacitor bank charged to high voltage. Several steel plates could be thoroughly welded by this process, the metal seams absolutely interpenetrated at the weld points.

So intensely dangerous was this electrical discharge that personnel were restricted from the site when once the parts had been configured for the weld. Hazardous charge conditions being the least worrisome aspect of the process, X-Ray energies were released in the blinding blue-white arc.

Applied by a heavily insulated mechanical arm, the arc was pressed to the plates by remote control, as power was stored in the capacitor bank. The safety signal being given, a lightning-like discharge absolutely rocked the facility. Radiation counters measured the intense release of X-Rays. The process was a new advance in Naval technology.

Neither the extreme electrical or radiation hazards obstructed deployment of the system to other Naval facilities. Safety precautions were at maximum levels. Workmen faced no hazard outside the welding chamber. But another group of strange phenomena began plaguing the facility… phenomena that had no reasonable explanation at all.

Researchers examined the site, separately asked workmen to confirm the rumors they were hearing, and watched the process for themselves in the control booth.

What they saw was truly unprecedented. With the electrical blast came an equally intense "optical blackout". The sudden shock of the intense electric weld impulse was indeed producing a mysterious optical blackening of perceptual space, an effect that was thought to be ocular in nature.

This peculiar "blackout" effect was believed to be a result of intense and complete retinal (rhodopsin) bleaching, a chemical response of the eye to intense "instantaneous" light impulse. This was the initial conventional answer. The more outrageous fact was that the effect permeated the control room, causing "retinal blackout" even when personnel were shielded by several protective walls.

Any effect, which could permeate walls and render personnel incapable of sensation in this manner, could be developed into a formidable weapon. The wall-permeating blackout was a neurological response, which paralyzed the whole physiology, rendering it incapable of response to outside stimuli. So it was thought at this point.

The research was earning and acquiring new levels of military classification by the day. Here was a possibly radiated phenomenon, which temporarily neutralized neural sensation, transmission, and response.

The weapons experts knew that any electric radiance, which could be substituted for a nerve gas, would offer a new military advantage. An extraordinary means for deploying the effect, the horrid energy could be "beamed" to any site. If properly controlled, entire platoons could be rendered unconscious in a single "swiping flash".

An unfortunate victim of such exposures was a certain William Shaver.


Mr. Shaver worked as a Naval arc welder with much earlier and smaller hand-operated versions of this system. These systems employed intense impulses of low repetition frequency. After repeated exposures to this impulse energy, he began freely hallucinating. The result of neuronal damage, the centers of his will began shredding away.

This otherwise stable man ultimately lost his grips on reality, writing hundreds of pamphlets throughout his remaining years on the frightening topic of "beings from the underworld". It was subsequently discovered that exposure to sudden electrical impulses of intense potential and extremely low frequency produces a deadly nausea, in some cases even the neurological damage leading to eventual madness.

Careful examination of the effect before the NRL now proved perplexing. First, the "blackout effect" could be photographed as well as experienced. Therefore it was not a mere neurological response to some mysterious radiance. The blinding discharge was doing something to space itself. Researchers were now drawn into this project with a deep fascination.

The "blackout" effect drew equally intense interest by Naval officials for obvious military reasons. Careful study of research publications funded by NRL grants reveals an intense preoccupation with all such perception-related subjects.

But there were "other aspects" of the phenomenon which were chilling. Bizarre rumors were being shared by certain of the original weld-site workmen. Remember, these men were on the site throughout the period, which proceeded the project’s classification. They were privy to certain other phenomena, which had no rational explanations.

Personnel hoisted hull materials and braced the pieces in composite arrangements for the discharge operation to commence. The warning alarm sounding, all workers and inspection teams promptly left the site, frequently dropping tools and other implements where they stood.

Capacitor charging required several minutes. The switch thrown, a tremendous rocking explosion shook the site. The discharge produced the blackout effect, and when the room was declared officially "clear", workers returned to the chamber.

Workmen began noticing that tools and other weighty items, left on the floor or around the chamber, were somehow "misplaced" during the heavy arc discharge process. Imagining that these tools had been thrown into corners or possibly driven into walls by the room-rocking blasts, workers searched the entire welding facility. The tools and other materials could simply not be found (Puharich).

Now the mystery was intensifying to a degree, which demanded a complete study of the phenomenon from its first observation. Workmen were called in to report what they had seen, felt, and experienced. Repeated stories matched to such a degree that the "rumors" were now taken as "personal testimony".

