C8. The ancient use of mica in pyramids

This story had started because of my obstinacy. I cannot digest the fact that I had cut willingly the soliloquy of that white peeled little being with blue eyes. Perhaps he was not overbearing but only defined. Also because of my susceptibility I seem to had lost important information for the right construction of the pyramid.

Time, searches, commentaries of some qualified people, and other indications, let me understand that it was not just all foolishness that had been dictated to me during that brief ‘dream’. In turn, if the phenomenon embraced the sphere of my reality, and it could be considered authentic, then why do not try to get a new contact with ‘him’, asking for more details, or asking to kindly repeat the instructions? Well, since that time, perhaps most of time, and maybe even right now, the “telephone lines were a little bit busy”, but still it didn’t cost anything to try. It is useless to say that I didn’t succeed. Never, although mine obstinacy.

Only once (about one year later), during my night attempts to dream ‘him’ willingly, it happened to me something strange. Like the usual, and against my intention, I felt sweetly asleep. Like the previous time, whatever I was dreaming in that particular moment, it was interrupted.

As a detail underlined by a director in a modern movie, I saw a pair of normal human male hands at about the distance of 30 cm from my nose. The hands were normal, like every human male would expect to have, but also a little bit more tanned if compared to the standard Italian male hands. They (hands) were opening a tiny panel as part of something much bigger seemingly made of a black metal. Because of the extremely close distance, unluckily I could not have a global vision of the scene around me.

The opening of the tiny panel revealed me an empty chamber/cavity, more or less as a quadrangular shape. Then, these hands took an object vaguely similar to a transformer - looking like those ones used for Christmas tree’s lights, and turned it between fingers as checking if everything was in order. Because of this action, I had the chance to observe the object with more details. It seemed to be a compound cube, composed of several layers of little thin panels placed one over the other. They were all squared and dark grey in color.

These panels were separated one from the other by very small black cubes placed in each corner. After a while, one hand took this strange cube from the other hand, inserted it in a cavity of the same size (like that of the cube) and then shut again the tiny panel. When I woke up, I thought over what I had seen. The action carried out reminded me a lot the movement one makes when the battery are inserted in the recorder: the same sequence of gestures. The very small black separating cubes seemed to be little magnets ... but the material was dark grey, almost black, and I had never seen it before! What could it be?

Among encyclopedia, mineral treatises, and photos of stones, I wasted more than one month to discover that the material seen was existing, and its name was “mica”. But had it some relation with our pyramid? Was it something useless for its working? And in case, where would it be placed? Or was it a simply normal dream, and I suffered with fixed ideas? Afterwards I decided to disassembly my iron that I used for ironing my clothes, as somebody had told me that there was mica inside of this iron (incidentally it was true, but it was not the kind of mica, and the color, that I was looking for). Of course, it goes without saying that soon later I decided to buy mica.

It took me further six months of deep researches before I managed to find out that the kind of mica I had “seen” is only produced (in Europe) in Germany – and of course it is not sold in the shops. At that time Dupont was the sole company which produced it. And it was supplied mainly as covering for the shuttles or for the rockets. It is useless to say that I was forced to drop the idea of buying it.

Many years later, I plucked up courage – and you need a lot of it to talk about these things - and I wrote to Jan about this “dream”, hoping it had some meaning for him. I don’t know anything about technical things, thus if I don’t ask somebody – I told to myself – I will never know if a “dream” brings knowledge or only fantasies. I would have not written about this experience if a new and very recent information were not took over.

I felt my heart to jump a beat and then to speed up. My hand gripped more tighten the book that I was reading, my eyes continued to run through the same lines again and again as my mind galloped unrestrained trying to find the right balance between fantasy and reality. Is this the madness – I asked to myself – when you find out what you think fantastical abstraction suddenly could have a real foundation?

I read once time more the words of that very short chapter entitled “The Sun and the Moon and the Way of the Dead" from the book [C15] “Fingerprints of the Gods” by Graham Hancock, which I quote entirely as it is written in the book.

Before we go on, I must say this: if I wanted to insert this little part of the book of Graham Hancock into this treatise, it was necessary to have the original text in English written by the author. How to do it? I tried through Internet to find the site of this author on the Web. The idea was to ask him to send me those pages by mail. I didn’t find the Hancock personal Web page, but I found one of his fans and webmaster of a site about the author. It is useless to say, I contacted him explaining my problems and asking for the original text in English. He has been very kind.

Luckily he had the Hancock book and he sent to me by mail the photocopies of the pages requested. Thus, I thank very much Robert Speight from Twickenham, Middlesex, England, <http://www.rspeight.demon.co.uk> for having sent to me the following pages in English.

“Some archaeological discoveries”, writes Hancock, “are heralded with much fanfare; others, for various reasons, are not. Among this latter category must be included the thick and extensive layer of sheet mica found sandwiched between two of the upper levels of the Teotihuacan Pyramid of the Sun when it was being probed for restoration in 1906.

The lack of interest which greeted this discovery, and the absence of any follow up studies to determine its possible function is quite understandable because the mica, which had a considerable commercial value, was removed and sold as soon as it had been excavated. The culprit was apparently Leopoldo Bartres, who had been commissioned to restore the time-worn pyramid by the Mexican government.

There has been a much more recent discovery of mica at Teotihuacan (in the ‘Mica Temple’) and this too has passed almost without notice. Here the reason is harder to explain because there has been no looting and the mica remains on site.

One of a group of buildings, the Mica Temple is situated around a patio about 1000 feet south of the west face of the Pyramid of the Sun. Directly under a floor paved with heavy rock slabs, archaeologists financed by the Viking Foundation excavated two massive sheets of mica which had been carefully and purposively installed at some extremely remote date by a people who must have been skilled in cutting and handling this material. The sheets are ninety feet square and form two layers, one laid directly on top of the other.

Mica is not a uniform substance but contains trace elements of different metals depending on the kind of rock formation in which it is found. Typically these metals include potassium and aluminium and also, in varying quantities, ferrous and ferric iron, magnesium, lithium, manganese and titanium. The trace elements in Teotihuacan’s Mica Temple indicate that underfloor sheets belong to a type which occurs only in Brazil, some 2000 miles away. Clearly, therefore, the builders of the Temple must have a specific need for this particular kind of mica and were prepared to go to considerable lengths to obtain it, otherwise they could have used the locally available variety more cheaply and simply.

Mica does not leap to mind as an obvious general-purpose flooring material. Its use to form layers underneath a floor, and thus completely out of sight, seems especially bizarre when we remember that no other ancient structure in the America, or anywhere else in the world, has been found to contain a feature like this.

It is frustrating that we will never be able to establish the exact position, let alone the purpose, of the large sheet that Bartres excavated and removed from the Pyramid of the Sun in 1906. The two intact layers in The Mica Temple, on the other hand, resting as they do in a place where they had no decorative function, look as though they were designed to do a particular job. Let us note in passing that mica possesses characteristics which suit it especially well for a range of technological applications. In modern industry, it is used in the construction of capacitors and is valued as a thermal and electric insulator. It is also opaque to fast neutrons and can act as a moderator in nuclear reactions”.

