by Leonard G. Horowitz
Horowitz, DMD, MA, MPH, DNM (hon.) is an internationally
known authority in behavioral science, public health,
emerging diseases, and natural healing. A graduate of
Harvard University specializing in media persuasion for
health education, this filmmaker and author of sixteen
books is globally considered the most credentialed and
accomplished critic of the pharmaceutical cartel. A
proponent of natural healing, Dr. Horowitz has been
honored as a "World Leading Intellectual" by officials
of the World Organization for Natural Medicine for his
revelations in the musical mathematics of creationism
that are impacting the fields of metaphysics, creative
consciousness, sacred geometry, musicology, and natural
healing according to his life's mission to help fulfill
humanity's Divine destiny to actualize world peace and
permacultural sustainability. Contact Dr. Horowitz at
This article details events in musical history that are central to
understanding and treating modern psychopathology, social
aggression, political corruption, genetic dysfunction, and
cross-cultural degeneration of traditional values risking life on
This history concerns
A=440Hz "standard tuning," and the
Rockefeller Foundation's military commercialization of music.
monopolization of the music industry features this imposed frequency
that is "herding" populations into,
...predisposing people to,
Alternatively, the most
natural, instinctively attractive, A=444Hz (C5=528Hz) frequency that
is most vividly displayed botanically has been suppressed.
the "good vibrations" that the plant kingdom obviously broadcasts in
its greenish-yellow display, remedial to emotional distress, social
aggression, and more, has been musically censored.
Thus, a musical
revolution is needed to advance world health and peace, and has
already begun with musicians retuning their instruments to perform
optimally, impact audiences beneficially, and restore integrity to
the performing arts and sciences.
Music makers are thus urged to
communicate and debate these facts, condemn the militarization of
music that has been secretly administered, and retune instruments
and voices to frequencies most sustaining and healing.
Contrary to popular opinion, the most powerful "hard" science
influencing society, politics, and economics is behavioral science.
This generally neglected fact enables advertising agencies, social
engineers, marketing firms, and the persuasive media, to direct
people, like cattle, most profitably.
A flock of sheep, for example, according to the Merck Veterinary
Manual, responds synchronously to stimuli, such as approaching dogs
or humans, due to a special set of nerve cells that fire
electrically causing the release of stress hormones associated with
the flight response and herd behavior.(1)
Malcolm Gladwell's, The
Tipping Point: How Little Things Can Make a Big Difference, cites
social examples of the small levels or percentages of a total
population required to act, "at which the momentum for change
becomes unstoppable" for the entire social network.(2)
There have been many unexplained "mass hysteria" episodes recorded
besides the War of the Worlds fright that was broadcast by CBS Radio
and narrated by Orson Welles, on October 30, 1938.(3)
Robert E. Bartholomew
called a related public health crisis, "Occupational Mass
Psychogenic Illness" in Transcultural Psychiatry.(4)
the warning that this bizarre herd behavior impacting health and
well-being reflects poorly on our mass mindset inspired by the
"[I]t is easy to lose sight of the dynamic, protean [varied] nature
of mass sociogenic illness and its historical and transcultural
manifestations, which mirror popular social and cultural
preoccupations that define each era and reflect unique social
beliefs about the nature of the world."(5)
Assuming the field of physics, including biophysics, is valid, and
the universe, including life, is primordially constructed
energetically - mathematically / harmonically / musically - energy
bioenergy or spirituality as a medium of consciousness)
impacts us physically very powerfully, and is mediated vibrationally,
really hydrosonically, through sounds' effects on water.(6)
Water, nearly eighty percent of human body weight, is a liquid
"Structured water" science,(7) as well as
the field of electro-genetics,(6) proves this thesis adequately,
given light (photons) and sound (phonons) have been shown to signal
communications within and between cells, via a liquid crystal proteo-glycan matrix in cells and tissues.(6)
evidences the theory of hydrosonic creationism involving DNA and
structured water.(7) Thus, bio-creation and health restoration may
have more to do with frequencies of sound energy, or music, than has
There are a lot of people who consider modern music annoying. Many
become emotionally disturbed listening to certain types of music.
What few people realize, regardless of the type of music played in
the Western World, the standard Anglo-American tuning for
instruments and voices was instituted at the same time, by the same
agents and agencies, advancing acoustic war studies for inducing
"mass hysteria." (8)
Analyzing the antecedents of current geopolitics and economics, this
dirty fact of musical history may be foundational to the status-quo,
and instrumental to contemporary sociocultural crises, including
modern pandemic psychopathology.
Throughout history there have been persons of wealth and power
engaged in war-making, profiteering, and various methods of
In 1770, for instance, Mayer Amschel Bauer
Rothschild) developed plans for the creation of
Illuminati, advancing the mission of global domination through a
network of central banks that his family and their silent partners
Many reputable authors track today's degenerative
socioeconomic trends, and aboriginal genocides, to the Illuminati's
powerful influence administered through private organizations
controlling multi-national corporations and governments (i.e.,
secret societies and governing councils, such as
the Council on Foreign Relations).
"As a result of this influence," wrote Thomas D. Schauf, in a
controversial review article and commentary urging the termination
of the un-American Federal Reserve Bank, and the offshore bankers'
control over the U.S. Treasury, "the arc of Western Civilization has
gone from 'ascent' - belief in God - focused on the higher centers of
love, joy, purity and selflessness, to descent... focused on the
lower centers of consciousness like those of power, wealth and
The apex was called the 'Enlightenment,'
when the 'Illuminated ones' - a Luciferian term meaning 'keepers of
the light' - took over for God. Typical of Satan, decline into moral
darkness is represented as light."(11)
Light and sound is generated and measured mathematically, according
It stands to reason then, following Schauf's
empirically evidenced thesis, we are engaged in a "conspiracy
reality" in which ultimate power and control is waged
bioenergetically (i.e., biospiritually), through frequency
modulations or electromagnetic manipulations affecting
"consciousness" and impacting biology, physiology, and human
The Rockefeller Foundation and Military Music
the Rothschilds set up their third and current central bank
in America, the
Federal Reserve Bank, with the help of their agents
J.P. Morgan and
J.D. Rockefeller, whose investments in American industry
had been Rothschild-financed since 1865. (9, 11)
World Wars I and II evidence the banking cartel's profitable
depopulation politics and policies.
