from HiddenMysteries Website
They foresaw the future of the United States as a
beacon to the rest of the world, guiding the nations towards the
formation of a
New World Order of peace,
democracy, and enlightenment. Many people today would agree that the
US is indeed, in several ways, fulfilling this role already. If
nothing else, most people would certainly agree that the America has
come to dominate the world financially, and that among world
currencies, the American dollar is king.
The Great Pyramid, the All-Seeing Eye, and quirky phrases like “Deo Favente Perennis” (God’s Favor Through the Years”), or “Mind Your Business” appeared on early American currency. Indeed, the heads of “dead Presidents” and other state figures were not shown on US money until the twentieth century, when it was seen as less taboo. But all researchers of the subject agree that nothing tops the modern American one dollar bill for the sheer exactness and complexity of its mystical symbolism.
The meaning of the symbolism is so deep, the metaphors so multi-layered, and each element so precisely placed, that although all of the other American bills have changed their appearance to prevent counterfeiting (with the heads moved off-center, and the addition of funky rainbow colors) the perfection of the one dollar bill has remained intact.
When analyzing the symbolism of the one dollar bill, most researchers tend to focus on the repeated use of the number 13, which they always insist is “an important number sacred to Freemasons”, without demonstrating any proof of the supposed Masonic affinity for this particular number. This is, of course, the number of colonies that originally constituted the United States of America, and thus thirteen stars have been used in American heraldry since the start of the union, appearing not only on our first national flag, but upon many of our early coins as well. Since Freemasons were responsible for both the foundation of many of America’s institutions and the design of our national symbols, it is tempting to ascribe a Masonic significance to the use of this number, and indeed there may be one.
But there is no special mention of the number 13 in any known Masonic ritual, except perhaps in the rites of the Noble Order of the Shrine, where this number seems to be mentioned often, but with no particular meaning given to it. In any case, the Shriners did not exist at the time of the founding of the American Republic. None of the quintessential Masonic tomes, such as Albert Pike’s Morals and Dogma, make any special note of the number.
Although Pike examines the meaning of many numbers in terms of cabalism and sacred geometry, mention of 13 is conspicuously absent, almost like an office building from the early twentieth century in which the thirteenth floor has been superstitiously omitted. Even Freemason Manly P. Hall, in his 1944 book The Secret Destiny of America (where he interprets the history of the United States as the unfolding of an ancient Masonic plan) can only offer lamely that 13 symbolizes Jesus and the twelve apostles, or the Sun and the twelve zodiac signs.
One would expect him to offer something more interesting, but perhaps he was just being coy. Indeed, if there are any Masonic teachings regarding this number, then they are among the few Masonic teachings that have actually remained secret throughout the centuries.
My research tends to indicate that there is in fact a proto-Masonic significance to this number, and one which would have been of special importance to the founders of the United States, had they known about it.
At any rate, Masonic or not, the number 13 is undeniably the most omnipresent, most repeated symbol on the one dollar bill, although its use isn’t always explicit. Most of them are featured on the back of the bill. The pyramid on the left has thirteen layers, not including the eye at the top. Above the head of the eagle on the right, there is a constellation of thirteen pentagonal stars, arranged in the shape of a Seal of Solomon.
There are thirteen leaves on the olive branch in his right talon, and thirteen “Jonathan arrows”, as they’re called, in his right. There are thirteen horizontal divisions on the eagle’s shield, and thirteen vertical ones.
The motto “E Pluribus Unum”, written on the banner in his beak, contains thirteen letters. So too does the motto “Annuit Coeptis”, written above the pyramid on the left. Furthermore, if you add the number of letters in “Novus Ordo Seclorum” and “MDCCLXXVI” (“1776” in Roman numerals) written below the pyramid, you get 26, or two sets of thirteen. On the front of the bill, at the base of the portrait of George Washington, on each side there are eight leaves and five berries, indicating another two sets of thirteen.
There are also thirteen stars on the chevron on the seal of the Treasury Department that is featured to the right of Washington, overlaying the word “ONE.”