Just some months earlier to the reading of this book, Jan had pressed me to write in this treatise my “mica’s dream” which I had written to him. I had refused because I considered it without foundation and without a logical or visible link with our pyramid. But today – after the reading of “Fingerprints of the Gods” by Graham Hancock – I have changed my mind because I think there is a circumstantial evidence to support even though I continue not to understand the relation.
 

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C9. My experiments with Kirlian camera and how they could help in building the pyramid

For a certain period of my life (1975-1980) I was interested in children having wide mental skills: extra-sensorial perception (ESP), psychokinesis (PK), telekinesis, bending spoons, etc. Because of my interest at that time, it happened that I was in the some circle of Italian researchers which, in academic field, tried to succeed in producing a conclusive proof for the reality of these phenomena.

The orthodox scientists didn’t believe in these phenomena. But some of them, these with more open-minded mentalities, were interested in these avant-garde researches. The objective difficulties to reproduce the same phenomena and effects in laboratory, and the lack of scientific equipment in Italy that would be suited to control this kind of phenomena, pushed myself to deal with these scientists actively.

Why I was accepted? Because I was young, nice, full of enthusiasm, and above all I had at that time more money than them to spent in this field - it can happen in Italy where this kind of research is not supported by anybody.

I approached some of these children (between 9 and 14 years old) scattered throughout the Italian countryside, with the intention to find something scientific that could help the researchers. I was young and I still suffered from romantic ideologies. I had my personal ideas on how it was possible to produce a conclusive proof of such phenomena as psychokinesis.

I had read about some researches done by qualified American scientists (see [C14]: Psychic Exploration, 1974, by Edgar D. Mitchell & Associates, Inc., G.P. Putnam’s Sons, New York, published in Italy by Casa Editrice MEB, Torino, 1975, Vol. 1 and 2), and their researches provided me with some ideas that I would have used after a while. By mail I had bought for the occasion a Kirlian camera from the Edmund Scientific company in United States. I also invented for that situation a detailed protocol of experimentation that each child must follow in every detail. I presented these experiments as a “game”, to avoid nervous tension and wayward refusal. While chatting with the child, at the same time I carried out a kind of simple psychological and cognitive investigation of the subject’s personality.

The protocol of my experimentation consisted of the following proves to which children were submitted:

1. Photo Kirlian of child’s hand in “rest condition” (it means without to do nothing).

2. Photo Kirlian of the same child’s hand while he must (with the mind) to bend an object (usually a fork or a spoon) hold in the other hand or previously placed in another room. Due to the fact that the exposition time for the black and white photographic paper is 7 seconds (14 seconds for the color dia/sheet 13x18 cm), the subject had to manifest his/her skills in those 7 seconds (or 14 seconds), otherwise it wouldn’t have been possible to see on the photographic paper the psychophysical alterations.

3. Kirlian photo of the subject’s same hand after the experiment in “rest condition” (to compare with the first photo).

This experimentation gave the chance “to read” the photos by comparison and at the same time to have many of bent objects for analysis. Then, I gave these objects to some acquaintances I had then in the former CNR (Nuclear Research Centre - today ENEA), which in turn (not in a formal way) make analysis and gave to me, when possible, a documentation of the results.

These experimentation were important mainly for two reasons: firstly, when an object is bend with the mind (or with the mental energy) it shows particular molecular alterations under analysis – and this is a proof the object has not bend with a trick. Secondly, when the person uses his/her mental energy to bend an object, it shows on a Kirlian photo his/her typical psychophysical alteration – and this is another proof the person is not going to use a trick.

One of the first things I realized is that the mental “frequency” needed to bend an object was not for each child equally “strong” – for some children it was easier, for other more difficult. The second thing I found out it was that for bending an object is needed less “energy” than it is needed “to read” well a Kirlian photo (under experimentation).

The Kirlian photography is a photographic process obtained by contact (in the meaning there aren’t any traditional lenses in the Kirlian device), and it is used to view on the photographic paper (or on the dia/sheet/plate) the difference of the “electric potential” existing between a dielectric plate and the object of scrutiny. This “electric potential” is visible as a crown, or halo effect.

The crown effect is a week electric overflow that manifests when the electrostatic charge on the surface of a conductor maintained at high potential, surpasses the “dielectric resistance” of the air. At this point a flow will ionize the air around the conductor, rendering it luminescent. In other words, the Kirlian Camera projecting ions and electric charges, creates on the sensitive photographic paper/plate the crown effect characteristic of the object under study.

Many years ago, Kirlian Cameras have been used in various branches of science in both Russia and the United States. The “Russian Journal of Science” noted in 1966 that V. I. Mikhalevskii and G. S. Frantov used the Kirlian process to localize and discover minerals, such as highly conductible sulphurous minerals – to scarcely conductible silicates.

The basic principle applied for the discovery of minerals is based upon the different conductibility of the minerals. In the United States, based on research conducted in Russia, Thelma Moss and Kendall Johnson – working at that time at the Institute of Neuropsychiatry of U.C.L.A., reached some surprising conclusions (1973-1974). They observed a thin fracture inside a special metal that was provided by NASA. This test has been adopted in other laboratories and was used to analyze metal stress and metal fractures.

Observation of the famous “leaf ghost effect” was first proposed by Soviets. This effect has been reproduced in many laboratories. Controls on the researches done by Milner and Smart in England, regarding effects on the air to be used for atmosphere analysis. By these studies, any object containing alterations shows its preceding energetic image, i.e. – false paintings, doctored license plates, cancelled finger prints, etc. This type of research, as highlighted by these points, can also be extended to medicine, agriculture, mining, photography, pharmacology, biology and industrial chemistry.

Acupuncture, as well as the Kirlian photographs, can be included among the most recent scientific developments that come under the title of “research of systems”. Von Bertalanffy (1966), defines a system as a complex of components in reciprocal interaction. R. Buckminster Fuller (1972) uses the term “synergy” to describe the comportment of the systems, not being predictable from the single action of each part. Just as our own knowledge of the chemical compounds do not allow us to foresee the level of organic association of the molecules within the biological cells, so our knowledge of the cells does not allow us to foresee their association in a biological tissue.

All of the data on tissues are in their turn, of no help to foresee the modes of comportment of the various living species. The Kirlian photographs of various forms of life, demonstrate that each species has its own light pattern (Krippner and Davidson, 1972). However, these patterns of each organism cannot be explained only on the basis of the components, or of the system, or the species as a whole. Moreover, the effect of the “phantom leaf” or “cut leaf” would furnish visible proof of the Fuller concept called “synergy”. Another example of “synergy” and “systems” could be acupuncture, since it suggests highly complex body interactions.

According to “General Theory of Systems” (Von Bertalanffy, 1966) the living organisms enter into a special category of the “open systems” which maintain an open exchange of matter with the surrounding ambience by means of input and output, or also by means of construction and destruction of the components. The open systems, compared to the closed systems of traditional physics, demonstrate singular characteristics. An open system can reach a static state but, this constancy is obtained by continuous exchange of the components.