For instance, in 1914, at the
beginning of World War I,
the German Rothschild bank loaned money to
the German government
the British Rothschild bank loaned money to
the French Rothschild bank loaned money to the French
War propaganda served the Rothschild's geopolitical and
financial agendas, and was provided by the three main European news
Wolff in Germany
Reuters in England
Havas in France,
...each financed by Rothschild banks. (9, 11)
Between World Wars I and II, accelerating during the 1930s,
scientific studies in musical frequencies best suited for war-making
were funded by the Rothschild-Rockefeller alliance, represented by
the Rockefeller Foundation and U.S. Navy.(8-11)
A major objective of this war, and profitable population control,
research was to determine the musical factors capable of producing
psychopathology, emotional distress, and "mass hysteria."(8)
Academically directed by grants provided by the Rockefeller
Foundation, in concert with the U.S. Navy and National Defense
Research Council according to the foundation's archives, acoustic
energy researchers, including Harold Burris-Meyer, an audio
engineer and drama instructor at New Jersey's Stevens Institute of
Technology, were commissioned.(8)
Burris-Meyer is best known for providing consulting services to the
"which used his expertise to optimize sound
installations in factories so that emotional motivation of
workers achieved through music would not be adversely effected
by factory noise...,"
...wrote James Tobias, a Professor of English at the Univ. of
Tobias reviewed Rockefeller Foundation (RF) archives, and documented
investigations leading to psychological warfare applications of
acoustic vibrations, ultimately advanced militarily and
Burris-Meyer, according to Tobias, contributed to the Department of
Defense during World War II,
"including building speaker arrays deployed on
warplanes such that enemy combatants could be addressed from the
air" to produce psycho-emotional affects leading to "mass
Additionally, the Princeton Radio Project played a role in this
This occurred precisely at the time the atomic bomb
Manhattan Project was beginning at Princeton involving Albert
Einstein at the Institute for Advanced Study (IAS).(12)
Poisonous Medicine and the Rockefeller Foundation's Investments in
Linking this "conspiracy reality" to the development of music for
"mass hysteria," and aversive public health impacts, the IAS "think
tank" was formed from the "vision of founding Director Abraham
Flexner," according to the IAS website.(13)
The infamous Abraham
Flexner, educated in Germany and America, on staff at the Carnegie
Foundation, and funded by the Rockefeller Foundation, sourced the
American medical reformation following U.S. Congressional acceptance
of his "Flexner Report." (14)
This infamous treatise exclusively
benefited the Anglo-American
petrochemical-pharmaceutical alliance that vilified every form of
natural healing to monopolize healthcare.
Based on Flexner's report,
advancing the Rockefeller's agenda, the U.S. Government exclusively
imposed medicine's reliance on deadly, not curative, drugs as is
The Rockefeller Foundation's Assistant Director for the Humanities
at the time Flexner compiled his report was John Marshall, who along
with the authors of Composing for the Films (Oxford University
Press, 1947) Hanns Eisler and Theodor Adorno, were
featured performers in the musical projects serving military and
commercial interests, juxtaposed with artistic and philanthropic
As this research and development of the broadcasting industry
advanced to impact "herd behavior" and public health, it is clear
that any malady generated musically/vibrationally (i.e.,
bioenergetically), would increase investors' profitability.
Although Eisler or Adorno appear to be innocent of wrongdoing,
according to Tobias, both were unfavorably treated by project
Eisler opposed the militarization of music used for cultural
manipulation, and was eventually deported following years of
harassment by the Federal Bureau of Investigation (FBI). This
publicity generated embarrassment for the Rockefeller Foundation.
According to Tobias, Burris-Meyer became convinced that,
"audio control of human emotions was possible for
a large enough portion of an audience to provide effective crowd
control - a line of research," that John Marshall, "ultimately
found irrelevant for understanding the artistic or cultural
values of music..." but obviously fulfilled a military
This best explains why this activity is linked in time, subject
matter, Foundation funding, and the Rothschild-Rockefeller
increasing war investments in Germany, Great Britain, and the U.S., to
establishing the Western World's standard musical tuning of A=440Hz
The fact that A=440Hz standard tuning is relatively distressing, as
adequately evidenced below and elsewhere,(7, 20-22) implicates these
parties and their research into aversive musical frequencies for
military and commercial uses.
Sequestering the History of A=440Hz Tuning
Raising more suspicion, when I personally contacted Professor Tobias
to request his consent to link his online paper (Composing for the Media
- Eisler and the
Rockefeller Foundation Music Projects) to this article, to
pull quotes of up to 600 words from it, or receive a submission from
him for publication in Medical Veritas journal, he declined saying
he did not wish to jeopardize future publication of his work.
However, a simple Internet search located his manuscript already
published by the Rockefeller Archive Center with the following
ethically repugnant notice:
"This research report is presented here with the
author's permission but should not be cited or quoted without
the author's consent...
"Rockefeller Archive Center Research Reports Online is a
periodic publication of the Rockefeller Archive Center...
intended to foster the network of scholarship in the history of
philanthropy and to highlight the diverse range of materials and
subjects covered in the collections at the Rockefeller Archive
The reports are drawn from essays submitted by
researchers who have visited the Archive Center, many of whom
have received grants from the Archive Center to support their
The ideas and opinions expressed in this report
are those of the author and are not intended to represent the
Rockefeller Archive Center."(8)
Frankly, under "fair use" copyright laws, Dr. Tobias, and the
Rockefeller Archive Center, has zero right to prohibit his Internet
published work,(8) to be
withheld from public scrutiny and scholarly commentary, particularly
as it involves matters of widespread psychosocial pathology, public
health, and national security, not simply "the history of
For the record, Dr. Tobias neglected to reply to my invitation to
prepare a Medical Veritas submission, or consent to be interviewed
by me on this topic.