The entire proceedings were so highly classified that military agents were not even aware of the study. What workmen told examiners was that their tools and other site materials were "disappearing", and disappearing "for good".

Foremen had scolded and ridiculed them repeatedly about this loss of materials and tools until experiencing it for themselves. One fact was clear, when the alarm blew and the discharge exploded, objects disappeared. Where they went, none could say. High-speed films proved that the effect was real.

Objects were placed on pedestals near the discharge arc. On discharge, the objects dematerialized. The films proved it. They were certainly not "thrust away" at high speeds, or even "impacted" into walls by the intense arc blast. At first again, the conventional answers came forth. The blackout effect was seen as a mystifying radiant energy, possibly a specific variety of X-Rays.

These rays had power to both neutralize human neurological response and disintegrate matter in its immediate vicinity. Here was the possible "death ray" for which the military had long been searching. The Second World War was raging, a possible second "theater" was developing in the Pacific, and this sort of fundamental discovery was enormous in military potential.

To end the war was the aim. The only aim.

If this effect could be developed into a weapon, it would be deployed instantly thereafter. A weapons program of this kind would require the nation’s most eminent scientists, and levels of secrecy, which demanded the very highest stringency. Several Naval personnel were summoned for this study.

Dr. Brown was requested to examine "the phenomenon". His knowledge of "dielectric stress" phenomena and the activities associated with arc discharges made him a perfect candidate. Keeping him "in the blind" concerning their ultimate hopes for this new discovery would not be easy. He "had a name" for being the dreamer.

When Dr. Brown reviewed the material, his conclusions were strikingly different from those, which others gave. While academes adamantly insisted that the observed dematerializations were the result of "irradiation" and subsequent vaporization, no such evidence for the "vaporizations" could ever be found.

Careful analysis of weld-chamber atmospheres proved negative in these regards. No gasified metals were detected in the room air throughout the discharge event. Truly mystifying. The NRL had to know more.

Dr. Brown was sure he knew what was happening here. Despite the fact that he had never observed these effects, his intuition taught him well. Though in his early experimentation, he never experienced any of these blackout effects, but Sir William Crookes had seen this very thing.


Within the action space of his now famed high vacuum tube, Sir William beheld a curious sight.

There, suspended over the cathode, was a black space, which was actually radiant. The radiance extended beyond the tube walls in certain special instances. Sir William had no difficulty accepting the fact that this was a "space-permeating" blackness, a radiance having far greater significance than a mere physical phenomenon.

Crookes believed this radiance was a spiritual gateway, a juncture between this world and another dimension.

In the blackout phenomenon Dr. Brown yet recognized the signs that space distortions were taking place. What was the upper limit in strength of these space distortions? What other bizarre anomalies would they manifest? His own small gravitators operated through high voltages now considered "small".

When compared with those used in the new welding site, they were minuscule. Nevertheless, his experimentation proved the effects of small space warps. Material dragging was one such anomaly. In short, he believed that every anomalous inertial behavior could be traced to such space distortions.

In studying the entire effect, no single part was unimportant. Dr. Brown knew that the massive hulls played their part. They were somehow "spreading out" the electrical field and giving it a specific shape. The electric arc, focused onto the hull by the mechanical applicator was the formidable field source.

But something "extra" was occurring. Another realm of realities was entering the scene where arc discharges blasted through the welding chamber. He was the only one, perhaps with two others in the nation, who would propose that the phenomenon was the result of an interaction, which was "electrogravitic" in nature.


These were electrogravitic phenomena.



Associates reviled his thoughts and rejected his analysis of the problem.


But the military needed answers. If Dr. Brown could bring them closer to their weapons goal, his explanations would take precedent. Acquiring the complete attention and respect of very highest military specialists, he was asked to formally address their small and elite corps.

Dr. Brown very casually described what he strongly believed was happening, citing his own work and familiarity with such phenomena. While his own experimental apparatus never produced spatial distortions of this extreme intensity and focus, he nevertheless observed similar effects, which had power to move matter.

Having no conventional electrical explanation, the only resolution was found in the Einsteinian proposals concerning electrical and gravitational force unity.

The chapter goes on from there, and the entirety of the story is here. The point I started excerpting from is about halfway down the page, which is 44 pages long in print!