Von Bertalanffy, writing in General System Theory and Psychiatry (American Handbook of Psychiatry, Vol. 3) – notes that:

“even without external stimuli, the organism is not a passive system, but an active one; the stimulus (change of external conditions) does not provoke a process in an otherwise inert system, modifying only the processes in an autonomously active system”.

The Kirlian photographs of the fingertips of a man in good health, calm and of good disposition, are different from those of a tense and anxious individual (Ostrander and Shroeder, 1971, in [C4]: Psychic Research Behind the Iron Curtain). Through Kirlian photographs it is possible to demonstrate the general state of a system as well as its reply to external stimuli.

Conceptually charting a living organism as an “open system” could be very useful in interpreting information obtained by the Kirlian method. Krippner wrote in his book Galaxies of Life:

“I think Kirlian photography give images of the light emitted because of the air ionization caused by the electrons cool emission of the various samples examined.

But the differences between these emissions can be due to an unusual kind of matter, as the “bioplasm” suggested by same Russian scientists (Inyushin and others, 1968).

“The physicists have divided the world in four kind of material substance: solid, liquid, gaseous, and plasma. The so called “bioplasm could be a plasma variation (it would represent the subatomic particles present in the living organisms) or a fifth state of the matter. In both cases, the “bioplasm” can modify itself at each littlest change of the body’s condition. If it is so, it can influences the cold emission of the examined sample’s electrons, modifying therefore the images obtained”.

It must be considered that these books and researches are very old from scientific point of view. I am sure that now there are new concepts and new ideas about the explication of this form of energy.

Coming back to my experiences with the kids, I can state that when a person makes willingly a noticeable psycho-physic alteration, it is possible to see this on the Kirlian photographs, if one reads them by comparison. Because of this, it is easy to understand that any psychophysical alteration creates a particular frequency. An emotion of fear, for instance, causes an adrenaline discharge in the blood, a cardiac acceleration, etc., varying in this way the electrical potential of the body. The voluntary alteration of the own physical status, obtained with the concentration or emphasizing the own emotions, causes electrical variation in the body.

These variations allow to read Kirlian photographs by comparison. I have read (in a Tiller’s report, if I remember well) that the emission seen in a Kirlian photo passes through every material (paper, metal, cloth). It means that if for instance one puts the hand wearing a glove on the Kirlian camera, the photograph that is obtained will show the characteristic emission of his/her hand without any modification – like if the glove doesn’t exist. The only material that can disturb the emission of the photographed sample is the wood. Considering this American experimentation, I though that the specific kinds of emission which I was investigating (ESP, PK, etc.) should have a particular radiation, and as every radiation does it - this particular radiation should have its own frequency.

I tried with the only material in my hands that could stop the light: the black plastic envelope wrapping up the sensible black and white paper - that one used to make the Kirlian photographs. It was a good idea. The photographs of the hands that I did, inserting that black plastic sheet between the hand and the dielectric plate, were totally blank, except for some very little dots. (I am talking about the white and black photos. Of course, the photos in color were totally dark, except for some very little blue dots). The radiation didn’t pass.

Then, I tried to make the photos under my experimentation: first Kirlian photo without to do nothing (with the mind), second photo altering willingly the emotional state, and third photo of control – as the first. My idea was correct: all the second photos I did showed the typical crown around the fingers! What does this means? From my point of view it means that the idea of the “bioplasm” could be right. It means that “under certain condition” the human being emits a particular kind of “radiation”. It means that would be possible to detect the frequency of this “radiation” with the right equipment.

And this dismiss all those people (orthodox “scientists”, and not only them) who say that the Kirlian discharge seen on the photographic paper is only an electrical effect. Unbelievable, but because of this my new path of experimentation, it happens to me to be invited by an English foundation in London and in Paris. There I did a conference (in English, ah! ah!), not to the public but to the scientists working in this field and coming from all around the world.

The readers are lucky because can read this treatise in good English. But I wish to remind them about the hard work that Jan has done to make it comprehensible. Anyway, despite my English, some scientists from the States were fascinated by my experimentation. Yes, I was happy, but as far as I know, nobody has carried them out professionally after me!

Thank to the electroencephalography we also know our brain produces Alfa waves (813 cycles per second), Beta waves (1530 cycles per second), Theta (47 cycles per second) or Delta (0,5-3 cycles per second).

Now, as before, the problem is: what frequency corresponds to the skill of bending forks, spoons, glasses, etc.? A trace about this question has been given by Peter Bender, psychologist, in his introduction to the book [C16] “Da dove vengono i miei poteri?", by Matthew Manning, published by Armenia Editore, viale Cà Grande 2, Milano, Italia, copyright 1976 (original title: “The Link”, copyright 1974, Colyn Smithe Ltd).

In the summer of 1974, Dr George Owen, Director of the “Foundation for New Horizons Research” at Toronto, Canada, organized a seminar to study the extraordinary potential of Matthew Manning, another English psychic, who today is still not known as widely as Uri Geller. Joel L. Whitton was delegated to complete research on Mr Manning. He recorded a new type of profile on an electroencephalograph.

This profile appeared while Manning psychically “bent” keys and other similar objects. Amongst scientists which took part in these experiments was Prof. Brian Josephson, Member of the Royal Society and in 1973 Nobel Prize winner for Physics. In the official report received from Peter Bender, the psychologist who has written the introduction to the book of Manning, Whitton says that Manning was attached to the electroencephalographic device and to an electromiographic machine, both connected to a computer (Peter Bender was a psychologist who has written these notes in the introduction to the book “The Link” - Italian title “Da dove vengono i mie poteri”, by Matthew Manning). A normal tracing of Manning brain waves in relaxed condition were taken, and one while concentrating – bending a key.

During these experiments, the electromiograph revealed no muscular activity at all. According to the computer readings however, considering the rapid eye movements (R.E.M.), Manning was in the 4th grade of deep sleep (Theta), and yet, to the scientists present, it was evident that the youth had never slept (Matthew Manning was 18 years old when he wrote this book, so when experiments took place he probably was 17 or even less). The verified electroencephalographic outline was without precedent; and due to its form was called “ramp effect”.

This “ramp function” contained Theta waves and up to 49% of Beta waves (extreme concentration) lasted up to 20 seconds. On these experiments, Whitton published a pamphlet titled: “Ramp Functions in electroencephalographic energy tracing during effective and tentative paranormal phenomena”. Dr Owen, then published “Preliminary Report on the Physical Phenomena of Matthew Manning”.

(Unfortunately on the book there are no references about these reports.)

After I found out that children do not have the same mental “strength”, I formulated the following question: if we give a numeric value to the “strength” to bend, brake, or however to alter an object (for instance giving the child 8 in a hypothetical scale from one to ten), what there is before? And what there is after? And is there something after that? I mean, in a hypothetical scale of skills, if we place telepathy at 1, and telekinesis at 10, what would be before 1 and what would be after 10 (I believe that before 1 is what we call sensations, feelings, instincts, but after 10 most probably are skills that we are not able to imagine ...). It was for this reason that my “experimentation protocol” forced me to keep up to date with laboratory tools that I used.