Bioenergetic Music for "Mass Hysteria"
Tobias's manuscript makes it clear that he was alarmed at his
discovery that bioenergetic research in acoustic science focused on
producing the social impacts of emotional arousal and even "mass
This research included,
"investigations in 'physical
analysis' of sound effects, ...an established technique which
others may use in practice dependably...," the determination of
measures by which audience reactions could be accessed, "even
without any technical capacity for psychological measurement of
audience response," and the use of sound effects that "produced
what was really mass hysteria."(8)
Tobias noted the Foundation-funded investigations extended to,
"'average tolerance of sound effects of different intensities and of
different frequencies,' or... the effectiveness of sound in
relation to different noise levels... (Page 66).
interest here seems to be in the 'dramatic' use emphasized in... bringing audiences, with the use of the
'sensory appeal' of sound
effects, to states of 'mass hysteria'."(8)
These revelations best account for the "mass hysteria" demonstrated
by audiences responding to "Rock-n-Rollers," initially Elvis
Presley, followed by the "British Invaders."
It was recently
revealed that The Beatles were barred from performing in Israel
following an investigation that prompted the education ministry to
conclude the Beatles' performances caused:
"[H]ysteria and mass disorder... There is no musical or artistic
experience here, but a sensual display that arouses feelings of
aggression replete with sexual stimuli." (26)
At that time, the Israeli Mossad was effectively tracking Her
Majesty's Secret Service (MI6) and CIA's military interests, as it
had been since WWII.(6,10,14)
In 1938. the British-American radio
and television cartel was funded and administered by the Rockefeller
Foundation, also funding Jewish hate and administering Nazi
This Anglo-American media connection was evidenced by
On August 31, 1957, hysterical crowds trampled people, including
Canadian reporter, John Kirkwood, who wrote:
"It was like watching a
demented army swarm down the hillside to do battle in the plain when
those frenzied teenagers stormed the field. Elvis and his music
played a small part in the dizzy circus.
The big show was provided
by Vancouver teenagers, transformed into writhing, frenzied idiots
of delight by the savage jungle beat music.
A hard, bitter core of
teenage troublemakers turned Elvis Presley's one-night stand at the
Empire Stadium into the most disgusting exhibition of mass hysteria
and lunacy this city has ever witnessed...
Colonel Parker also
enjoyed reading the accounts of the riot the next day."(16)
It turns out that Colonel Tom Parker, Elvis's manager, was suspect
for illegally joining the U.S. Army as a European immigrant.
broke his co-management contract with Hank Snow for exclusive
control over Elvis's career, developed Presley's contact with RCA
(discussed below), and worked under the alias of "Col. Tom Parker,"
a name that he secretly stole from his Army base commander, Captain
His real name was Andreas Cornelis ("Andries") van Kuijk.(17)
Thus, the Empire Stadium riot pleasing to "Parker" was most likely a
successful U.S. military-RCA experiment to induce "mass hysteria,"
especially since RCA, according to Tobias, was a major participant
in the Rockefeller Foundation-funded research to musically produce
this precise audience impact.(8)
RCA, GE and the Navy
During WWI, U.S. Navy suppressed patents owned by the major companies
involved with radio manufacture in the U.S. facilitated the Brit's war
All production of radio equipment at that
time was allocated for the Army and Navy. The Navy sought to
maintain a Rockefeller-administered military-government monopoly
over the radio industry featuring advances in wireless radio.
This wartime command over radio never ended, as some believe, due to
the specious congressional indecision the Rockefeller leadership
forced regarding the maintenance of the supposed governmental
control over radio in 1918.
The questionable (mis)direction of the corporatist-government
monopoly did not prevent the Navy from creating a national radio
On April 8, 1919, U.S. Navy officials met with General
Electric Company (GE) executives to develop an American owned radio
company, so that the Navy could continue operating as a "front,"
exercising its control over the commercial radio monopoly.
resulting purchase of American Marconi by GE satisfied this command
and birthed the Radio Corporation of America (RCA).
The incestuous commercial-military cartel that formed included,
This alliance laid the groundwork for fascist control over
the energy industries, including human energy (bioenergy) and
spirituality that overlaps electro-genetics, and the eugenics and
psychiatric genetics movements advanced at that time by the same
The resulting developments included the National Broadcasting
Company (NBC), and a government created monopoly in radio and
television, with AT&T controlling telephone communications.(6, 7,
Hilmes's review of Rockefeller Foundation archives proves that a
major objective of the cartel was to coordinate British and American
corporate and military interests in radio research and television
broadcasting, initially featuring the BBC and RCA.
showed their research focused on,
This "black op"
is evidenced in many ways aside from the communications reviewed by
Tobias and Hilmes.(8, 15)
October 6, 1938, for example, the year before A=440Hz standard
tuning was adopted, researcher David Stevens wrote to Frank Jewett,
vice-president of ATT, regarding studies to,
"control the emotional
response of audiences by mechanical means."
Jewett's response letter of October 11, 1938, noted Bell Labs
officials expressed "embarrassment" for the company's involvements
in this nefarious project, despite its profitable applications and
military merits. (8)
"Thus," Tobias wrote, "this project was a typical Rockefeller
Foundation project, in that the goals were partially speculative,
but grounded, always, in establishing institutional networks that
might ultimately grow into much larger, actually feasible mass media
development projects serving commercial interests but having
'educational' or 'dramatic' uses."