Clearly these allusions to the number thirteen are no accident. This truth is compounded by the letters in permanently featured words on the front of the dollar bill (that is, words not contingent upon any changing circumstance, such as the name of the US Treasurer).
These words include:
The total number of letters in these
words is 169, or 13 squared.
As the official representation of the original unit underpinning the economy, its unity is expressed with the plenteous use of “1”, the central placement of “ONE” on the back of the bill, and the use of the motto “E Pluribus, Unum” (“Out of Many, One”) underneath a constellation of thirteen stars, representing the original colonies that were “unified” at the creation of the United States.
The theme of “one” is continued with the
use of the first American President, George Washington, on
the front of the bill, and with the word “ONE” written next to him.
As well, I would include the symbol of the pyramid on the back,
which according to the designers of this emblem, was meant to
represent the ideal state, made up of individuals (the stones)
unified into one structure (the pyramid), under the divine unifying
principle (the All-Seeing Eye of Providence).
In the original Virgil poem, the words “Juppiter Omnipotes, Audacibus Annue Coeptis” were a plea for the deity to “favor my daring undertakings.” The words on the back of the dollar bill not only plea for, but confidently declare, God’s favor upon the “daring undertaking” there represented: creation of a “New Order of the Ages”, or new global power structure, headed by the newly-created republic of the United States. For these symbols and words belong not just to the dollar bill.
They are part of the Great Seal of the United States (click below images), created in 1776, at the same time the nation was founded.
It is the front and back side of the Great Seal which is represented on the back of the dollar bill.
The design of the Great Seal has never been ascribed to any one individual, and it has evolved a bit over the years.
But the essentials of the design were sketched out right at the beginning, in 1776, the year of the Revolution, emblazoned in Roman numerals beneath the pyramid on the back of the seal.
That’s right: the roundel featuring the eye above the pyramid is actually the reverse side of the great seal, and the roundel featuring the eagle is really the front. It is the front of the Seal which is used to seal official US documents, not the back. Several people are known to have contributed to the design of both sides of the Seal, including Benjamin Franklin, Thomas Jefferson, William Barton, Charles Thomson, and Pierre Eugene du Simitiere, and all but one were Freemasons.
The first metal die for the Seal was cut by Robert Scot, a Freemason, in 1782. However, although dies were commissioned for both the front and the back of the seal, only the front was actually cut. No die was made for the back of the seal until much later, and most people were not aware that their national seal had a back to it at all until it appeared on the dollar bill in 1935.
Thirty-third degree Freemason and historian Manly P. Hall wrote that the reverse of the seal was not originally used,
Just like the Great Seal, the one dollar bill was also designed by a group of Freemasons working for the government; in this case, President Franklin Roosevelt, Secretary of Agriculture Henry A. Wallace, and Secretary of the Treasury Henry Morgenthau, although the design was executed at the Bureau of Engraving and Printing (which employed exactly thirteen engravers).
It was Wallace’s
suggestion that the front and back of the Great Seal be used
on the reverse of the dollar, although he originally wanted the
front of the seal to be on the left, and the back of the seal to be
on the right, which makes sense logically. But it was President
Roosevelt who suggested switching that order, and putting the
more interesting reverse of the seal on the left, which made more
sense intuitively, since the Western eye naturally reads words and
images from left to right.
This man purportedly wanted to ensure that the
US would always be officially grounded in faith in divine
Providence, and thus this motto was put on all American coins
ever since, although it did not appear on paper currency until much
later. But “In God We Trust” is indeed a Masonic motto
– one used in almost all Masonic rituals, in which the participants
must pledge to always put their “trust in God” during the
ceremonies – and this specific phrase can be found in Masonic
dictionaries. Its appearance on the dollar bill in the 1950s may
have been meant to bolster a currency increasingly dependant on
faith due to changes in American monetary policy.
Among these was the FDIC, or Federal Deposit Insurance Corporation, which insured bank accounts to a limited amount in the event of a bank’s failure – something that was necessary after a number of bank failures had occurred in the previous years. And it may not be an accident that “FDIC” implies the word “fiducial”, a financial term with its roots in the Latin word “fides”, which means “trust, confidence, reliance, credence, belief, faith…. credit.”