The important part is how these early accounts ultimately lead to the creation of a cloaking technology for an entire Naval vessel. I recommend printing out this whole account and reading it offline, as the website is hard to read on-screen but is very printer-friendly.



In the next section we’ll go into another new discovery that all ties in with this - and this was what originally triggered the whole idea of writing this article.


The two very much interrelate. In the meantime, the physics buffs in our audience should have a LOT to chew on by exploring the two main links to the Gerry Vassilatos material.

I have it on very good authority that Vassilatos has given all the relevant answers to anti-gravity and free energy in that book, and that there’s nothing else like it out there in terms of quality.

I’m still working on Part Two of the honeybee article, but this was such a stunning discovery that I wanted to write about it while the ‘buzz’ was fresh in my mind!


Check back as I may do some rewrites to this article and explain the new gravity principle I learned from reading Vassilatos’ material.








Part II
May 21, 2007

The "Philadelphia Experiment" lore mentions a UFO book marked up by three different black-ops (black operations) insiders with secret data. Now you can read it all online!



In the early days of my website everyone always raved about Shift of the Ages as the best thing I’d ever written.


It was more accessible and less of a ‘hard science’ read than The Science of Oneness and particularly Divine Cosmos, which was the most complex and detailed of the three. They’re all still here now but our current site design has buried it, and at this moment I still need to re-format them to modern Web paragraph spacing.

For new readers I recommend starting with "David’s Blog", since that’s the latest, greatest material I’ve written here.



Ever since I did the research to write "Shift of the Ages " in the late 1990s, I’ve wished I could see the original copy of Morris K. Jessup’s "The Case for The UFO," complete with the alleged margin notes from three different high-ranking black-ops guys who had direct knowledge of the Philadelphia Experiment.

In case you don’t know, as we said in Part I above, the Philadelphia Experiment was an alleged case involving teleportation of a US Navy ship from the Norfolk Naval Shipyard, up to a harbor in Philadelphia, PA and then back to the Norfolk port once again.

The effect it reportedly had on the sailors was devastating. Some of them allegedly got stuck in the hull of the ship. Some simply died. Others were left ‘gibbering, running mad’. Some would become invisible at certain times, apparently associated with strong emotional agitation - as in a documented case of two sailors getting into a fight in a bar in Norfolk, and one of them disappearing during the fight. Apparently they were given some kind of ‘hip packs’ that would keep them from losing phase with our matter and energy system.

Others were apparently processing time at a much slower rate than a normal human being.


If their skin was rubbed frequently they could be brought out of this unfortunate state, but you had to be patient and continue for some time. Two hours of rubbing might only seem like a few seconds based on their frame of reference for time. For one of us to look at them, they would appear catatonic.


However, it was possible to re-orient them to our own time with enough attention.



A major break in this story came on the fifty-year anniversary of the Roswell crash in 1997 with the publication of Col. Philip Corso’s "The Day After Roswell. "


Corso revealed that it was NOT the USS Eldridge that made the trip through hyperspace, as the ‘cover story’ indicated. Instead it was a Navy minesweeper ship known as IX-97.


Hence, ‘debunkers’ have investigated the Eldridge and its crew, and found no evidence of the Philadelphia Experiment having occurred.

In Part I we discussed the fascinating new revelations to come from the Gerry Vassilatos material. An extremely high-intensity electrostatic discharge, used for welding together metallic plates on the hulls of huge Naval ships, caused a rift or dark opening to appear in our space-time. Objects caught in the effective zone could disappear from our reality completely.


Dr. Thomas Brown was brought in, having seen similar effects in his own research - dark openings and anomalous behaviors of physical matter under those conditions.

(I have read about the same thing happening to Lt. Col. Tom Bearden in his research with ‘scalar interferometry’, i.e. aiming two different torsion-field generators at the same spot so the waves collide and ‘interfere’ there. When he saw this jet-black aperture form - like a vertically elongated oval - he apparently became quite terrified and turned it off, never wanting to mess with it again - as he did not know what might come through. Do not try this at home!)

It was from this initial observation that the effect was tested and perfected enough that they felt they could use it on an inhabited ship. The steel hull apparently had a dissipating effect.


It is believed that the Philadelphia Experiment went awry because of an inconsistency in the hull that caused the danger zone to bleed into the area where the sailors were - though it was intended to be outside the ship so no one got hurt.



