November 27, 2008
An apocalyptic horse with glowing
red eyes welcoming visitors? Check √.
Nightmarish murals? Check √.
Strange words and symbols embedded in the floor? Check √.
Gargoyles sitting in suitcases? Check √.
Runways shaped like a Nazi swastika? Check √.
OK, this place is evil.
But seriously, there are so many irregularities
surrounding the DIA (Denver International Airport), that a voluminous
book could be written on the subject.
The facilities and the art displayed
lead many observers to believe that the DIA is much more than an airport: it
is literally a New-Age cathedral, full of occult symbolism and references to
The art at the DIA is NOT an aggregation of odd
choices made by people with poor taste, like many people think. It is a
cohesive collection of symbolic pieces that reflect the philosophy, the
beliefs and the goals of the global elite. The DIA is the largest airport in
America and it has cost over 4.8 billion dollars.
Everything regarding this airport has been
meticulously planned and everything is there for a reason.
The airport facilities themselves raised a ton of questions regarding the
true purpose of the mega-structure.
Numerous “creative” theories are
floating around the DIA regarding underground military bases, aliens and/or
reptilian creatures. While I’m aware that anything is possible, we will
stick to the documented facts.
The airport was built in 1995 on 34,000 acres. Its construction forced the
Stapleton International airport to shut down, although it used more gates
and runways than the DIA. The initial cost of construction was 1.7 billion $
but the final project elevated the bill to 4.8 billion: 3.1 BILLION $ over
Numerous irregularities have been reported
regarding the construction of the site:
Different contractors have been hired
for different parts of the airport. They’ve all been fired after
their job was done. This lead observers to believe that it was a
strategy to make sure nobody had the full scope of the project.
110 million cubic yards of earth have
been moved, way more than usually required. This arose suspicion of
construction taking place underground.
5300 miles of fiber optics were
installed for communications (USA coast to coast is 3000 miles in
Fueling system that can pump 1000
gallons of jet fuel per minute. This amount is totally absurd for a
Granite imported from all over the world
even if the project was already grossly over budget.
Construction of a huge tunnel system
(trucks can circulate in them) and underground trains. Most of those
aren’t used at the moment.
Analysis of the data available makes me reach at
least one conclusion: this gigantic structure will eventually become much
more than a regular commercial airport.
It has the capacity to handle a huge amount of
people and vehicles, leading observers to think that the structure might be
used as military base and others even add that it will be used as a civilian
concentration camp in the near future. I will not advance on this subject
because I do not have proof of those claims. I however would understand why
such plans would be top secret.
Let’s look at the soothing, traveler-friendly
art on display at the DIA.
1- Horse of the Apocalypse
So this is what welcomes you when you enter the
gates of hell…sorry, I meant the gates of the airport.
A 32 foot high fiberglass stallion with veins
popping out of its whole body and demonic eyes that glow red. Nice. I heard
the children love it. Interesting fact: the horse killed his creator, Luis
Jimenez, while he was working on it. A portion of the sculpture came loose
and smashed him, causing fatal injuries. His friends now say that the horse
What does it represent? The 1st thing that came to mind when I saw this
horrendous piece (for an airport anyways) is: the Pale horse of the
It is the fourth horse in the book of Revelation
in the Bible and is appropriately called “Death”.
“And I looked, and behold a pale horse;
and his name that sat on him was
Death, and Hell followed with him. And
power was given unto them over the
fourth part of the earth, to kill with
sword, and with hunger, and with
death, and with the beasts of the earth”.
In other words, the horse “Death” brought
killing with weapons, with hunger, and with disease.
That’s pretty extreme a family airport, right?
Doesn’t seem like that horse should be there. You will soon realize that it
fits perfectly with the rest of the DIA. By the way, this is one scary horse
2- Masonic Capstone
The stone is situated in the “Great Hall” of the
airport (term that is also used by masons to refer to their meeting hall).
There’s Freemason symbols on the stone and on the “keypad” which seems to be
written in Braille.
Notice on the capstone the mention “New World
This particular commission does not exist, so it
most likely refers to the
New World Order. There is also a time capsule
buried under the stone to be opened in 2094. The angled arm is very
enigmatic seems to have a purpose other than being decorative.
Any insights on this?