Military, or "non-commercial, 'social
research,' was an important way in building not-yet commercial
mass media systems and applications..." (8)
This research was eventually applied in the development of modern
methods of public persuasion, and cultural indoctrination, by
television and radio networks currently considered "the mainstream
It must be emphasized that by 1961, according to a series of
Rockefeller Brothers Fund reports concerned with their search for
America's "National Purpose," that We The People would be governed
by the assertion that a,
"prudent corporate and military leadership
of the National Security State could link guns, butter, and the new
technology of missile and nuclear weapons production to the cause of
Freedom and the Free World."
(7; p. 204)
The Media Applies Military PsychoScience
According to the Rockefeller Foundation's archives, the Rockefellers
financed and helped organize the military media monopoly over
broadcasting, and through various forms of "education," the
programmable public's mindset.
Tobias, neglecting the foundation's cartel arrangements, noted that
television competition between NBC and CBS was,
"secretive and fierce
as production went into experimental phases..." (8)
Evidencing the intended illusion of competition, Congress, in 1974,
investigated the Rockefeller-directed Chase Manhattan Bank's stakes
in CBS and NBC, that rose to 14.1 and 4.5 percent, respectively
through NBC's parent, RCA.
The Congress recorded that the Chase
Manhattan Bank held stock in 28 broadcasting firms, including
start-ups based on musical intelligence.
After this report, the
Chase Manhattan Bank obtained 6.7% of ABC. The bank only required
five percent ownership to significantly influence "programming"
- a "psyops"
term meaning educational indoctrination, otherwise called
propaganda - for sociocultural engineering. (11)
"Burris-Meyer wanted to measure audience response
to the sound effects, and considered wiring audience members with a
According to televangelist, turned enemy of the pagan corporatist
state, Pat Robertson, the CHASE bank is a wealthy shareholder in
"It is believed other FED owners have similar holdings in the
media," Robertson cautioned in his book, The New World Order. "To
control the media, FED bankers call in their loans if the media
disagrees with them."
On page 131, he recommended abolishing the
John Marshall wrote that for responses to sound to be effective,
"emotion involvement is required. If the psycho-galvanometer gives
even a rough measure of emotional involvement, perhaps that is
sufficient for Burris-Meyer's purposes."
Marshall then "urged
Burris-Meyer to seek consultation from psychologists who had
consulted on the Princeton Radio Project... Thereafter,
Burris-Meyer worked through the American Film Center to experiment
with the recording of sound effects on film." (8)
Tobias noted that RF offered network broadcasting and
industrial connections to their grant awardees that assured success
in the industry and dispersion of research developments with
"Rockefeller support," he wrote, "particularly
through Marshall's insights and wide ranging personal network,
typically and vastly expanded the human and institutional
resources of any project grantee, in addition to monetary
"[M]usicality enabled a 'technicolor' proof of affective public
address," Tobias added, "raising the possibility of greater audience
involvement and the spectre of greater audience manipulation; the
clear educational and commercial application for musicality as 'control' stressed in Burris-Meyer's
'sound show'... in works
like Disney's Fantasia, were as much justifications for, as much as
demonstrations of, the use of [these] advanced [acoustic warfare]
Introducing A=440Hz to Professionals
The introduction of electronic sound for stage, screen, and
television did not proceed fluidly.
In 1910, motivated by a grant provided by the Rockefeller Foundation
for the American Federation of Musicians, the initial effort to
institute A=440Hz standard tuning had limited success in America. In
Europe, the initial effort had near zero impact.
promotions were needed to secure the music world's acceptance of
A=440Hz that was perceived as less pleasant, or dull when compared
with other frequencies described below.
Ironically, and most revealing about the Anglo-American cartel
arrangement, to persuade European musicians to accept this tuning,
and the British Standards Institute (BSI) adoption of it in 1939,
Rockefeller-Rothschild "black-op" officials employed Nazi party
propagandist, Joseph Goebbels.
At that time, Goebbels was advancing
to become England's greatest media nemesis.
Lynn Cavanagh reviewed the history of standard musical tuning and
determined that contrary to propaganda, and current consensus, it
was 1939, not 1938, as the true year the British Standards Institute
(BSI) adopted the A=440Hz standard promoted by the Rockefeller-Nazi
At the time, England was about to declare war with
Germany, so surely MI6 would have known of,
with IG Farben
the Standard Oil Company's fueling of Hitler's
military build-up against Poland
the funding of Hitler by the
Rothschild-Rockefeller-Warburg family bankers backing
IG Farben and the Nazi's as
partners in their emerging genocide
In other words, the A=440Hz frequency was instituted at the precise
time WWII preparations were being finalized by the
petrochemical-pharmaceutical war financiers.
invaded Poland officially starting WWII on Sept 1, 1939. Only three
months earlier, following widespread rejection of the A=440Hz
frequency vibration by musicians worldwide, Nazi propaganda minister
Joseph Goebbels argued on behalf of this, apparently very important,
intrusion into musical artistry, effectively persuading Hitler's
supposed enemies in Britain to adopt this allegedly superior
standard tuning for the "Master Race."
After the war, the Rockefeller Standard Oil Company was indicted by
a U.S. Federal Court, as an "enemy national," that is, an American
A=440 Versus A=444 Standard Tuning
Research and developments in musical weaponry, tuning with dissonant
frequencies, yielding the latest and greatest war making technology
for broadcasting "mass hysteria," was finally instituted in
1939 - speciously adopted, thusly, according to Cavanagh:
Success was achieved at a 1939 international conference held in
Presumably as a compromise between current tendencies and
earlier pitch standards, it was agreed that the international
standard for concert pitch would thenceforth be based upon A=440 Hz
- very close to the Royal Philharmonic's A=439 Hz of dubious
The BBC began to broadcast the A=440 Hz tuning note,
which, for the sake of accuracy was produced electronically. (16)
To help reconcile what was made irreconcilable by covert operators
and censorship, Cavanagh referenced Llewelyn S. Lloyd, and a
representative of the BSI knowledgeable about Lloyd's publication in
the Journal of the Royal Society of Arts (16 Dec., 1949; 80-81.)
entitled "International Standard Musical Pitch."
acknowledging the creative artistry and spirituality of
music-making, here is how propagandists at the B.B.C., effectively
controlled by Rothschild-Rockefeller banking families, electrically
generated the 440Hz frequency pure tone for media broadcasting:
The B.B.C. tuning-note is derived from an oscillator controlled by a
piezoelectric crystal that vibrates with a frequency of one million
Hz. This is reduced to a frequency of 1,000 Hz by electronic
dividers; it is then multiplied eleven times and divided by
twenty-five, so producing the required frequency of 440 Hz.