Another key revelation from the Vassilatos chapter on Dr. Thomas Brown was the effect of anti-gravity being something that you could get started, and then like a siphon it would continue running for a period of time thereafter.


As the effect diminished, it did so in step-wise fashion - and the overall effect was fluid-like.

For me this was a personal epiphany. I have studied the "Tibetan Acoustic Levitation" story for years, but never really understood how it worked. Brown’s discovery helped me make sense out of it - and the insider statements from this book you’re about to read were what finished the job.


Here’s a little excerpt:


A similar usage of sound to produce levitation is the now-infamous story of Tibetan Acoustic Levitation.


Various tidbits of the story emerge repeatedly in the discussion rooms and articles on free energy and UFO websites, however the best treatment of this story that we have found is in an article by Bruce Cathie in the book Anti-Gravity and the World Grid.

The beginning of the report is transcribed from a German magazine article that was translated into English; and we begin at the point where the translated article starts.

We know from the priests of the far east that they were able to lift heavy boulders up high mountains with the help of groups of various sounds… the knowledge of the various vibrations in the audio range demonstrates to a scientist of physics that a vibrating and condensed sound field can nullify the power of gravitation.


Swedish engineer Olaf Alexanderson wrote about this phenomenon in the publication, Implosion No. 13.

The following report is based on observations which were made only 20 years ago in Tibet. I have this report from civil engineer and flight manager Henry Kjelson, a friend of mine. He later on included this report in his book, The Lost Techniques.


This is his report:


A Swedish doctor, Dr. Jarl, a friend of Kjelson’s, studied at Oxford. During those times he became friends with a young Tibetan student. A couple of years later in 1939, Dr. Jarl made a journey to Egypt for the English Scientific Society. There he was seen by a messenger of his Tibetan friend, and urgently requested to come to Tibet to treat a high Lama.

After Dr. Jarl got the leave he followed the messenger and arrived after a long journey by plane and Yak caravans at the monastery, where the old Lama and his friend who was now holding a high position were now living.

Dr. Jarl stayed there for some time, and because of his friendship with the Tibetans he learned a lot of things that other foreigners had no chance to hear about or observe.

One day his friend took him to a place in the neighborhood of the monastery and showed him a sloping meadow which was surrounded in the northwest by high cliffs.

In one of the rock walls, at a height of about 250 meters, was a big hole which looked like the entrance to a cave. In front of this hole there was a platform on which the monks were building a rock wall.


The only access to this platform was from the top of the cliff and the monks lowered themselves down with the help of ropes.





In the middle of the meadow, about 250 meters from the cliff, was a polished slab of rock with a bowl-like cavity in the center.

[Note: This is part of how the sound resonance was focused on the object.]


The bowl had a diameter of one meter and a depth of 15 centimeters. A block of stone was maneuvered into this cavity by Yak oxen. The block was one meter wide and one and one-half meters long. Then 19 musical instruments were set in an arc of 90 degrees at a distance of 63 meters from the stone slab. The radius of 63 meters was measured out accurately. The musical instruments consisted of 13 drums and six trumpets. (Ragdons).

[Note: At this point the exact measurements of all the instruments are given in detail, which we have omitted here for brevity, as these measurements are discussed further in the chapter.]

All the drums were open at one end, while the other end had a bottom of metal, on which the monks beat with big leather clubs. Behind each instrument was a row of monks. The situation is demonstrated in the following diagram (see above.)

When the stone was in position the monk behind the small drum gave a signal to start the concert. The small drum had a very sharp sound, and could be heard even with the other instruments making a terrible din. All the monks were singing and chanting a prayer, slowly increasing the tempo of this unbelievable noise.

During the first four minutes nothing happened, then as the speed of the drumming and the noise increased, the big stone block started to rock and sway, and suddenly it took off into the air with an increasing speed in the direction of the platform in front of the cave hole 250 meters high. After three minutes of ascent it landed on the platform.

[Note: Pay attention to the fact that it took three minutes to rise 250 meters. We are not talking about a “cannonball” effect. Slowly, the levity force overtook the gravity force and the stone lazily rose into the air.]

Continuously they brought new blocks to the meadow, and the monks using this method transported 5 to 6 blocks per hour on a parabolic flight track approximately 500 meters long and 250 meters high. From time to time a stone split, and the monks moved the split stones away. Quite an unbelievable task.