(Fides was symbolized in the Mithraic mysteries by two hands clasped together, now a common Masonic motif, and the logo of Allstate insurance.)
It was this “faith” in the American dollar that Roosevelt and his friends may have been attempting to create with the new design of the dollar bill.
that faith was sorely needed, for in order to free up the money
needed to finance the New Deal, Roosevelt instituted
sweeping changes to the country’s monetary policy. He removed the
dollar from the “gold standard” to which it had been implicitly
set, so that he could have the money supply greatly expanded with no
predetermined limit. It worked to stabilize the economy just in time
for the United States to enter WWII, which turned out to be another
great economic stimulator.
Many of these currencies have repeatedly failed, and the governments of their countries remained continually insolvent, ever since.
So the dollar that we now use is one backed entirely by faith alone – the public’s faith in America’s economy, and America itself. The economies of other nations are dependant upon this faith as well. For if no one believed in the power of the dollar – if it was not universally accepted as a form of payment – then it would have no value.
As Jack Weatherford writes in The History of Money:
Likewise, William Greider wrote in Secrets of the Temple: How the Federal Reserve Runs the Country that:
Of course, even before paper money became widely used, the worth of gold and silver coins rested on a similar social contract – a common, agreed-upon value. But the difference is that gold and silver have intrinsic value, and when these coins were used in the past, their value was roughly equal (when made properly) to the value of the metal of which they consisted.
But our current paper dollars are “fiat currency” –
representations of wealth that have no physical existence until they
are used to purchase something that does – in which case, they cease
to be dollars.
In addition to these two currencies, each of which were issued by the federal government, there were, throughout the United States’ early history, many paper dollars in circulation that were issued by privately-owned banks throughout the various states.
These dollars differed widely in
appearance from one another, which led to massive counterfeiting,
and when the banks failed, which they often did, the dollars became
worthless. Numerous measures were taken by the federal government in
attempts to control this problem. Finally, in 1913, a series of
banking collapses inspired the creation of the nation’s new central
the Federal Reserve, and a new
banking and monetary system, the Federal Reserve System.
But when backed by a powerful dynamo like the Fed,
which created tremendous faith in the integrity of the money supply,
the new money system became an unstoppable force. In fractional
reserve lending, a bank can take the money from its depositors’
accounts, and lend it out to various persons or institutions on
interest. It can loan out the vast majority of the money deposited
(say, 87%), leaving only a fraction (13%) in the bank’s vaults. This
fraction is called the “reserve”, and it is the only
“actual” money sitting in the bank, backing all of the various loans
- the only money that is really ready to be withdrawn, should the
depositors choose to withdraw from their accounts.
This money is then spent
into the economy again. Thus the money supply multiplies
exponentially, and the economy itself acts as a money multiplier – a
manna machine, in a way. Money can always be used to make
This is the primary way in which the Federal Reserve controls the money supply, and thus, as much as possible, the American economy: too much money being loaned out (and thus created) leads to inflation, and too little leads to recession. When the Fed first loans it out to the member banks, the money is “created”, and each time those banks lend it out, they are breeding more.
As Martin Mayer writes in The Fed: The Inside Story of How the World’s Most Powerful Financial Institution Drives the Markets:
Some see the way in which fiat currency, especially paper and electronic money, can be simply “created, as nothing short of magic."
Scottish philosopher John Law wrote in his 1705 book, Money and Trade Considered with a Proposal for Supplying the Nation with Money, that he had discovered the “Philosopher’s Stone” of the alchemists, which could purportedly turn lead into gold, or dross into something valuable. The key to alchemy, he said, was the printing of paper money, and in 1715 he was hired by the French government to put his theories into action. Law was put in charge of France’s national Banque Royale, as well as the Mississippi Company, which gathered investments from French citizens to finance operations in French Louisiana, promising the investors profit payments.