Hz is a prime number a frequency of 439 Hz could not be broadcast by
such means as this. (16)
Although the above detailed technical description for 440Hz pure
tone generation using electronic generators that were militarily
designed and custom built for the networks may be valid, these
historic facts have serious criminal implications.
According to preliminary research, analysis, and professional
discussions by Walton, Koehler, Reid, et al., on the web,(23)
A=440Hz frequency music conflicts with human energy centers (i.e.,
chakras) from the heart to the base of the spine. Alternatively,
chakras above the heart are stimulated.
Theoretically, the vibration
stimulates ego and left-brain function, suppressing the
"heart-mind," intuition and creative inspiration.
Not coincidently metaphysically, the interval between A=440Hz
(equivalent to F#=741Hz in the ancient original
Solfeggio scale) and
A=444Hz (C(5)=528Hz in the ancient original Solfeggio scale) is
classically known as the Devil's Interval in musicology, due to its
highly aversive disharmonious sound made when these two notes are
More harmonious alternatives have been obviously suppressed. For
instance, during the past decade, A=444Hz (C(5)=528Hz) analysis
found this frequency more compatible with nature.(22)
If humanity were to be optimally suppressed spiritually, the musical
tuning of A=444Hz would be neglected religiously, as it has been.
Religious leaders suppressed the original Solfeggio musical scale in
which A=444Hz, virtually equivalent to (C(5)=528Hz, is the "MI" tone
or "MIracle" note played by the Pythagoreans referenced by Tobias as
subscribing to the bioenergetic epistemologies described by
Much of this recovered knowledge was suppressed over
But enough of the amazing details about 528Hz
frequency (A=444Hz) are provided in Hydrosonics journal,
LOVE528.com, and LOVE The Real da Vinci CODE, to prompt
international outrage concerning the A=440Hz imposition, and a
musical revolution. (22)
This knowledge best explains why so many musicians intuitively feel
better tuning up, or down, a bit sharp or flat, from A=440Hz
More natural alternatives, especially A=444Hz
(C=528Hz) and A=432Hz, and have been growing in popularity.(21, 22)
Recording artists seek the ultimate musical expression reflected in
Divine-human communion. Musicians who are spiritually-sensitive to
pitch are compelled instinctively to reject intrusions to pure
creativity in harmony with the flow of sacred cosmic energy.
Lloyd, for example, an expert and leading critic of A=440Hz tuning,
described his innate drive to "tune-up" to a "brighter," more
soothing and inspiring frequency.
He described this as "an indelible
calling for a higher pitch."
The British author and composer
expressed his preference for precisely A=444Hz tuning. He wrote that
this 4Hz higher pitch is more pleasing generally for musicians
Here are his words:
My own experience in tuning an electronic organ to be used as a
continuo instrument with orchestra, in the late 1940s and early
'50s, showed me that New York orchestra musicians could with
difficulty be induced to tune their instruments to a'=440 Hz, but
that if the organ were tuned to that pitch it would in the course of
performance be flat as compared with the other instruments.
the other hand, I tuned the organ to a'=444 Hz, this difficulty
disappeared, and I take it that this latter pitch is approximately
that at which New York orchestra musicians habitually play, and to
which they involuntarily tend to return even if they have started
out by tuning their instruments to a'=440 Hz. (16)
Similarly, recent research by veteran piano tuner and custom piano
builder, Daniel Koehler, demonstrated the beneficial acoustic and
spiritual impact of prototype pianos that include granite bridges to
best accommodate the higher tension of strings tuned to A=444Hz
Koehler reported most enthusiastically (23) that the 528Hz
frequency resonates most powerfully and enduringly.
and duration of string resonance, Koehler wrote:
"We took an introductory level small grand at 5 feet 1 inch long,
and surpassed every 9 foot grand in the world on most of the piano
concerning sustain with lack of fall-off.
This is, with no boasting
intended, actual fact on which I would stake my 35-year professional
A=440 Versus A=432 Standard Tuning
A lot has been written on the A=432Hz tuning preference that is
mathematically consistent with the Fibonacci series of numbers, and,
therefore, universal design.
Among the advocates of A=432Hz standard
tuning is musician and researcher, Brian T. Collins, who launched a
website dedicated to posting articles supportive to this growing
musical-metaphysical movement for recovering optimal spirituality
through music "therapy."(21)
"The current tuning of music based on A=440 Hz does
not harmonize on any level that corresponds to cosmic movement,
rhythm, or natural vibration.
Mozart and Verdi both based their
music on natural vibration, and A=432 was nicknamed the 'Verdi
tuning.' Most western music, including popular New Age music is
still tuned at unnatural A=440Hz.
The difference between A=440 Hz
and A=432 Hz is only 8 vibrations per second, but it is a
perceptible difference in the human consciousness experience."(21)
An expanded review of A=432Hz tuning finds it throughout the
religious world according to many researchers.
"One of the oldest
uses of sound is for ceremonial and religious purposes.
chanting of a Hindu mantra, the recitation of the Jewish cantor, a
Christian hymn, or the call of a Moslem muezzin, sacred sound makes
its way into all of the various world's religions.
Robert Lewis, a student of the Rosicrucian Fellowship:
'The purpose of music in religious service is
to raise the vibratory rate of a congregation upward through
a series of overtones to a spiritual level.' (21)
"Archaic Egyptian instruments that have been unearthed, so far, are
largely tuned to A=432Hz.