Dr. Jarl knew about the hurling of the stones. Tibetan experts like Linaver, Spalding and Huc had spoken about it, but they had never seen it. So Dr. Jarl was the first foreigner who had the opportunity to see this remarkable spectacle.

Because he had the opinion in the beginning that he was the victim of mass-psychosis, he made two films of the incident. The films showed exactly the same things that he had witnessed.

The English Society for which Dr. Jarl was working confiscated the two films and declared them classified. They will not be released until 1990. This action is rather hard to explain, or understand. End of trans.’

[Note: And now we have the beginning of Cathie’s comments]

The fact that the films were immediately classified is not very hard to understand once the given measurements are transposed into their geometric equivalents. It then becomes evident that the monks in Tibet are fully conversant with the laws governing the structure of matter, which the scientists in the modern day western world are now frantically exploring.

It appears, from the calculations, that the prayers being chanted by the monks did not have any direct bearing on the fact that the stones were levitated from the ground. The reaction was not initiated by the religious fervor of the group, but by the superior scientific knowledge held by the high priests.

The secret is in the geometric placement of the musical instruments in relation to the stones to be levitated, and the harmonic tuning of the drums and trumpets.


The combined loud chanting of the priests, using their voices at a certain pitch and rhythm most probably adds to the combined effect, but the subject matter of the chant, I believe, would be of no consequence.

Cathie’s work then goes into an explanation of how these measurements work very well with his own discoveries of the energy harmonics of Planet Earth, and Cathie’s work has already been covered in our book The Shift of the Ages.

Cathie’s findings point us directly towards the idea that the ether vibrates in harmonic resonance, and the vibrations can be measured very precisely and put into numbers. For now, what we should see is that this act of levitation is not a product of fantasy - the entire setup was carefully observed, measured and yes, even filmed.

It took the stones three whole minutes to rise, so this was not simply a sudden catapulting effect; rather, it was more like a slow, deliberate movement.

For those who are interested, an article by Dan Davidson helps us to put this amazing event into scientific terms.


If the technical numbers and terms bother you, then simply skip past this excerpt and keep on reading, as it will not detract from your overall understanding of the concepts.

Monks with 19 musical instruments, consisting of 13 drums and five trumpets, were arranged in an arc of 90 degrees in front of the stone block.


The instruments had the following measurements:

  • 8 drums were 1 meter diameter x 1.5 meters deep x 3mm sheet iron and weighed 150 kg.

  • 4 drums were 0.7 meter diameter x 1 meter deep

  • 1 drum was 0.2 meter diameter x 0.3 meter deep

  • All trumpets were 3.12 meters x 0.3 meters…

Calculations reveal that the volume of the large drums are similar to the stone block volume.


The medium drums are one third the volume of the large drum and the small drum is a 41st of the medium drum and 125th of the large drum. The exact volume of the large stone is not available; however, the harmonic relations of the drums implies it is about 1.5 cubic meters.

Another interesting aspect of this levitation demonstration is the small amount of power necessary to perform the levitation. The loudest tolerable sound pressure that a person can stand is approximately 280 dynes/cm2. From physics analysis this translates to about 0.000094 watts/cm2.

If we assume that each monk with his instrument produced one half this much sound energy (which is highly unlikely) and we make the further gross assumption that this is the amount if power that reaches the stone (actually sound dissipates rapidly over distance), we would have about 0.04 watts (i.e., (19 instruments + 19 × 4 monks) x 0.000094) hitting the huge stone block.

This is an astoundingly small amount of energy actually hitting the 1.5 cubic meter stone to produce the effect.

To lift the stone 250 meters takes a prodigious amount of energy. Rocks such as granite and limestone have weights in the neighborhood of 150 - 175 pounds per cubic foot.

If we assume a nominal value of 160 pounds per cubic foot then the 1.5 cubic meter stones weighed around 8475 pounds (i.e., over 4 tons!!!). To lift the 8475 pounds 250 meters would require about 7 million ft-pounds of work (i.e., 8475 pounds X 250 meters / 0.30408 meters/foot = 6,968,035).

Since this was done over a 3 minute period then about 70 horsepower was produced (i.e., 7 × 106 foot-pounds / 180 seconds / 550 horsepower/foot-pound/second = 70.384). This is equivalent to 52 kilowatts (i.e., 70.384 X 0.74570 kilowatts/horsepower = 52.5). The over unity power factor we obtain is 5,250,000 over unity (i.e., 52,500 watts/0.01 watts).