3 - Prophetic Murals
Divided into four walls, the murals painted by
Leo Tanguma are
supposed to represent peace, harmony and nature.
But I’m not getting these messages at all. When
you analyze the symbolism of the murals, you realize that they tell a
terrifying story of future events about to happen, as if it was some sort of
prophecy. There are specific social and political references and other
occult details that basically turn those paintings into a New World Order
Tanguma reportedly confirmed that he was given
guidelines for the paintings and was paid 100 000$ for the first ones. He
later denied he was given instructions and refuted any questions regarding
hidden meanings in his paintings. Previous Leo Tanguma murals were typical
Chicano art, politically charged and community oriented.
However, his work at the DIA sends a totally
different “vibe”, giving me the gut feeling that he simply drew someone
Let’s look at the paintings one by one:
A) “Peace and Harmony with Nature“
So the airport’s official website says that
the name of the mural is called “Peace and Harmony with Nature”. Really?
At the center of the piece, saddened children with extinct animal and
In the background, a forest on fire and
further back, a city on fire.
An interesting fact about that city is that
it has been retouched and painted over many times during the years, as
if it represents something important for the creators. It seems
surrounded by an ill colored haze, as if it was attacked by a
One of the children holds a
Mayan tablet depicting the end of
At the bottom, of this peaceful painting, we
see three open-caskets containing dead girls from different cultures.
Left is a Black woman, center is a Native
woman. Why are they laying there with the other animals? Are we
predicting the extinction of those races? We already know that the
military has developed race-specific chemical weapons.
Here’s what the
Project for New American
Century (PNAC), a think tank that defines the foreign and defense
policy of the US has to say about this:
"...the art of warfare...
vastly different than it is today...
“combat” likely will take place in new
advanced forms of biological warfare that can
genotypes may transform biological warfare
from the realm of terror
politically useful tool."
The girl above holds a Bible and a yellow
“juden” star used by the Nazi to identify jews. It seems to symbolize
the death of judeo-christian beliefs.
The group at the origin of the imagery of
this airport are definitively NOT christian or jewish.
have their own belief system that is way too complex to explain here.
I can however tell you that caskets are an
important part of Masonic symbolism as you can see in the next image
depicting the main symbols of freemasonry.
Tombs are also a big part of
Skull and Bones’ rituals.
B) Children of the World Dream of Peace
The 2nd mural is a two part piece.
We read from left to right, so I will
analyze it from left to right.
Children of all colors, dressed in folkloric
costumes give weapons wrapped in their country’s national flag to a…
German boy? Huh? Yes the Bavarian costume leaves no doubt.
The boy at the center of the image, holding
the hammer and apparently building something is German.
Even the American kid (dressed as a boy
seems eager to give his weapons and flag to the German boy. You’re in
the largest airport of America, in the middle of the USA, and this is
the mural we display. America joyfully submitting to Germany. It’s just
too odd to compute. This obviously represents countries of the world
giving up their military might and their national identity for “the
Another reference to a New World order, with
one government and one army. But why is the German boy at the center of
everything? There are so many allusions to Germany and Nazism in this
airport, there is NO WAY it can be a coincidence.
I can’t help but to
think of ”Operation Paperclip“, which brought prominent Nazi scientists
and researchers to the USA after WWII. Laying at the bottom of the mural
is a broken figure holding a riffle (representing war) with two doves
sitting on top of it (representing peace).
Heartwarming. Now follow the movement the of
the rainbow that starts underneath that statue, going around the
children and leading you to part II of the mural (which has recently
The monster has awakened!
This big and aggressive militaristic figure
is dressed in a Nazi uniform (notice the symbol on the hat) with a face
shaped like a gas mask. His hands are holding a rifle and a scimitar
that is rather violently molesting the peace bearing dove. On the left
is depicted an endless lineup of crying parents holding their limp, dead
baby. This is a truly atrocious painting, with no redeeming message or
The fact that this was displayed at the main
gate of the largest airport of America, during the age of political
correctness (the nineties) is totally aberrant. The militaristic figure
is glorified and all-powerful, situated at the center of the action. It
has regained its powers that it seemed to have lost after WWII. It is
back in full force and its leading the way to a new holocaust.
Look closely at the people on the left and the dead children sleeping on
bricks. There is no traces of violence on them. They’re simply devoid of
life, as if they were poisoned by the deadly gas emanating from the
rainbow above them.