The first of these tools was a heliogiroscope, or integral Crookes radiometer. Usually it is used in the schools as didactic tool. It has been invented by W. Crookes in 1875 and it is made with 4 thin little mica plates placed on 4 “arms” in the vacuum inside a sphere of glass. Each little plate is white on one side and black on the other side, turning when the light hit them. Exposing the tool/device to the light radiation, for instance to the sun light, the little darkened plates absorb the radiation which causes a certain quantity of heat to be produced.

The gaseous molecules which are near the darkened plates gain then a more kinetic energy than those near the plates not darkened (those white). Thus, between the darkened plate and the other not darkened, there is an imbalance of pressure in virtue of which the “arms” start to turn, in the direction pointed in the figure, with a certain speed – that within certain limits is proportional to the intensity of the radiation angle. (free translation from the text of my Encyclopedia [C17]). Because of a physics law I do not remember (and I do not wish to translate), they turn always in the same direction (i.e. clockwise).

The experimentation I did with the children was: to place the radiometer on a table, far from a light source, to wait the little plates stopped – due to the fact each little movement make them to wave – and then ask to child to let them turn. Well, those children able to let them turn, without to touch the radiometer, have done to turn the little plates in the opposite direction (anticlockwise). I don’t know very much (it is better to say I don’t know anything) about radiation and light property but from my point of view this above is an important thing trying to establish approximately the ‘mental’ frequency used to produce these phenomena.

But at that time I was not looking only for the phenomenon itself. I didn’t wish only tools ‘working’ with the ”Olympic champions”. I wanted also some tools able to highlight who was able ‘to run’, or at least who was able only to make ‘jogging’. In other words, one can have the skill to produce given frequencies but not to carry out them to the extreme consequences as to bend or break a key or make turn a Crookes radiometer in anti-clock direction.

Thus, I found out and added an other tool to my equipment: a neon tube. Yes, a normal neon tube, long about 50/60 cm – that generally speaking most of the people have over their mirror in the bathroom. I placed the neon tube on a table, or on a chair in a dark room. Then I asked to the child ‘to light it’: normally the neon tube lighted – in the sense it emitted a faint discontinuous luminescence. Probably the neon gas molecules inside the neon tube are excited by a given mental frequency. But I had found a tool for weak energies. In fact almost everybody can produce quite the same phenomena – also the adult person so called ‘normal’.

Many times I have repeated this experiment (to lit a neon tube) with friends and acquaintances. The only difference between children is: one must hold the neon tube in the hand. Everybody can try. If one is not able only with his own hands, can ask friends for help. Almost surely the skill to project our own energy towards outside of our bodies, is part of the PK phenomena. (I hope it is clear I am talking about a neon tube not electrically connected and far from any electrical source).

Through the experiments, the research and the explications obtained out of the children, I can say now in a simple words, what mechanism produces these kind of phenomena: the thought produces an emotion, the emotion produces energy, the energy produces the frequency, the frequency influences and/or interacts with the matter.

I still remember a boy, about 14 years old, one afternoon told me: “It doesn’t come”, meaning he was not able at the moment to produce the phenomena I had requested (to bend a fork placed on the table in another room). Then, with friendly behavior I asked him: “Have you never seen the Play Boy magazine?”. He looked at me very baffled (and embarrassed). But after a couple of second he shouted: “I understood!”. Practically I had suggested him to draw the needed emotion from his memory of something that once struck his imagination. With this story I do not want to say that those who will try to light a neon tube in the darkness and quietness of his own room should have the famous American magazine aside. I want only to point out as also the memory of a deep emotion is able to produce the needed emotion ‘to light’ a neon tube.

The requirement of working with one’s own emotions really needs to be stressed here. I think this is the reason why many psychic persons fail in the laboratory experiments. From all the bibliography published about the psychic research (and between the years 1970 and 1980 many texts have been released to the public which described results obtained by qualified American researchers and scientists), it doesn’t appear that somebody has tried experimentation with tools similar to mine. Furthermore, I believe there is a good chance to define the frequency emitted by one’s mind during making simple experiments with such devices. What frequency is needed to develop to excite the neon molecules? And why do not try also with the other noble gas as argon, xenon, etc.?

Is it necessary a different frequency for each noble gas? And yet what frequency is needed to turn the Crookes little plates? When it will be possible to find this “frequency/s”, it would be fundamental to find a frequency able to support them and to amplify them. In fact these frequencies “at natural” are like little burst of energy and they do not last enough time to give the possibility to work with them making researches. It could be possible, however, these my “wicked thoughts and experiences”, begun in the far year 1975, are today obsolete. In fact it happened to me to read an article [C18] published the 25th October 1995 by the Daily News from Fort Walton Beach, Florida, U.S.A.

The title was “Sony scientist stirs controversy with research in ESP laboratory” written by Peter Landers – Associated Press writer. The article says that one of the biggest Japanese company, the Sony Corporation, created and financed a research laboratory for ESP (Extra Sensorial Perception). In the last four years, it was pointed out in the article, Yoichiro Sako, a 38 years old graduate of prestigious Tokyo University, has been director of that Sony’s ESP laboratory (a special research section directly approved by Sony founders Akio Morita and Masaru Ibuka). It is not specified in the article what kind of experimentation are done in this laboratory, but in the interview Sako insists he is working on a very serious matter that will produce “a new technological revolution”.

Therefore, it could be a logical consequence to think that if the Sony is spending such money for ESP experimentation, these can be referred only to a product/item for the consumers/users working thanks to other/different “energies”. It could be something similar to our pyramid if, as Jan wrote in the first treatise, it seems that the idea of a device working by/with different energies has been ‘seeded’ in the minds of the most dissimilar persons. Thus, while most of the orthodox scientists from all around the world still today refuse to take only consideration to the possibility that man has some unexplained faculties making part of his own nature, it could be possible that the industry itself, finding some commercial use, goes over this intellectual/cultural gap of our “intelligentsia” pouring on the market items using just the psychic energy for working.

This long introduction has been necessary to explain my hypothesis about the pyramid working. In fact the psychokinesis (PK) is only one of the many skills the human being has. Between them there is also the telepathy, that one needed for our pyramid. But also this skill works for short moments, thus it would be necessary to support it with a carrier wave.

It could be possible also that the telepathy’s frequency is not only one, but it could vary according each person. At this point, from what I have understood during many years of questions, if one knows the frequency, the choice of the quartz, fundamental for the working of the pyramid, could be obviously more simple. There are some more precise information I would write as regard the pyramid I have: as for instance the shape (the pyramid seen in “my dream” didn’t have the shape of the pyramid that then I have built).