The monks were obviously tapping into a huge amount of free energy to levitate the huge stone blocks, or gravity requires little power to affect its operation once the principles are understood.


What Davidson missed in this analysis is that the “levity” force is already nearly as strong as the “gravity” force, so it isn’t as hard to shift them as one might otherwise think.

Clearly, the entire arrangement was tailor-made to create waves of sound resonance that would reverberate within the stone to be moved, and absorb or reflect the downward-pressing force to create levitation.

If we look back at the shape of the monks with their trumpets, we can see that they formed exactly one quarter of a circle, with all their sound pressure directed at the “bowl” depression in the ground that the stone sat in.

Once the stone had reached a relatively pure level of sound resonance inside of itself, which took several minutes, a gateway for the aetheric energy to flow into our reality would be opened up, and a polarized spherical “consciousness unit” field would form around the object.

Then, like water drifting into a whirlpool, the gravity would simply absorb into stone without pushing it down to the Earth, while the weaker levity or “pressor” force coming up from the Earth would win out, causing the stone to gradually rise. If you’ve ever seen a bubble of air slowly, slowly rise through a thick liquid, then you can see how these differences in pressure could create a slow levitating effect.

Furthermore, we remember that Cathie didn’t think that the chanting or concentration of the monks had anything to do with the final effect. However, the work that was displayed by gifted psychics such as Nina Kulagina helps us to see that the energy of consciousness, focused by the chanting and meditation, could certainly have been involved in the levitation.

It is possible that without the extra “kick” of meditation to add more conscious energy to the mix and organize what was already forming there, this experiment could not be replicated.


This dramatic display starts to make even more sense to us when we consider that the Tibetans might be the inheritors of a lost ancient aetheric science from an advanced technological society; and these topics were examined in The Shift of the Ages.

That’s as much as I understood back when I wrote The Science of Oneness, but the part I was missing was how gravity is the primary force of space-time and levity is the primary force of time-space.


When you create a ‘node’ into time-space you create anti-gravity, as well as a portal into time-space. In fact it appears you cannot use anti-gravity without transitioning into time-space.

This explains everything from the bizarre effects of Dr. Viktor Grebennikov’s flying platform to the recent accounts of Dr. Ralph Ring that appeared in a video on Project Camelot. In both cases, using anti-gravity appears to put you into time-space - you move through a vortex field.


I hate to tease you but we’ll have to save this discussion for Part III.




I do believe the truth will set you free - and it is very clear, from the accounts I’d read in the past about the handwritten notes in "The Case For The UFO," that we’re dealing with a genuine insider ‘leak’.


I actually am making this post before I’ve gone in and done all the reading myself. I consider this to be ‘frontier research,’ as you can read it at the same time that I am.

Probably some of it will not be understandable, but with the passage of time and the increasing number of ‘leaks’ that have emerged since the time it first surfaced, we should be able to piece together more and more of it.








Part III
May 25, 2007


We continue our discussion and analysis of the black-ops insider notes in the "Case for the UFO" book, and unravel the story of two warring ancient civilizations on Earth!




One way to read this book is to ONLY read the margin notes from the black-ops guys. If you do, a strange case emerges.

To deal with the basics, these guys call themselves "Gypsies" at least once. I would encourage you not to take this literally, as it may well be a code for a secret society or insider group - perhaps like the Illuminati, or perhaps the opposing faction that grew into the Majestic / NSA / neo-conservative axis.


[Discussions with Dr. Dan Burisch have made it very clear that there are two major opposing groups, as I had long suspected.]

There is a clear cult mentality in the way normal human beings are talked about in these notes - the term 'Gayim' is obviously similar to 'Goyim', which you find in the "Protocols of The Learned Elders of Zion."

This Zion document is usually discredited as a fake, intended by Hitler to incite anger towards Jews. Nonetheless, the principles in said document clearly demonstrate a great deal of thought about treating society as a giant machine, and engineering social conditions to get people to follow the will of the elite. If there is any truth to it, you might find more of a reflection of the thinking of the real authors of it than of the group they allegedly designed it to attack.

Anyway, talking down about people not on the 'inside' is a standard thing you come across in genuine insider materials like this. With the secret knowledge often comes a sense of superiority.