The monster, protected by his gas mask, is
pointing the lineup of victims towards the letter on the bottom left.
It is an actual letter written by a Hama
Herchenberg, 14 years old, that died December 18, 1943 in Auschwitz
Concentration camp (as written at the bottom of the letter).
A little disturbing isn’t it.
Auschwitz was infamous for it use of toxic
The camp commandant, Rudolf Höß,
testified at the Nuremberg Trials that up to 3 million people had
died at Auschwitz, about 90 percent of whom were Jews. Most victims
were killed in Auschwitz II’s gas chambers using
The presence of a colorful rainbow and a
teddy-bear in this image, symbols our minds instantly associate with
youth and innocence, is totally sickening and twisted.
One last thing about the scimitar: it is a
symbol often used in Masonic imagery:
C) Peace and Harmony with Nature
What do you do when you’ve killed most of
the world population with toxic gas?
You celebrate around a
genetically-modified-glowing plant of course! Happy people from all over
the world irresistibly heading towards that plant, some are almost
flying towards it.
Right above this plant (that doesn’t exist
in real life) is a Jesus-like figure but is definitively not
All of the instinct species of the 1st mural
are all back in action and you even see a little dove appearing in the
plant. How nice.
They feel so much better now that there’s
much less people on earth now. The animals are happy too and they thank
you for dying. People can now use high levels of scientific knowledge to
live in a state of synthesized happiness provided by genetically
modified plants. Good for them.
The whales are jumping in the air, high-fiving
humans. If you look closely at the baby tigers, they have faces of human
children. Its it quite bizarre. This whole piece freaks of genetic
modification and magick.
To sum up, those murals clearly depicted admitted goals you can read in
documents calling for a New World Order:
If you’ve read about the
Georgia Guidestones, you might notice
that the themes are strikingly similar. Coincidence?
The Georgia Guidestones also feature
a capstone with a time capsule buried under it. There is no “conspiracy
theory” here, those are facts. Everything is written in stone for you to
see. The elites own this place and they build monuments to celebrate
their culture. Their “divine knowledge” is however inaccessible to you
unless you’re a high ranking member.
There is so much to interpret in those
murals that I’m convinced I’ve missed a lot of details (colors, shapes,
4 - The Swastika Runway
After seeing all of the allusions to Nazi Germany, would you be surprised if
the runways were shaped like a swastika? Here’s an aerial view of the
runways and below is how the runways appear in Google Map.
Draw your own conclusions.
I highly doubt that the guy who drew the runways
did not notice their odd shape.
I mean, someone in the process of drawing
and/or building had to say,
“Wait a minute, this kind of looks like that Nazi
symbol! We should maybe change it! We don’t want our new 4,1G$ airport to be
offensive or anything”.
But that did not happen for some reason.
5 - Other weirdness
Like I’ve said before, a book could be written on the DIA, so I’ll leave you
with unsorted oddities you can see at the DIA.
symbolism of gargoyles has always been a
mystery. Nobody can really explain the reason of their presence,
specifically on religious buildings.
Are they remnants of past pagan beliefs that
never went away? Do they represent something only “illuminated” people
“What are these fantastic monsters doing
in the cloisters under the very eyes of the brothers as they read?
What is the meaning of these unclean monkeys, strange savage lions
and monsters? To what purpose are here placed these creatures, half
beast, half man?
-St Bernard of Clairvaux
These photos are of a strange set of symbols
that run in the floor from the south end of The Great Hall on Level 5
and progress to the north end of The Great Hall.
Note the black disk which is occulting the
sun. There is no mistaking the architecture in the floor as depicting
the sun, and the black disk is beginning to eclipse it. When we arrive
at the north end of The Great Hall, there is a statue of Jeppesen which
is covering the sun.
Is it a reference to
the black sun, as
worshiped by the Nazis?
Is it supposed to be “native” art
representing mother earth?
Looks like an
alien “sprinkling” life on
earth. What's with the little faces at the top of the painting? Are they
alien watching us from space? I don’t know, I can’t find any information
about this piece.
It makes me think of crop circles for some reason.
Additional sources of
information or theories
Denver Airport Conspiracy Theory - A Documentary
April 28, 2008