The fact I have done it with the measures in scale of the Cheops pyramid, is purely circumstantial. In fact that pyramid in perspex was the only one for sale. And to built it according to the shape of the pyramid of my “informer”, was for me too difficult. By chance, some years ago, I went to the supermarket for shopping and I saw the shape of the “original” pyramid on the soap/detersive counter.

It is a deodorizer for rooms, I think by GLED, with the shape of a pyramid. Its lower section comes off for about one centimeters from the upper cusp section to allow the exit of the perfume. This pyramid when it is closed has the more right shape. These my precise information could be important because the right shape corresponds to a certain gradient of the pyramid angles. And the angles deal in some way with the ratio of the other elements inserted in the pyramid.

The little being with blue eyes has passed/transmitted to me, together with the words, concepts for him very important. I didn’t understand anything about the concepts themselves, but I have absorbed, we could say for “mind contagion”, a part of his cognitions/knowledge. For instance, the matter of the “harmony”, or of the ratio with each element of the device, for him were very important, is linked in some way also to the angles gradient of the pyramid. It is how if the gradient of the angles are subordinate to a Law – a little bit as in geometry when one studies the rules of the plane surface, of the solids, etc. If to explain better I could draw, I will make the dashed projection of a second pyramid, attached to the first by the base in order to obtain a prism.

Then I will make the classic little semicircle on the double base angle so obtained. This could means that in order to transmit, the pyramid device should have the same shape (angles) of the receiver and its working could be linked to the angles gradient multiply by two - maybe. At this point, it shouldn’t be a great difference if one pyramid is here and its twin to the other side of the world, or in the space. Graham Hancock, in the book [C15] mentioned before, give to me also a not direct confirmation that our pyramid could be a device for communication.

He tells that, when acting by impulse, he lied down inside of the stone sarcophagus in the great Cheops Pyramid, he, quote:

“I relaxed and tried not to worry about the possibility of one of the pyramid guards coming in and finding me in this embarrassing and probably illegal position. Hoping that I would remain undisturbed for a few minutes, I folded my hands across my chest and gave voice to a sustained low-pitched tone – something I had tried out several times before at other points in the King’s Chamber. On those occasions, in the centre of the floor, I had noticed that the walls and ceiling seemed to collect the sound, to gather and to amplify it and project it back at me so that I could sense the returning vibrations through my feet and scalp and skin”.

“Now in the sarcophagus I was aware of very much the same effect, although seemingly amplified and concentrated many times over. It was like being in the sound-box of some giant, resonant musical instruments designed to emit for ever just one reverberating note. The sound was intense and quite disturbing. I imagined it rising out of the coffer and bouncing off the red granite walls and ceiling of the King’s Chamber, shooting up through the northern and southern ‘ventilation’ shafts and spreading across the Giza plateau like a sonic mushroom cloud.”

Sometimes I wonder if all the old pyramids we have in the world were only primitive reproductions of structures for the communications. Not one, but several times Graham Hancock writes in his Fingerprints of the Gods (see [C15]) that to be inside the great pyramid gave to him the feeling to be “inside of some huge instrument/device” that could have a precise function.

And if the holes, the wells, the improbable and absurd uphill and descent path/runs were only the stone reproduction of a strange printed circuit? And if, according to the researches of the astrophysicist, Richard Hoagland (USA), are the pyramids (and the Face) photographed on Mars confirmed? Then, the Hancock hypothesis about an ancient civilization, previous to that dated and offered by the archaeologists, could begin to have a meaning.

Personally I think our pyramid is a device utilizing two components:

• one known to us, electric or electronic

• the other psychobioelectrical, to us almost totally unknown

In the psychobioelectric component there are those potential and not developed faculties of the human being. And, according to my point of view, the telepathy is one of these.

Anyway, if somebody will not discover at which frequency work the “telepathic waves”, I strongly doubt it is possible to find for luck the correct oscillating quartz.

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C10. Further matters that should be considered in building the pyramid

The quartz, for instance, at natural state, is composed by prismatic crystals almost always ending in two rhombohedrons simulating a hexagonal bi-pyramid. Reading here and there, I have found out that our brain cells contain magnetite crystals (a cubic mineral hexacisottaedric). The salt (NaCl, cubic hexacisottaedric mineral) is in turn a crystal I have found also that, according to same geophysicists, I quote verbatim:

“the earth nucleus would be composed by an unique iron crystal. They have reached this conclusion after studying the earthquake waves. The waves passing through the core/centre of the Earth with direction North-South, take 4 seconds less to cover the diameter of the globe respect to the waves moving from East to West. It exists an unique crystalline structure able to explain this variation of the iron physical properties in function of the direction: the crystalline structure of the iron disguised as hexagonal prisms”

(Source: Italian TV News, 1995).

I don’t know anything about crystallography or geophysics, and the chemical information I pointed out are referred directly as I read them. But I have the feeling, just a sensation, there are some relations between the crystalline structure of the quartz, hexagonal prisms of iron, and our pyramid, as well as between magnetite, and salt. It is not up to me to say which are their relations/connections but I wonder: aren’t all these crystals – included those in our brain cells – electrical conductors? And couldn’t they be used to transmit?

After all, my little being with blue eyes hold the pyramid between his two hands, as if he was trying to close a circuit. Therefore, it could be possible that the magnetite crystals in our brain go in resonance with the quartz, with salt, and with two little magnets (iron) placed to the sides of the phial.

Where mercury is concerned, there is a curious note, instead. The Italian newspaper Il Corriere della Sera, dated 19 May 1996, wrote an article about a strange finding. In Honduras, the archaeologists, between them Robert J. Sharer, from Pennsylvania University, and the anthropologist Jane Buikstra, from New Mexico University, have found out - under 8 pyramids built one over the other one – two regal sepulchers with jewels and precious vases. The archaeologists, writes the newspaper, run into troubles because of the mercury the ancient priests spread on the bodies of the “Lords of Copan”. In fact, during the celebration of the religious ceremonies, it was a custom to burn some cinnabar/kinase and the by-product of this combustion was the mercury at elementary state that now pollutes the ground dug-out.

For researchers I would add a strange observation regarding the phial. Although it has been made several times (i.e. in several different models and copies), always under vacuum and always totally filled with the volume ratio: half salt and half mercury; I have noted a noticeable decrease of the salt after the period of time exceeding around half a year. The phials have been closed hermetically with the torch, therefore it shouldn’t happen even if there is some evaporation of water contained in salt. But it happens. Why?

I would like to suggest, even if I have already said it, a particular attention to the requirement imposed on the ratio which each single element of the pyramid should have in comparison to other elements, so that the “harmony” is achieved. This concept is clear in my mind, but I am not able to explain it in a scientific way. I can just suggest to the most available readers to consider the ‘Phi’ (Golden Section), the function able to define harmonic combination as regard to the measures of the elements inside our pyramid, and the cymatic (founder Hans Jenny) - the studying of the wave shape depicting the relation between frequency and shape.