He set up a paper-passing scheme between
the bank and the Company, in which investors could borrow paper
money printed by the bank to invest in the Company. They were
expected to pay back the bank in gold, while the Company paid their
profits in the bank’s paper money, which was supposedly redeemable
in gold. The whole scheme collapsed dramatically in what became
known as “the Great Mississippi Bubble”, and Law fled
in disgrace, dying shortly thereafter. But his ideas went on to
influence German writer Wolfgang von Goethe.
In this book, I demonstrate that the creation of money by the Federal Reserve, and its exponential multiplication by the procedures of the banking system, is analogous to the creation and multiplication of gold in alchemy. The power of money to transform almost any thing or situation into another is similar to the alchemical power of the so-called “Universal Agent” or “Philosopher’s Stone”, and the act of turning paper into dollars is like turning lead into gold. The members of the Federal Reserve Board are in many ways like sorcerers, conjuring wealth seemingly out of thin air and distributing it at will to transform the American economy according to their desires.
The dollar is “fiat currency”, declared into existence by the central bank in a manner similar to the creation of the universe by the divine words “Fiat Lux!” - “Let there be light!” Fiat money (best exemplified by the American dollar) is perhaps the only thing that truly means nothing, and has no independent existence, except in relation to something else (i.e., what it can buy, or be converted into), and yet it is the most powerful force within the human sphere of life – like the “Azoth”, or secret essence of life spoken of in alchemical texts.
In Solomon’s Treasure, I explore the history of the
dollar prior to the formation of the Federal Reserve in
1913, and conclude that most of these magical principles
were at work in the American economy from the very beginning.
These objects thus act as magical charms, containing a unit of magical charge that is passed on from one person to the next, and multiplied, as the money changes hands. They also act as tokens of communal trust in, and fidelity to, the dollar as an institution. The symbols and key phrases associated with it thus work to enchant the public into a mass hypnotic spell, in which the mind of each individual confirms the consensus belief in the power of a dollar, and its ability to multiply itself as it moves through the system.
Every time a person spends a dollar, or
accepts a dollar as payment, they are confirming their belief in the
dollar, and using it to exercise their spiritual will.
The words “E Pluribus Unum” and the other twelve examples of “one” on the bill, along with the pyramid, remind us that our society is made up of various parts that are essentially united, and money is the great uniter, since it is the one thing that everyone in the country uses.
The spider web motif in the background of the bill’s design shows that we are all connected through the web of commerce. The bald eagle on the front of the Great Seal looks a bit peculiar, and Masonic expert Manly P. Hall claims that it is meant to secretly represent the phoenix, the mythical bird who eternally dies and is reborn, and which is a symbol of transformation in alchemy. (Indeed, the original proposals for the design of the Seal did call for a phoenix instead.) Even the green color of U.S. dollars is symbolic, representing fecundity, plenteousness, and growth.
Former U.S. Treasurer Mary Ellen Withrow explicitly stated in a interview with New Yorker Magazine that this is why the color green is used.
The meaning of the number thirteen is related to alchemy as well.
As I explain in my book, the number 13 symbolized, for one proto-Masonic society, a concept which was itself equivalent to the idea of the Philosopher’s Stone. I am speaking of the Knights Templar, progenitors of modern Freemasons, and inventors of modern banking. Their concept of God, which they called “Baphomet”, was symbolized by the number thirteen, and as I will explain in Part Two, Baphomet was, to them, the key to applied alchemy – both economically and otherwise.
I believe that the Templars
passed on the secrets of alchemy to the Freemasons,
who utilized them in the creation of the U.S. dollar. Incidentally,
the use of the number 13 can be found not just on the one-dollar
bill, but throughout the structure of the U.S. monetary system – in
the way the Federal Reserve operates, for instance. One of the most
striking examples, however, is the fact that there are exactly six
types of coins, and seven denominations of paper money, currently in
circulation in the U.S.
I have always thought it to be reminiscent of the Caduceus, the magical wand of Hermes, a staff with a serpent entwined upon it, which has long been a symbol of alchemical transformation and healing (thus its use by the medical profession).
