|

by Kerry Sullivan
September 17, 2023
from
Ancient-Origins Website

Assyrian
relief carving, circa 883 to 859 BC,
which includes a representation which looks
surprisingly similar to modern-day handbags.
Source: Public domain
One of the more mysterious symbols that has been found in carvings
from the ancient world is an image that looks uncannily like a
modern-day handbag.
The shape appears,
-
in depictions
made by
the Sumerians of Iraq
-
in the ruins of
Turkish temples
-
in decorations of
the Maori of New Zealand
-
in crafts made by
the Olmecs of Central
America
Handbags can be seen in
the art of disparate cultures from around the world and throughout
time, with the first known instance,
of a handbag
appearing at the end of the Ice Age...
Once it's been pointed
out, its actually quite hard to avoid and the ubiquity of this
mysterious symbol raises captivating questions about its
significance and purpose in the ancient world.
What deeper meaning lies behind this recurrent and cross-cultural
portrayal of handbags, and what might it reveal about the
interconnectedness of humanity's ancient civilizations?
In this exploration, we
will delve into the symbolism and potential implications of this
timeless emblem, seeking to unravel the secrets hidden within.
Handbags as
Representations of the Cosmos?
It's hard to deny that these supposed "handbags" look surprisingly
similar to the contemporary purse.

An
intricately carved stone purse
about a
foot in width.
It is
decorated with the tree of life motif
that is
so prevalent in art from the period.
Metropolitan Museum of Art, NYC.
Source
According to
Laird
Scranton, the objects
depicted within ancient art,
"typically feature a
rounded handle-like top and a rectangular bottom, and may
include varying degrees of additional details of texture or
pattern."
The images sometimes
appear as stand-alone objects; while other times they are depicted
in the hand of a person, god or mythical being in a manner similar
to how one would hold a basket.
One possible theory for the proliferation of this image is that it's
a simple and straightforward representation of the cosmos.
The semi-circle of the
image - which appears to be the bag's strap - represents the
hemisphere of the sky.
Meanwhile, the solid
square base represents the earth.
"In ancient cultures
from Africa to India to China, the figure of a circle was
associated symbolically with concepts of spirituality or
non-materiality, while that of a square was often associated
with concepts of the Earth and of materiality," continued
Scranton.
Thus, some argue that the
image is used to symbolize,
the (re)unification
of the earth and sky, of the material and the non-material
elements of existence...

Could the mysterious handbag
really
represent the cosmos?
Assyrian relief carving from Nimrud,
883 to
859 B.C.
(Public
domain)
The Oldest
Depictions of Handbags
One of the earliest instances of the handbag motif can be seen in
the ruins of
Göbekli Tepe, located at the top of
a mountain ridge in southeastern Turkey.
Dating back to
approximately 11,000 BC, Göbekli Tepe is one of the oldest temple
complexes ever discovered.
While the exact purpose
of the mountain sanctuary is unknown, it appears that the temple may
have served as a site for religious sacrifices since archaeologists
have unearthed many butchered animal bones.
The walls and pillars of the temple at Göbekli Tepe are decorated
with finely carved animals, gods, and mythical creatures, perhaps in
an effort to portray the many different creations of the cosmos.
Nestled among this
tapestry of carvings from another era, appear to be three
handbags, adding an extra layer of mystery and intrigue to
the richly adorned walls and pillars of the ancient sanctuary.
Experts believe that early religions worshiped the fundamental
elements of life on earth.
Therefore,
"the three Göbekli
Tepe handbags, taken as an early form of those icons, could be
said to symbolically define the site as a temple," argued
Scranton.

Pillar 43 from Gobekli Tepe in Turkey
shows
three 'handbag' carvings along the top.
(Alistair Coombs)
Carvings of
Handbags Can Be Found from the Middle East to South America
Elsewhere, the handbag image shows up with striking similarities in
two stone reliefs, one made by the Assyrians of ancient Iraq
sometime between 880 to 859 BC and the other made by the Olmecs of
ancient Mesoamerica sometime between 1200 to 400 BC.
In both of these images, a male figure carries the handbag in his
hand, as if it were a basket or purse.
"When used in
Assyrian art it is said the purse holds magic dust. When
depicted in Olmec art they postulate it contains herbs for
getting high," explained B.L. Freeborn in
Noahsage.
This suggests that
handbags may have been a standard of measurement uniquely discovered
by both cultures.

Olmec Monument 19,
from La
Venta, Tabasco,
shows a
man holding the handbag in his hand.
(Xuan
Che / CC BY 2.0 )
In distant New Zealand, another intriguing instance of imagery which
appears to represent handbags surfaces within the cultural context
of the Maori people.
According to Maori
mythology,
a revered hero
undertook a remarkable journey to the abode of the gods, where
he acquired profound wisdom.
Upon his return to
Earth, this heroic figure was said to be carrying three baskets
filled with this divine knowledge.
These Maori "handbags"
bear a striking resemblance to the Göbekli Tepe artifacts, both
symbolizing a profound sense of reverence and gratitude for the
wisdom and insights believed to be bestowed by higher powers.
These depictions not only
serve as tangible representations of ancient narratives but also
highlight the universal human inclination to celebrate and preserve
the gifts of celestial inspiration.
Moreover, ancient Egyptian art reveals intriguing handbag-like
representations within hieroglyphs. In these depictions, the handbag
serves as a divine abode for gods and goddesses.
The purse's straps are
symbolized by the domed poles of portable tents, while the square
bottom represents the cloth or animal skins draped across these
poles.
Remarkably, this structural resemblance draws parallels with other
ancient architectural designs, such as the Native American teepee
and the central Asian yurt, underscoring the universality of this
symbol across diverse cultures and eras.
These numerous occurrences of the handbag symbol suggest its role as
a cosmological representation camouflaged within the ordinary guise
of a household item, specifically a basket.

Assyrian Relief with Winged Genius,
Walters Art Museum, Wikimedia.
Source
This subtle approach
aimed to facilitate comprehension among the general populace,
effectively bridging the gap between the profound cosmic concepts
and the everyday experiences of ordinary people.
|