There are very recent proves demonstrating this direct relation between shape and frequency. The discipline called “cymatic” by his founder Hans Jenny depict it in tangible way. Different kind of materials submitted to specific sound frequency take a specific shape and form, and these shapes and forms happens only to the given frequencies. Yet no-one can say why, or in which way, these shapes are in relation with the responsible frequencies of their making. But the fact is that shape and frequency are intimately linked/fastened (free translation taken from the book [C19] “Il Serpente nel Cielo” (original title “Serpent in the Sky”) by John Antony West (1979), published by Armenia Editore, Viale Cà Grande 2, Milano in the year 1981.

In the Hindu tradition, for instance, sound has always been understood to be the creative force from which all matter emanates. Although most scientists have discounted these as religious belief, modern physicists have recently begun to realize that all the matter at a subatomic level is in a state of constant motion: that matter is indeed energy at a different rates of vibration. And varying the rate of vibration we can change the structure of the matter.

The investigations by the Swiss doctor and scientist Hans Jenny lead him to develop some means able to obtain all the sound vibration. Jenny devised specialized apparatus to vibrate sound through various media, capturing on film the harmonic and often beautiful patterns produced by sound. Recently Dr P.G. Manners has developed Cymatic Wave Therapy, which he describes as “the medical transplanting of harmonic frequencies into the human structure”. This therapy is based on the idea that the body is vibrating, or giving off frequencies, and that scientific instruments can duplicate the ideal frequencies of any given area, and reinforce them.

In my opinion, the most difficult thing to realize in the pyramid is the quartz crystal. To obtain a correct working, it is necessary the “right” frequency, and the frequency we are looking for in this case, that of the telepathic waves, must be supported, reinforced or multiplied.

A really good work has been done by the New Zealand researcher Mike Silao. I invite the researchers to read his report here enclosed.

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C11. Coincidences

There is a question always running in my mind: when the so-called “coincidences” became improbable, and how do you actually define “coincidences”? In 1995 in Italy arrived from the States a movie of success. Its title was STARGATE, directed by Roland Emmerich, with Kurt Russell and James Spader. The science fiction story is linked to an archaeological find, leading the main heroes very far away in respect to their actual targets. They found inhabited planet far away from Earth. It is not my intention to tell you about the film, from a certain point of view banal and only for entertainment.

What I want to tell you is that this film induced in me one of the strongest emotions of my life. This emotion was due to the coincidence, or due to the case. At a certain point, during the projection of the film, our heroes come out from the corridor in a structure unknown to them, and turned back trying to understand and to observe where they are. Then they realized that they are outside of a huge pyramid lying on a millenarian sand. On the background there is the sky occupied by THREE PLANETS! Well, when I saw that frame I was breathless with astonishment: the image, the subject, and the cut of the frame were exactly the same as those from the painting that I did it in the year 1986 and published on the cover of the first (Italian) edition of the treatise “Story of one pyramid”.

How many possibilities are that this fact is a coincidence? If, as Jan said, some ideas are seeded in the minds of numerous different people, it perhaps is possible that creative minds – such as these of actors, writers, set designers, etc. – are receiving images or concepts very far away from our more immediate reality.

Ten years ago, in 1990, when I was still convinced that the working of the pyramid was a deal enough simple, it happened to me to meet a man, friend of some acquaintances. This man, about 30/35 years old, worked in the laboratory of a little firm producing alarm systems (I described him also in subsection C5). He too had the craze for research. And he talked to me about his experiments with infrared TV camera in “particular” environment: abandoned houses, houses infested by alleged ghosts, etc.

I was not really interested in his research, apart for the fact he had technical knowledge, a laboratory to work, an oscilloscope, and maybe a certain kind of interests. I needed something to meet him in confidence and to start talking about the pyramid. So, I suggested to him we make some infrared experiments also with the animals. Many times I had noticed a dog or a cat, especially those domesticated, as suddenly they followed with the eyes something of invisible to the human beings. The tension of their bodies, the attention of the glance, and the movement of their heads toward something of not visible to me, make me always crazy of curiosity – specially when you know to be alone in the room. This was the right trigger.

Our conversation became more confidential (from the technological point of view) and I was able to talk with him about a “device” for the communication I had dreamed (but I didn’t say anything about the little white being with blue eyes). And I just said, I need a technical advice. So it was one Sunday he invited me to his laboratory where he worked. I slipped the pyramid in a plastic bag and I presented myself to the appointment really on time. I started explaining him why I needed a technical advice, telling him also my strange experience with my feedback electroencephalograph (see subsection C5 originating from the first treatise [7]), but without details regarding the shape of my “device”.

When I thought he was enough “drunkenness/exhausted”, I drew out our pyramid with the same satisfaction of a conjurer when says “et voilà” (i.e. “here it is”). There was a long silence and no gesture of acceptance. I thought immediately he was repented of having given “rope” to me. After all he was always a technician - maybe I had hoped too much by his open mind. But after a time that seemed to me unbelievably long, he took the pyramid and brought it on the work bench. He connected it to the oscilloscope and started to turn a knob control.

Probably with different expectations, we start to gaze at the screen a set of lines more or less undulating. I didn’t understand anything about the meaning of those greenish lines on the black background. But he didn’t help me. He turned the knob, changed the connections between the pyramid and the oscilloscope and he was silent. To a certain point I felt from him some uneasiness or a certain irritation.

I considered he had enough time to understand if the pyramid was something that could work or not. I urged him to tell me something, at least for kindness.

“ I am baffled”, he told me.

“Why”, I asked hopeful.

“Because this ‘thing’”, said pointing at the pyramid, “theoretically and in practice cannot work. It has not any technical meaning.”

“But ”, I pressed him.

“But it emit something or receive something. Little, but there is. What I see here”, said pointing at the screen of the oscilloscope, “are not the frequencies of household electrical appliance or other devices – that among the other things I know very well. And more, the laboratory is shielded. There is an emission. But I do no know of which kind. I have never seen it”.

“Fantastic!”, I said trying to hold my excitement, “and how would be possible to know something more about it?”, I asked, trying to come to the point.

“Well, one would need to study this thing and to complete various experiments”, he replied.

“And could you do it?”, I asked almost sure the curiosity would push him to accept.

“No, not me”, he replied getting out of the invitation, “I cannot use the equipment of the laboratory’s boss. And more, I have no time for this things”.

I was very disappointed but not particularly surprised. By the time I well knew the reactions of the people: curiosity and uneasiness. I was looking for the right words to say a fast good-bye without to be impolite, when I was hit by his waiting attitude. All of a sudden I understood he had not finished.

“You know”, he started hesitant, “me too I have dreamed a pyramid” I was dumbfounded.

“Indeed?!”, I asked flopping down on the high work-stool.

“And when? Were there the same elements? And does it work?”, I asked, firing at him point-blank all the possible questions.

“Wait”, he said.

He set out for the entrance of the apartment where there was a modern wall book-shelve (without books) used mostly to put away equipment and supplies of materials. He moved something (covering with his body my sight), and a part of the library rotated disclosing to light a wall safe. He opened it and he drew out something which he brought toward me. They were 4 thick and little copper rods/sticks about 20/25 cm, 4 china/porcelain insulators (those old, still used in the lampposts in the street, just to be clear) and a “little thing” he called industrial quartz. He put all them on the work bench.