As you read through the notes, you also see lots of content associated with the Global Grid concepts I have written about in each of the Convergence books - "sheets of diamonds," et cetera. There are also fascinating statements about anti-gravity and observations of the Philadelphia Experiment.

However, the most fascinating part to me was the discussion of a war going on between two ancient, rival groups they call the "L-M" and "S-M."




It is clear, from more than one location, that "L-M" means "Little Men" and "Lemurian Men", and the two 'L-M' terms are interchangeable, talking about the same group.

The Lemuria talked about here is very likely what the Cayce Readings referred to as the "Rama" empire. This group would therefore have colonized land in India. Indeed, their knowledge and battles are still preserved in the ancient Vedic scriptures, still considered central religious text in the Hindu faith.

In the oldest Vedic scriptures, you read about flying craft called Vimanas, a vicious war with an opposing faction, sections that almost certainly suggest the use of nuclear weapons in conflict, et cetera. I did an exhaustive summary of the physics in the Vedic scriptures in Chapter 14 of the Science of Oneness.

Since Lemuria is also reputed to have lost land in the great flood, they may have also colonized other island areas in the Pacific that sank, like in the legend of Atlantis. However, the Pacific basin is a huge, empty wasteland that is largely free of any submerged areas that COULD have been giant island continents before.

Therefore, I propose that the Lemurian empire was largely centered in India, China and the Indonesia / Philippines island chain. Since most civilizations form on coastal regions, there could have been great loss of life and many major cities by a sudden rise in sea level.


They may have also had land off the west coast of South America, as per another Cayce reading.

Graham Hancock's work, such as in "Underworld", reveals sunken 'megalithic' (giant stone) architecture around the coast of India. That could explain how the legend of Lemuria 'sinking' came about.


Too many coastal civilizations.





When we also consider Hartwig Hausdorf's research that there are ancient pyramids in China, in the Shensi province, which first broke on the Laura Lee website, the breadth of this formerly vast civilization becomes clearer.


Chris Maier of the Unexplained Earth website actually traveled there and independently snapped his own photographs of the pyramids, which you can see and read about here in an article from 2004. 






We never directly hear what "S-M" stands for, but given that the 'L' stood for the very simple word 'Little,' the 'S' is very likely quite simple as well.


My educated guess is that it stands for 'Space', and all the evidence supports that. The Atlanteans clearly seem to have colonized the Moon and perhaps Mars as well, so when the island sank, you can bet that not all the insiders perished.

To the extent that the Sumerian cuneiform scriptures may be an inheritance from those who survived an Atlantean catastrophe, the "S" may also refer to "Sumerian-Men" - however, it seems the survivors predominantly relocated in space and only shared limited knowledge with those on Earth, who were in a primitive state after the Great Flood.

There is at least one passage suggesting that BOTH of these rival groups started out as advanced Earth civilizations - namely Atlantis and Rama.


We are then led to infer that the war-making Atlanteans migrated into space, hence "Space-Men." The notes say the S-M were grabbing asteroids, obviously with large and powerful ships, and hurling them at the Lemurian / Raman settlements, forcing them to go undersea to avoid the attacks.

The technology of either group was more advanced than our own, and this included the ability to displace the weight of untold tons of ocean water so they could safely live under the sea. A robust anti-gravity technology would certainly not exclude this possibility.

The weirdness is further increased as we find out that the Lemurians apparently experienced adaptive genetic mutations as a result of being born, living and dying under the sea.


Apparently their bodies evolved gills as an adaptation, so they could swim and breathe underwater to some degree.

This could be supported by the John Kearns study frequently cited by Dr. Bruce Lipton.


If you take bacteria that cannot digest lactose and put them in an environment where lactose is the only food source available, they will actually genetically alter their own mouth-parts to be able to consume lactose.


Hence, our DNA is an antenna that allows for adaptive mutations if we are put in an environment requiring new attributes for survival. 

The movie "Waterworld" concludes with the surprise twist that Kevin Costner's character has evolved gills after a massive flood wiped out most civilizations on Earth. It could very well be that future generations of the same insiders who wrote the margin notes in this book were responsible for making this huge-budget film.

"Waterworld" takes on a very different 'spin' if you figure that rather than being a story of our future, it is a story of our past - a small group of people who survived the Atlantean "great flood", as well as showing how some of them may have evolved to live under the sea.


I know, I know… now you're actually going to have to go see the movie.