In ancient Greece (the school book
original place for music) their instruments were predominantly tuned
to 432Hz. Within the archaic Greek Eleusenian Mysteries, Orpheus is
the god of music, death and rebirth, and was the keeper of the
Ambrosia and the music of transformation (his instruments were tuned
"...[O]ne can make audible harmonics, such as 72Hz (9 x 8 Hz),
144Hz (18 x 8 Hz) and 432Hz; and then further synchronize the music
in binaural 8Hz, to reawaken us to the orchestra of our thoughts, in
the cathedrals of our minds.
Such musical harmonics may also
resonate and upload one into a geometrical progression and harmonic
to time, which is generally accepted to be the congruence of the
amino acid/codon metabolism within the DNA double helix." (25)
A=444 (C(5)=528Hz) Versus A=432
It is readily apparent from a simple mathematical analysis that
A=444Hz and A=432 Hz are harmonically related and both, reportedly,
Prove the harmony yourself by simply subtracting 432
from 444. It yields 12; where 1+2=3 in Pythagorean math. Now take
528 and subtract 444 and you also get 12, or 3. Next, take 528 and
subtract 432 to get 96; where 9+6=15; and 1+5=6.
This result is
identical to 5+2+8=15 or 6.
Notice this set of numbers - 3s, 6s, 9s and 8s - are always
exclusively represented by these special natural pure tones, their
scales, and their harmonics. This is precisely what Leonardo da
Vinci's mentors emphasized about cosmic scales and mathematics. (21,
Nikola Tesla, too, taught his students about this unique set of
numbers, and always applied this math in his research and
inventions, including free energy machines, also suppressed by the
same petrochemical-pharmaceutical corporatists that advanced A=440Hz
standard tuning and nuclear energy.(26)
Tobias (page 91-92) also wrote of these esoteric "epistemologies" in
the context of reviewing Rockefeller Foundation and U.S. Navy funding
for militarizing music.
"In the course of this large-scale
historical transition in which bioinformatic epistemologies drew
from and displaced bioenergetic [i.e., biospiritual] ones... [h]istorically,
'visual music' theorists have attributed such attempts at writing
sound in magnetic, electrical, electronic, or digital media as
indebted to a larger history of "color organs," alchemy, or
Pythagorean or neo-Pythagorean epistemologies.
Here, though, we see
the tensions in clear detail: at stake is a historical transition
essentially bioenergetic epistemologies after Helmholtz and bioinformatic epistemologies emerging with Turing, Wiener, or
In the grand tradition of "bioenergetic epistemologies," this author
advanced "The Perfect Circle of Sound" - a decryption of "The Real da
Vinci Code," featured in the esoteric artist's most famous drawing,
The Vitruvian 'Wo/Man,' that includes the original Solfeggio
Here, the 3s, 6s and 9s, are exclusively represented by the set of
natural harmonics mathematically linked to ancient Pi, Phi, the
Fibonacci series, and the construction of the physical universe from
sound vibrations acting on water. (36) (See mathematical proofs in
Victor Showell's monographs in the journal HYDROSONICS, and also at
Alternatively, Tobias concluded,
"the Rockefeller Foundation's
careful project management and coordination," contributed to the
materialistic versus metaphysical industrialization of music in the
The U.S. Navy's Musical Manipulations
Besides the U.S. Navy's administrative control over the National
Public Health Service in America, this branch of the military has
always been at the forefront of war research, including,
...bearing on the subject of
frequencies required for producing "mass hysteria."
researching electromagnetic and bioacoustic methods of promoting
peaceful co-existence, the Navy has invested in space-based
weaponry, including satellite communications useful in advancing psychotronic warfare for population control. (10, 29)
In short, U.S. Naval Intelligence oversees or administers the most
advanced science in the fields of energy, bioenergy, and
communications on behalf of global industrialists.
radiological, biological, chemical, and musical weapons for
controlling humanity most profitably and effectively fall within the
Given this history, it is not surprising U.S. Navy celebrity, John
Calhoun Deagan, is credited for having allegedly persuaded the
American Federation of Musicians in 1910, at its annual convention,
"adopt A=440 standard tuning for orchestras and bands..."
Also, around this time, the Rockefeller and Carnegie Foundations
began providing grants to support the pseudoscience called
"eugenics," or "racial hygiene."(21)
The Rockefeller Foundation and Eugenics
The Rockefeller Foundation has been a prime sponsor of the United
Nations' depopulation program.
Terminating six billion people on
earth is their current objective.(31, 32)
Although most people find
this hard to believe, thanks to media propaganda,
depopulation is being advanced by the world's wealthiest
industrialists, among them
Bill Gates who promotes poisonous
vaccinations he lectures will reduce nearly 900,000,000 people in
the coming years, as shown in the documentary film, PHARMAWHORES:
The SHOWTIME Sting of Penn & Teller:
Historic accounts document the Rockefeller Foundation and its
corporate, medical, political and financial associates organized and
administered eugenics - the "science of genetic differences between
the races" - a mass murder program invented by the Anglo-American
cartel and adopted by the Nazis.(10, 28)
A=440Hz tuning, along with Psychiatric Genetics, was instituted at
this precise time with more Foundation money.
For this new field of
"science," the Foundation reorganized medical education in Germany,
creating and henceforth directing the "Kaiser Wilhelm Institute for
Psychiatry,'' and the "Kaiser Wilhelm Institute for Anthropology,
Eugenics and Human Heredity.'' (14)
The Rockefellers' chief executive of these institutions was the
infamous fascist war criminal, Swiss psychiatrist Ernst Rudin,
assisted by his protégés Otmar Verschuer and Franz J. Kallmann.(14)
In 1932, the British-led "Eugenics'' movement designated the
Rockefellers' appointee Rudin as the president of the worldwide
The movement called for the killing or
sterilizing of people whose heredity made them a perceived burden.