Author David Ovason, in The Secret Symbols of the Dollar
Bill, concurs, and adds that a symbol almost identical to the
dollar sign is used in astrology to denote Mercury, the
Roman version of Hermes, the god of alchemy.
dollar sign thus supposedly evolved, according to this theory, to
represent two pillars wrapped in a banner (recalling that the
earliest versions of the $ sign included two vertical
lines, not one). But Masonic author Albert Pike has
pointed out that the coins of ancient Tyre featured serpents
coiled around trees, representing the Garden of Eden and the
Tree of Knowledge – an equivalent symbol to the Caduceus.
And author Ignatius Donnelly (Atlantis: The Antediluvian
World) stated his belief that the dollar sign represented
the Pillars of Hercules entwined with the serpent of Genesis.
These facts should cause all to examine more carefully, and learn to
appreciate, the complex mystical qualities of the money that so many
of us take for granted.
It is commonly known now, more so than ever before, that the United States of America was founded largely by men with a philosophy grounded in the occult: namely the members of Freemasonry, and other secret societies, who saw in the US a potential “New Atlantis” or “New Jerusalem.”
foresaw the future of the United States as a beacon to the rest of
guiding the nations towards the formation of a New World Order of
peace, democracy, and enlightenment. Many people today would agree
that the US is indeed, in many ways, fulfilling this role already.
If nothing else, most people would certainly agree that the America
has come to dominate the world financially, and that among world
currencies, the American dollar is king.
many words have been written by conspiracy theorists analyzing the
Masonic symbols on the one dollar bill, no one has yet been
able to sufficiently explain why these symbols are there, or what
they really mean. Certainly no researcher yet has successfully
connected the markings on American money to the hidden secrets of
the American monetary system.
The riches of the New World spawned a global mercantile economy, centered on America, which led to the downfall of the old economic order, paving the way for the Freemason-inspired revolutions that swept Europe and transformed the world. This led to the creation of secular Republics and Capitalist economies throughout the West and beyond.
These changes, the author says,
would have been impossible without the uniquely magical properties
of the American dollar, and the works which it financed. Indeed, she
argues, the social, scientific, and technological advances of the
past two centuries could not have occurred without them.
The members of the Federal Reserve Board, says the author, are in many ways like sorcerers, conjuring wealth seemingly out of thin air and distributing it at will to transform the American economy according to their desires.
The dollar is “fiat currency”, declared into existence by the
central bank in a manner similar to the creation of the universe by
the divine words “Let there be light!” The author also explores the
history of the dollar prior to the formation of the Federal Reserve
in 1913, and concludes that most of these principles were at work in
the American economy from the very beginning.
This faith is reinforced by the financial terminology currently in use, as well as by watchwords and symbols found on American money – not only on the bills and coins we currently use, but on those dating back from before the formation of the Republic.
These objects thus act as magical charms, containing a unit of magical charge that is passed on from one person to the next as the money changes hands. They also act as tokens of communal trust in, and fidelity to, the dollar as an institution.
The symbols and key phrases associated with it thus
work to enchant the public into a mass hypnotic spell, in which the
mind of each individual confirms the consensus belief in the power
of a dollar, and its ability to multiply itself as it moves through
the system. Every time a person spends a dollar, or accepts a dollar
as payment, they are confirming their belief in the dollar, and
using it to exercise their spiritual will. Even the familiar “$”
sign has an occult meaning which is linked with these ideas.
Because of their pivotal contributions, numerous modern financial terms, monetary concepts, and banking practices can be traced back to the Templars. Twyman further hypothesizes that the plan for the creation of a New Atlantis in a land beyond the “Pillars of Hercules” (the Americas) may have originated with the Knights, with good evidence.
Perhaps most shockingly, the author states that the modern concept of money is connected to that of the Baphomet, the idol worshipped by the Templars, who may be represented on the one dollar bill with the repeated use of the number 13.
She also draws an interestingly link between
America’s wealth, King Solomon’s treasure (believed by some to have
been discovered by the Knights Templar), and the fabled “lost
treasure of the Knights Templar.” She believes that this was not a
vast horde of gold, but a formula for creating wealth. This formula,
the author says, was probably discovered by the Templars and
passed on to certain Freemasons, who used it to construct the
architecture of the US banking system.
In this book, she successfully argues the following: