by Jim Euclid

30 April, 2012
from Regolish Website




Amoebic life forms, (sylphs), as depicted in a photo taken by Trevor James Constable (far below) shows how varied are sentient intelligences on this planet. Who can tell which allegiance intelligence is directed, either toward Ahrimanic deception or Source inception; hell or heaven.


Goethe famously remarked,

'the little folk never scent the Devil even though he have them by the collar.'

Most of us claim we are above the superstitions of our predecessors, or generations past.


But few know, let alone have met, the devil. Even if they meet him face-to-face he would deceive us, primarily because he is often dressed as a friend, a lover, a parent, a leader or an angel. The greatest magic the devil ever performed was for us to believe he doesn't exist.

At the turn of the 20th Century, Rudolph Steiner remarked on evil,

'a great part of mankind today is already under the control, from one side or another, of Ahrimanic forces of a cosmic nature which are growing stronger and stronger.'

Few believed such a pessimistic tone, but for the majority of the 20th and early 21st centuries, this revelation is more accurate than any other. But such evil has been extant from time immemorial and will only be vanquished at the time of the Apocalypse (revelation of truth).


The apocalypse, as predicted in most Abrahamic religions, is an end-of-times, and is currently unfolding before our eyes across the globe.


David Icke is a classic messenger of truth, explaining how the hidden hand of the Ahrimanic powers, malevolent fourth dimensional alien forces, are subverting and enslaving humankind from within.


But these end-times are not of fire and brimstone, but of divine revelation of what has been hidden:

  • secret wisdoms

  • secret technologies

  • secret life forms

  • secret civilizations

This apocalypse must be discerned from the Apocalypse of the Illuminati, who use microwaves to transmit spurious telepathic message to 'channellers', HAARP frequencies to induce earthquakes where 'lost' artifacts are found and for the arrival of the messiah through Project Blue Beam.


Discernment is a priori in this labyrinthine 'mindfield' we find ourselves in these last few years of duality.

The end-times are not, however, as revealing as the symbols which have precluded the end-times. Stories, myths, legends, written allegories, fiction novels and plays all alluded to the symbolic journey of man from the depths of hell to liberation in renunciation of past omissions and commissions.

For example, Sophocles was one of the most famous ancient Greek playwrights, who play 'Oedipus Rex' tells of the journey of the protagonist who marries his mother and kills his father.


Along his journeys to meet this unfortunate destiny, he meets with the mythical sphinx, a human-animal sylph who asks him the famous question,

'What animal is that which in the morning goes on four feet, at noon on two, and in the evening upon three?' to which Oedipus replied, 'Man, who in childhood creeps on hands and knees, in manhood walks erect, and in old age with the aid of a staff.'

In getting the answer right (solving the riddle of life), Oedipus is free to continue and the Sphinx dies.


This tale is symbolic for the inner journey toward enlightenment, where at the pivotal moment before enlightenment, the forces of evil sense the upsurge in spiritual energy of the seeker and question his intent through a challenge of logic.


Wisdom, it seems, is the final step toward release from the enslavement of human form.



Trevor James Constable's 1957...

Amoeboid Bioform 'Critter'
by Ken Adachi
October 13, 2005

from Educate-Yourself Website


This photo was taken with infrared (IR) film by Trevor James Constable on August 25, 1957 in the Mojave desert of southern California.



Objects which emit heat will stand out on infrared film as lighter shades while colder objects will appear darker. Very cold areas will appear black.


This shot is only one of many living atmospheric bioforms captured on IR film during the period from approximately 1957-62 by Trevor and his friend, Dr. Jim Woods, on the early morning desert plateau prior to sunrise.


Some of these photos were included in Trevor's earlier book on this subject titled, They Live in the Sky. His 1975 blockbuster book, The Cosmic Pulse of Life, included this shot along with other photos of UFO's and pulsating, plasmoidal bioforms caught on IR film or in some instances, on regular high speed color film using a 18A infrared filter.


Trevor usually used a Leica G 35 mm camera for stills and super 8 color film for motion pictures during the late 1950's and 1960's.

In order to capture these anomalous events, Trevor would typically perform an exercise he learned from Franklin Thomas called the "Star Exercise" which had the effect of creating a vortex swirl in the ether in the atmosphere above and surrounding the person performing the movement. The longer Trevor performed the Star exercise movement, the larger and more intense this 'ether vortex' emanation would grow.


Atmospheric bioforms, dubbed "critters", were attracted to the source of this vortex. UFOs were also attracted to this localized perturbation of the ether.


Neither Trevor nor Jim could see these bioforms directly, but they were usually able to detect some sort of quick flash or momentary wavering of the air or in some cases, Jim could detect a feeling in his chest that told him that these creatures were nearby. The appearance and movement of these bioforms often occurred very quickly and they could move in and move out of the camera's view within a matter of a second or two.


Trevor or Jim had to shoot quickly if they hoped to catch something on film.


Trevor told me that only about 1% of their shots produced tangible results. You can imagine just how much time, effort, and film was devoted by these two men to obtain these images; truly a labor of dedication to further new frontiers of knowledge.

I scanned Trevor's original 1957 print in color in order to capture the B/W print exactly as it appeared in real life, but I then played with the image using PhotoShop 7 in order to draw out more detail.

In the three panel sequence seen below, I cropped the photo to focus on the bioform in the first shot. The second panel is switched over to grey scale and has a filter applied called "equalize." The third panel has been further enhanced by reversing the highlights and lowlights using the "solarize" filter and adjusting the brightness and contrast to maximize detail.


It's interesting to note how the third 'solarized' panel emphasizes a trajectory "track" that the critter seems to be following in the atmosphere. Trevor was surprised and pleased to notice how much detail could be drawn out of his pictures when digitized and ran through PhotoShop.


You can try playing with these shots yourself if you have PhotoShop installed on your computer. I've included three images below so you can click on full sized versions of each of these panels.

Here is the original description of this critter (and other frames) that was pasted to the back of Trevor's original print.

"This is the fourth photograph in a series of six successive exposures made by Trevor James Constable on the Mojave desert in California on 25 August 1957. These bioforms, which are invisible to normal sight, have been recorded here by infrared film and special techniques devised by Constable and described in his book "The Cosmic Pule fo Life".


These objects, which Constable claims are an integral part of the overall UFO scene, are biological organisms native to our atmosphere and not extraterrestrial spaceships.


When such bioforms enter the spectrum of visible light, they appear as rapidly moving, pulsatory light sources and are mutually confused with the more classical, structured interdimensional machines known as flying saucers, according to Constable. "

Full sized versions of the above 3 panels are available here:


Panel #1



Panel #2


Panel #3