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			Chapter Nine: Programming Linked to Stories, Movies, Cartoons, or 
			Role Play Dramatization 
			
			by: Svali 
			
			
			 
			In this chapter, I want to address a special type of programming 
			that is universal with the Illuminati. It is programming that is 
			linked to a story, movie, cartoon, or role play dramatization.  
			 
			For countless centuries, Illuminati trainers and leaders have used 
			role playing to reinforce as well as program children, and it is a 
			favorite mode of teaching up to this day. A typical drama set up, or 
			role play, will involve a "visit through time." The child is told, 
			while drugged or hypnotized, that it and the other children with it 
			(usually, a small group will go through this programming together) 
			are going to " time travel". The trainer or teacher is seen as 
			immensely powerful by the children, as he or she magically 
			transports them through time. They enter another room, where people 
			are dressed up in period costumes from whichever time period in 
			history the teacher wants the children to see. Everything is 
			historically accurate and well researched. An example: if the 
			children are to visit ancient Rome, they will be taken to a room in 
			the Senate, where the characters are dressed in togas. They will be 
			speaking to each other in ancient Latin and debating issues. Caesar, 
			or another king will enter the senate. Roman customs for a scenario 
			such as this one will be adhered to throughout the role play.  
			 
			One purpose of this role playing, is that the children are told they 
			are getting a "behind the scenes " peek at history. Illuminati 
			agenda will be put forward, and the children will "see" that famous 
			figures in history were actually Illuminists. This will reinforce 
			their "special ness" and the historicity of the group. It will also 
			reinforce language training, since the scenes may occur in medieval 
			England, or the French court of Louis XIV, etc. The scenes will also 
			contain a moral that builds on programming the children have been 
			undergoing. Maybe they will watch a "traitor" being "guillotined" in 
			the French court. Or an unworthy senator, who tries to betray his 
			king, will be stabbed. The child may be given a role in the play, 
			such as taking a secret message to the king or queen, to reinforce 
			courier programming. The child really believes that they have 
			stepped back into history, and are part of the process of helping 
			create history.  
			 
			With modern times, programming has become more sophisticated with 
			the advent of technology. Before television or movies, programming 
			was often "scripted" around famous fairy tales, or stories, read 
			aloud by one trainer while the second trainer worked with the child. 
			A good see-song voice is necessary in a "reader". The child would be 
			read the story, and under hypnosis and trauma, told that they are 
			one of the characters in the story. They are told the "real" meaning 
			of the story, its "hidden meaning" and told that whenever they hear 
			the story, to remember what it really means.  
			 
			Nowadays, movies and videos are frequently used in programming. 
			Favorite scripts include:  
			
				
					- 
					
					Walt Disney movies (Disney was an 
			Illuminist), especially Fantasia, Sleeping Beauty, The Little 
			Mermaid, Cinderella, Beauty and the Beast  
					- 
					
					The Wizard of Oz, both 
			books and movie, has been used  
					- 
					
					Any movie that incorporates Illuministic themes can be used. E.T. and Star Wars have been used 
			in more recent years  
				 
			 
			
			How Script programming is done:  
			
				
				The trainer will play the movie for 
			the child. The child is told that they will be "asked about " the 
			movie, this cues the child to use photographic recall about what 
			they are viewing. The trainer may show the child an edited shorter 
			version of the movie, with only parts of the whole, or may show the 
			child a short scene from the movie. 
  After watching the movie, or scene, the child is drugged to relax 
			it, then asked what it remembers. The child will be shocked if it 
			cannot recall items the trainer deems important, and will be forced 
			to watch the scenes repetitively. 
  When the child has total recall of the segments, the trainer will 
			tell the child that it is one of the characters. The child may be 
			heavily traumatized first, and a blank slate personality created 
			inside to be the desired character. The first thing the blank slate 
			sees is a recording of the movie, or scene. This is its "first 
			memory". The trainer will then link the scene with Illuminati 
			ideology. They will teach the child the "hidden meaning" in the 
			movie, and praise the child for being one of the few "enlightened 
			ones" who can understand what it truly means. The script programming 
			will often be linked to other programming the child is undergoing. 
			Military programming may be linked to Star Wars. Total recall 
			programming may be linked to Data in Star Trek. Computer programming 
			may be linked to Hal in 2001 A Space Odyssey; internal labyrinth 
			programming may be linked to the movie "Labyrinth". The 
			possibilities are quite varied and will depend on both the child and 
			the trainer as to which direction script programming will go. Music 
			from the show, or scene, will be used as a trigger to access the 
			programming inside or bring forward these personalities.  
			 
			
			Suggestions:  
			
				
				Scripted programming will often involve a great deal of 
			traumatization, to create the "blank slate" alters desired. The 
			programming will be ground in with repetition, electroshock, 
			torture, drugging and hypnosis. The alters inside who have gone 
			through this programming will often be highly disconnected from 
			external reality and may believe that they are part of a "script". 
			They may be Dorothy seeking the Emerald City (or the 
				achievement of 
			Illuminati rule on earth). They may be a computer or the character 
				Data. Reality orientation will be very important. Allow these parts 
			to experience safe outside reality, and test for themselves if they 
			are really part of a man or woman. Looking in a mirror may help, 
			when they express readiness. Having cognitive helpers who can share 
			daily life memories with them, may help to ground them. At first 
			they will be very surprised, even indignant or hostile, at 
			suggestions that they are not the character. They will think the 
			therapist is a trainer, or part of the script, since this is the 
			only reality that they have known. Re-grounding, patiently, over and 
			over to present reality, increased communication with others inside, 
			and eventually grieving over the intense amount of trickery and 
			deception that they experienced, will be necessary. With time and 
			patience these parts will be willing to give up their old "scripted" 
			roles and become part of the person's present reality.  
			 
			
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