He arranged the china insulators forming a square (one for each corner). He inserted the 4 copper rods inside each hole of the china insulators and holding together the rods by the vertex, he said:

“This is what I have done”.

“But you didn’t assemble the industrial quartz, why?”, I asked.

“Because in any case it can work. It has no meaning”, he replied terse.

“I have dreamed it in 1986 but nothing of definite, not like yours. And I had a strong impulse to built it. But after I have abandoned it. In any case it cannot work”, he repeated stubbornly.

My speeches had no weight in these circumstances. He would have never tried to build it. His cognition and belief on what can work and what cannot work, would have always prevent from trying. And, from my point of view, he had also a little bit of fear. He didn’t tell me anything about his dream and he remained evasive about further possible details. We never met again.

I had much more luck with Nicholas Reiter, technical engineer on behalf of a research laboratory on solar energy, in Ohio, (USA), specialized in micro-manipulation in the vacuum. Also the meeting (only epistolary) I had with him has something of extraordinary. I had sent the first treatise “Story of one Pyramid” to Don Worley, a researcher in the States, hoping he knew somebody could be interested in our pyramid from the technical point of view. In the same days, I read a short article on a American newspaper about a research that nothing had to do with our pyramid.

But the kind of research done by this researcher let me think that maybe he could have the open mind and the scientific knowledge I was looking for tackling the many problems linked to the building of the pyramid. I decided to wrote to this man. His name was Nicholas Reiter. With my great surprise, Mr Reiter replied to my letter informing me he had already received the treatise “Story of one Pyramid” from a friend who asked if he could do something for the working of the pyramid.

The name of his friend was Don Worley, the same researcher to which I had sent the treatise.

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C12. Research

Since the time when Nick Reiter was young, he did researches on the Tesla coil effects – incidentally fundamental element for the working of the Kirlian Camera. He also investigated the anomalous electrostatic phenomena, and the bio-electric and bio-magnetic interactions. At the time I got in contact with him he was working in a solar energy research centre, as a specialist in micro-manipulation under vacuum. He has done an interesting research on the phial filled with salt and mercury inside our pyramid. His report about the result of research on this phial was published in the article [1D2.6.2].

Nick Reiter concludes his report saying that:

1. When properly constructed, a sealed end evacuated pyrex or quartz tube, containing crystalline anhydrous NaCl and liquid Hg, appears to act as a unique piezoelectric device.

2. When mechanically activated, the contents of the tube produce a visible light emitting plasma, the characteristics of which are strongly dependant on the composition and pressure of the ambient gas within the tube.

3. The plasma developed within the sealed tube produces strong RF emission which may be easily picked up by an AM band radio. Strongest emission appears to be between 500 kHz and 1.0 MHz.

4. The appearance of the tube plasma, and the property of RF emission, corroborate Ms. Giordano’s own early experiences.

Unfortunately, despite my attempts to get in contact with him in the following years, Nick Reiter has vanished. I mean, maybe in the meantime he moved to another town or in an other country, or maybe he was fed up, or maybe is dead. My letters didn’t come back. But he has never replied after the sending of his report. And I do not like to insist.

Other interesting is research is carried out by the New Zealand researcher Mike Silao <Mike-Silao@xtra.co.nz>. He completed at least two prototypes of the pyramid, and he took in great consideration the concepts given by the little being with blue eyes about “all must have a ratio” and “must be harmonic”.

He says that:

“extending from any form of life, there is an auric field which is supposed to hold information about thought and emotion. By using this very faint field as part of an interrupt signal to a ‘balanced circuit’ (oscillatory circuit) of some sort, the information will be then amplified and resent via telepathic waves. The task at hand is to ‘step down’ the frequency to that of normal brain wave functioning in the awareness state. The design will encompass the transmutation of plasmatic oscillations to electromagnetic waves (phial coherer design) which in turn will be made by resonant to the electromagnetic wave frequency of light.

 

This will be done by the use of a spiral geometry which has a natural mathematical progression to any specific design resonance. Using harmonic calculation based on the frequency band of Nick Reiter’s work, it was found the frequency range of 50 kHz to 1MHz was narrowed down to 660,080039 kHz... The crystal to use that will tune properly to the colloidal reaction or the plasmatic oscillation phenomenon should be one that is cut to a frequency of 660 kHz (more exactly should be 660.080039 kHz).”

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C13. The story of one pyramid goes on

In these days, while I am still adjusting my part of this treatise, I have received at last some chapters of Jan’s part. The reading of his chapter A left me really shocked. I didn’t know before what Jan was going to write. I like Jan, I like the friendship we have, and I admire him for his researches and findings. But I cannot digest the dark scenario of alien parasites invading the Earth and using the human beings for their goals (maybe because I am still an incurable romantic “girl”).

I know Jan has reached his logical conclusions using a rational investigative process, but ... but despite these his logical conclusions, I have some different feelings about that. We are talking about events which happened a long time ago, linked with other events still happening now. It is a difficult task. Not always the alleged proof gives a clear view of the facts and of the offenders...

This is the story of my pyramid until now, year 2000, and of course I do not know if there will be any other developments in the future. I would like to stress that all what I have written here really happened to me. I grew up during this years. My patience is reduced. My pyramid is full of dust in a box. Abandoned but not forgotten. Maybe the person who will be able to find a solution still must be born. I feel there is a solution.

Though many people could think that I should be satisfied because I have done a lot of things with my little knowledge, I am not satisfied at all. Sometimes, when I think I didn’t reach any of my targets about the pyramid despite all the “row” I have done, I am rather depressed. All the persons I have contacted because of our pyramid have been very kind. Even these people that didn’t understand what I wanted from them.

As for instance Uri Geller. I had met him many years ago in Geneve, Switzerland. We have been to dinner together with some other his friends, after his show in a theatre. In that occasion, during the dinner, he (mentally) bent a little pendant I had on my neck. He is a nice guy with fantastic paranormal skills. Those persons who fight him accusing him to be a swindler have never read the reports about hundreds of investigative experiments done with him at the Stanford Research Institute at Menlo Park, California, USA, by Dr Harold Puthoff and Russell Targ (Psychic Exploration, Vol. 2, by Edgard D. Mitchell & Associates, Inc. - G.P. Putnam’s Sons, New York, 1974).

Well, I decided to get in contact with him asking for some helpful idea about the pyramid. It has not been an easy thing to find him, but at last I succeeded. I sent him the “Story of one pyramid” in 1997. And a couple of months afterwards, I received a letter from him about his work, a request of subscription to one of his bulletins and his photo/card with his autograph ... “with love”.

From my point of view now, I have been always in the wrong place in the wrong moment of my life. Too young and impulsive while important things were happening to me. Thus, I have been not able to catch the opportunities life has offered to me. I drove my life just as one makes surf – enjoying of each good wave. Without to think about strategies for bringing the right people to my targets. I didn’t phoned, I didn’t send season cards, I didn’t have the patience to entertain boring people, or to listen the speeches of the white little being with blue eyes.