The Rockefeller Foundation's German grantees drew upon existing
American (i.e., Virginia's) "racial hygiene" statutes.
his assistant Josef Mengele collaborated on reports for special
courts which enforced Rudin's racial purity law against cohabitation
of Aryans and non-Aryans. (14)
The Cult of Militarized Music
According to Tobias, the wartime economy provided greater funding
for musical research and development for opportunists with
conflicting military and "non-profit" interests.
As military funding
increased, in September, 1941, Burris-Meyer was encouraged by the
Navy Sub-committee on Sound Sources of the National Defense Research
Council to receive $50,000 for another one year contract to deliver
what was called his "command performance." (8)
In January 1942, in a letter to John Marshall, Burris-Meyer stated
his belief that military applications of his acoustic research would
be used in the entertainment industry following the war.
thereafter, a California defense contractor planned to develop
"wired music" installations to deliver Muzak-style ambient sound in
movie theaters. (8)
"[t]he power of sound control to create musical,
That is, people's bodies would bioenergetically entrain to the musical frequencies and
electronically-engineered sound effects that would be most
emotionally charged causing people to act in certain programmable
This would occur "across a variety of environments," and
"across the war-time economy..."
Tobias noted that Burris-Meyer
had, in service to this risky vision, been "requisitioned by the
Navy," and with R.L. Cardinell, co-wrote, a "Guide to Industrial
Sound," published by the War Production Board (73 200R, RG 1.1,
Series 200, Box 282, Folder 3353). (8)
"Sound control," according to Tobias, "worked for the Rockefeller
Foundation, as... a general signifier of cultural, factory, and
Tobias's legendary characters considered the long-term implications
of militarizing music,
"in terms of both conflicts between 'trade'
and 'research,' as well as... the Foundation's goal of developing
non-profit, educational, industrial, and military institutional
This, Tobias wrote,
"is, in fact, the crux... in the overall
commoditization of listening across educational, artistic, working,
consuming, and military environments... [T]he 'culture industries'
were the commercial arm legitimating a broader control of
As in the 1500s, wherein Shakespearian plays were promotionally
pivotal in advancing English as the New World language, the
twentieth century's mass mediated musical manipulation of culture
and consciousness is hereby exposed as the modus operandi of the
On May 16, 1949, Rockefeller Foundation's Charles B. Fahs ran
into Burris-Meyer on the train platform at Penn Station in Newark,
and rode with him to Philadelphia.
Burris-Meyer was in uniform as a naval officer, heading to
Washington for further military research work... on,
"the problem of the control of human emotion as a
determinant of action." (8)
"B-M points out... the realization that we were moving into an
era when such control of human emotion would be technically possible
which led to the development of Nazism in Germany. It is clearly
indicated in Mein Kampf and in the work of Goebbels.
According to B-M, his wartime work demonstrated
that means to control emotion with sufficient precision to
determine the action of from two to eight percent of a given
While this percentage of a population is small,
it is perhaps quite adequate to be decisive. There is no use
ignoring the possibility of such techniques and hoping that the
disturbing visions of what the effects in politics might be will
The question is rather, as in the case of the
atom bomb, whether the techniques will be mastered and utilized
for democratic purposes before they are exploited for
This is the background of B-M's conviction that
this work is important and urgent in the United States."
Following Hanns Eisler's deportation from the United States to
Germany where he joined the East German intellectual establishment,
a 1958 interview he published is noteworthy.
Defending the East
German youth under attack in West Germany,
"for indulging in what he
agreed was the false ecstasy of 'boogie-woogie' and the 'stupid'
fashion of American-style jeans," Eisler commented in reference to
politics, youth, and urgent insurmountable social challenges.
American culture industries have a monumental influence over the
entire world." (8, 33)
Summary, Solutions and Conclusions
The science of,
...has a lot to do with the world's current crises,
history of musical instrument tuning, and the media.
This review of Rockefeller Foundation literature sets the record
straight regarding the organization's involvement with the
military-medical-petrochemical-pharmaceutical cartel's focus on
acoustic science to identify sounds useful in war.
technologies that produce vibrational frequencies applicable to
public persuasion and crowd control, and the synchronous
institutional standardization of A=440Hz musical instrument tuning
used throughout the Western World as advanced by partnered military
and commercial investors during the first half of the Twentieth
President Dwight Eisenhower protested against this "beast," warning
our parents that globalist threats to "Economic, Political, even
Spiritual" freedoms were mounting.(34)
Populations are now tethered like sheep by psycho-emotional
attachments and addictions to whatever this cartel sells and
promotes through radio and television.
This amounts to ENSLAVEMENT
for the conduct of genocide.
In essence, this "military-industrial complex," rooted in the world
of investment banking, has advanced a covert operation to control
populations most loudly and profitably.
Music bioenergetically affects your body chemistry, psychoneuroimmunology, and health.(35)
Your body is now vibrating musically, audibly and subliminally,
according to an institutionally imposed frequency that resonates in
harmony with aggression and in dissonance with LOVE.
Intensive research into the military and commercial value of
compelling "herd behavior" with music to induce stress, promote
diseases, and suppress spirituality, has enabled the world's
wealthiest people to exercise cultural control through
From this historic evidence in Rockefeller Foundation Archives, it
is clear that the investors in A=440Hz "standard tuning," some of
the least trust-worthy entities on earth, directed the U.S. Navy's
involvement in this "black-op" engaging the consortium-controlled
These findings strongly suggest the military's acoustic
frequency research and technological developments advanced during
the 1930s to induce psychosocial pathology, herd behavior, emotional
distress, and "mass hysteria," were successfully deployed and are
now being used against We The People.
Alternatively, musical frequencies most beneficial to health,
psychosocial harmony, and world peace have been suppressed.
These findings offer a most reasonable, simple, pleasant, and
powerful remedy residing in restoring naturally preferred
frequencies to music.
Instruments and voices tuned to A=444Hz
frequency are far more acoustically pleasing, instinctively
attractive, kinesthetically stimulating, spiritually refreshing,
scientifically linked to genetic repair, and arguably, even
resonating pure LOVE.
Given that the education and entertainment industries are so
negatively controlled and behaviorally controlling, alternatives to
the major networks are now required to free We The People.
the original American assignment given the media according to the
U.S.. Constitution and Bill of Rights, vanquished by the
Many musicians, mathematicians, physicians, physicists, and even
geneticists, now celebrate the emergence of truth about A=444Hz
(C(5)=528Hz) as an apparent carrier wave of LOVE, broadcasting
universally from the heart of the electromagnetic energy matrix.(7,
The vast majority of objective investigators now view these
revelations as an opportunity to rediscover our spiritual roots in
music, in accordance with an accelerating Spiritual Renaissance.
emergence of this knowledge is perfectly timed to remedy otherwise
impossible problems imposed on the world by unelected leaders of
economic and geopolitical chaos.
Thus, musicians, vocalists, and audiences are urged to discuss these
findings, reject the militarization of music that has been secretly
administered, and retune instruments, voices, and ears to
frequencies most sustaining and healing. Restoring integrity to the
performing arts and sciences this way will impact populations most
A not-for-profit service operating by donation to provide A=444Hz
(C(5)=528Hz) frequency transpositions of every genre of music is
under construction to accommodate the needs and encouragements of
recording artists and audiophiles worldwide advancing this Healthy
Musicians and vocalists are the life-stream of the music industry,
and humanity's last hope for physical salvation and Divine-human
The spiritual musical portals through which planetary
rebirth and harmonization is destined, await your vision and
Veterinary Manual. Social Behavior.
Whitehouse Station, NJ: Merck & Co., Inc., 2008.
2) Gladwell M.
The Tipping Point: How Little Things Can Make a Big Difference. New York: Little Brown, 2000.
3) Frater J. Top 10 bizarre cases of mass hysteria.
Listverse ultimate top 10 lists.
4) Wessely S. Protean nature of mass sociogenic illness: From
possessed nuns to chemical and biological terrorism fears. The
British Journal of Psychiatry 2002:180;300-306.
5) Bartholomew R.E.
Occupational Mass Psychogenic Illness. A Transcultural Perspective. Transcultural Psychiatry: 2000;37;4,
6) Horowitz LG. DNA:
Pirates of the Sacred Spiral. Sandpoint,
ID: Tetrahedron Press, 2004.
7) Horowitz LG.
Walk on Water. Sandpoint, ID: Tetrahedron Press,
8) Tobias J. -
Composing for the Media: Eisler and the
Rockefeller Foundation Music Projects - Rockefeller Archive Center Research
Reports Online, 2009.
9) Jubilee, 2012. The House of Rothschild. June 21, 2008.
10) Horowitz LG.
Death in the Air: Globalism, Terrorism & Toxic Warfare. Tetrahedron Press, (June) 2001.
11) Schauf TD. The Federal Reserve Is A PRIVATELY OWNED
12) Institute for Advanced Study. Albert Einstein. (See:
13) Institute for Advanced Study. Mission and History. (See:
14) Horowitz LG. The American Red Double-Cross.
15) Hilmes M.
Creating links between British and American
broadcasters in the 1930s. Rockefeller Archive Center Research
Reports Online, 2009.
16) Elvis Presley Pictures.
Elvis Presley Vancouver, Canada. Empire Stadium, August 31, 1957.
Colonel Tom Parker.
19) Robertson P.
The New World Order. Nashville, TN: Thomas
Nelson, Inc. 1982.
20) Cavanagh L. A brief history of the establishment of
international standard pitch A=440 Hertz. (Pdf file is available
for a free download. See reference here:
21) Collins BT. The Importance of 432hz Music. See:
22) Horowitz LG. LOVE528.com website and the online journal
HYDROSONICS provides much information on the 528Hz frequency.
23) Koehler D.
Pianos, Violin, and New Concert "A." Concert for
the Living Water, LIVE H2O, Official Forum. Discussion on A=444
(528), Jan. 25, 2010.
24) Koehler D. Personal communication, May, 2010.
25) Anonymous author of
blog provides relevant discussion
including Scientific American (March 1965, p. 28) reference to
genetic repair using natural frequencies.
26) Peterkin T.
Israel banned the Beatles fearing 'hysteria.' Telegraph.co.uk. Sept. 22, 2008
LOVE the Real da Vinci CODE. Sandpoint, ID:
Tetrahedron Press, 2007.
28) Horowitz LG and Pulio J.
Healing Codes for the Biological Apocalypse. Sandpoint, ID: Tetrahedron Press, 1998.
29) Horowitz LG.
Emerging Viruses AIDS & Ebola - Nature, Accident or Intentional? Rockport, MA: Tetrahedron Press, 1998.
30) The National Cyclopedia of American Biography. John Calhoun
Deagan. Volume 43, pp. 391-392. (See:
31) Gates B. TED Conference lecture: Reducing global warming by
reducing populations via vaccines and more. February, 2010. (
32) United Nations.
Population challenges and Development Goals.
New York: UN Dept. of Economic and Social Affairs, Population
Division (ST/ESA/SERA/248), 2005.
33) Eisler, Hanns, Gespräch mit Hans Bunge: Fragen Sie mehr über
Brecht. Munich: Rogner and Bernhard, 1976, p. 157.
34) Eisenhower DD. Military-Industrial Complex Speech.
Public Papers of the Presidents, Dwight D. Eisenhower, 1960 p.
35) Horowitz LG.
Healing Celebrations: Miraculous Recoveries Through Anxient
Scripture, Natural Medicine & Modern Science.
Sandpoint, ID: Tetrahedron Press, 2000.
36) Walton M and Horowitz LG.
Synthesizer re-tuning to the "Perfect Circle of Sound"
preliminary study with implications for bioenergetic healing.