Now, in my second youth, I have lost a lot of my enthusiasm (but not all yet). I do not believe in people as before – my husband says “luckily”. The times are changed, and me too. I have another strange and difficult research in my hands, but I don’t go any more around looking for scientific help. I understand now that it is quite impossible to find a scientist that would sponsor one’s research – especially when the problems are as strange as mine - if he doesn’t work at the same problem as yours. I have been very lucky to meet Jan and to have the chance to work with him. I think now there was just one possibility over a million this could happen. Considering also we are in very two different parts of the world.

Last time, when Jan was in Palermo, he told me that some people were doubtful about the story I have told in the first edition [7] of the treatise “Story of one Pyramid”. It seemed too much to them – and none knows how is the other part of my life! I suppose the same persons, and this time maybe somebody else, will shudder reading this new part of the story. I can accept the dispute about my personal lucubration, but not that about the reality/truth of what is happened to me.

Therefore, reader/scientist/researcher, if my experiences disturb the professional part of your mind, or the knowledge you have of the world, you are not obliged to believe: just forget them. It is not my intention to convince everybody, but to report facts as they took place. Last thing for the foreign readers before to close: please, do not think all Italians are like me.

I am an odd/strange person also for some of them.

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C14. Literature referred to in this chapter

In my chapter I indicated several literature sources that I was using in my searches. Here is the complete list of them, supplemented with editorial details of each publication:

• [C1] John White and Stanley Krippner: “Future Science”. Published in Italy by Armenia Editore, 1978. Chapter by D. Sot Rogo: “Paranormal recorded voices: a paraphysics breach” (copyright 1977), page 399.

• [C2] “Handbook of parapsychology”. Copyright 1977 by Litton Educational Publishing, Inc., published by Van Nostrand Reinhold Co. In Italy published in 1979 by Armenia Editore (Address: Viale Ca’Granda, 2, Milano), edited by Benjamin B. Wolman, Laura A. Dale, Gertrude R. Schmeidler, Montague Ullman (pages 357, 362, 363, 649, 703).

• [C3] David W. Davenport and Ettore Vincenti: “2000 a.C.: Distruzione Atomica”. Copyright 1979. Published by Sugar Co. Edizioni s.r.l., v.le Tunisia 41, Milano, Italia. (Note that pages 129 to 130 of this book contain an ancient description of the pyramid.)

• [C4] Sheila Ostrander and Lynn Schroeder: “Psychic discoveries behind the iron curtain”. Copyright 1970 Prentice-Hall, Inc. Published in Italy in 1975 by Casa Editrice MEB (Address: Corso Dante, 73, 10126 Torino), under the title “Scoperte Psichiche Dietro la Cortina di Ferro”. Chapter XXVII, from page 353 to 362.

• [C5] Bill Schul and Ed Pettit: “Secret Power of Pyramids”. Copyright Fawcett Inc. (golden medal) and for Italy News Blitz-Eulama S.A./Armenia Editore. Published in Italy in 1977.

• [C6] Bill Schul and Ed Pettit: “Pyramid Power A New Reality”. Copyright 1986, Published in 1989 by Armenia Editore.

• [C7] Stanley Krippner and Daniel Rubin (editors): “The energies of consciousness explorations in Acupuncture, Auras and Kirlian Photography”. An INTERFACE book published by Gordon and Breach, New York. Copyright 1975 by Gordon and Breach Science Publishers Inc., Library of Congress catalog card number 74-29390. ISBN 0-677-05190-5. (Not published in Italian).

• [C8] Stanley Krippner and Daniel Rubin (editors): “Galaxies of Life - the human aura in acupuncture and Kirlian photography”. An INTERFACE book, published by Gordon and Brech, New York. Copyright 1973 by Gordon and Breach Science Publishers Inc. Library of Congress catalog card number 72-96759. ISBN 0-677-15480-1. (Not published in Italian).

• [C9] Peter Tompkins and Christopher Bird: “The Secret Life of Plants”. Penguin Book Australia Ltd. Copyright 1973. ISBN 0-1400-3930-9. Published in Italy by Sugar Co. Edizioni
  s.r.l. (v.le Tunisia 41, Milano, Italia) under the title “La Vita Segreta Delle Piante”.

• [C10] Cleve Backster: “Evidence of a Primary Perception in Plant Life”. International Journal of Parapsychology, Vol. X, No. 4, winter 1968, pages 329-48.

• [C11] “Evidence of a primary Perception at Cellular Level in Plant and Animal Life”. Unpublished work by Backster Research Foundation, Inc. 1973, 3 pages.

• [C12] “Handbook of Parapsychology”. Copyright 1977 by Litton Educational Publishing, Inc. Published by Van Nostrand Reinhold Co. In Italy published by Armenia Editore (pages 784, 785, 786, 793).

• [C13] Layall Watson: “Supernature”. Hodder and Stoughton, London 1973. ISBN 0340173688. Published in Italy by Rizzoli Editore.
  [C14] “Psychic Exploration”. Copyright 1974 by Edgar D. Mitchell & Associates, Inc. G.P. Putnam’s Sons, New York. Chapter XII by Marcel Vogel: “Communication between men and plants”. Published in Italy by Casa Editrice MEB Torino, 1975, Vol. 1 and 2. (From page 269 to 291.)

• [C15] Graham Hancock, “Fingerprints of the Gods” (Copyright Graham Hancock 1995, ISBN 887972201-8, published in Italy in 1996 by Casa Editrice Corbaccio s.r.l., Milano)

• [C16] “Da dove vengono i miei poteri?”, by Matthew Manning, published by Armenia Editore, viale Cà Grande 2, Milano, Italia, copyright 1976 (original title: The Link, copyright 1974, Colyn Smithe Ltd).

• [C17] “Dizionario Enciclopedico Italiano”, in 10 volumes, copyright 1970 by Istituto dell’Enciclopedia Italiana, founded by Giovanni Treccani, printed in Italy by Instituto Poligrafico dello Stato.

• [C18] Peter Landers – Associated Press writer, “Sony scientist stirs controversy with research in ESP laboratory”, published the 25th October 1995 by the Daily News from Fort Walton Beach, Florida, U.S.A.

• [C19] “Il Serpente nel Cielo” (original title “Serpent in the Sky”) by John Antony West (1979), published by Armenia Editore, Viale Cà Grande 2, Milano in the year 1981.

• [C20] Chris Morton and Ceri Louise Thomas, “The Mystery of the Crystal Skulls, unlocking the secrets of the past, present and future...”, Thortons - a division of Harper-Collins Publishers Ltd., 1997, ISBN 88-454-1598-8; In Italy copyright 1999, RCS Libri S.p.A. - Via Mecenate, 91 Milano, I° edizione Sonzogno, October 1999 (Describes ancient Maya legends which say that when these skulls carved entirely from huge quartz crystals are placed again in their pyramids, the world will be ready to receive the knowledge...).

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