by D. Wilcock
from NazirenePeopleOfHonorOnly Website
It is important to again remember
that these densities are formed by a fluidlike, non-physical energy source.
The hard proof for the existence of a fluidlike ‘aether’ is extensive, and
will be covered in greater detail in volumes II and III.
This One is unilaterally referred to as Pure White Light. It is also referred to as the "seed sound" of the Universe, or the AUM. We are then told that things got rather stale as The One, since nothing really ever changed in this Unity. So, The One decided to create new life from itself. In order to do this, The One vibrated itself into the "octave." The Pure White Light became a series of seven colors - red, orange, yellow, green, blue, indigo, violet. The visible color spectrum embodies the memory of this.
The One Seed Sound broke up into a series of pure tones - do, re, mi, fa, sol, la, ti. The immutable structure of the Octave, those notes which
are the purest mathematical ratios and also sound the best to our ears,
holds the memory of this. (They can be seen and heard with the white keys on
the piano.) Another word for vibration is “harmonics,” and we will
frequently use that word to describe these systems.
[All of our visible galaxies in the Universe have coalesced into one single “flat” super-galaxy, however, but the spherical energy fields are still present around this super-galaxy, just not as visible.]
A sphere can be
compressed into a single point, which has no space and no time, and thus
exist as the simplest object in the Universe, but the sphere also is the
most complex form in the Universe, containing all other things within
itself. Although this might not seem to make sense at first, it is actually
quite simple to explain when we start out with a “flat” two-dimensional
demonstration, as the ancient students of sacred geometry would learn.
At the same time, its pure,
harmonic structure makes it the simplest possible two-dimensional shape in
the Universe. It is the only shape where there is only one edge, no straight
lines, and a curve that is completely unified for a full 360 degrees around
a single center point. It resolves to One, and thus it is the simplest
possible two-dimensional shape.
Confusingly, physicist Buckminster Fuller described a sphere as,
Events, you say?
To put this in drastically simpler language, in a sphere you can draw an infinite number of lines that connect to an infinite number of points (i.e. “events”) on the surface of the sphere, with all the lines starting from one single center point or nucleus, and all the lines will come out to be the exact same length.
This makes the sphere the most complex three-dimensional object that there is; an infinite number of different geometric shapes can be drawn inside of it, by simply connecting different points on the surface of the sphere together. Once you stretch or flatten the sphere in any way, you have less symmetry and thus have less flexibility in what can be geometrically created inside.
(This may seem hard to understand, but it can be proven mathematically. This also explains why liquid naturally forms into spheres when it is in free-fall and/or in a soap bubble, as the air pressure on the liquid is equal on all sides.)
The sphere is also the simplest
three-dimensional formation in the Universe for the same reasons as the
circle; namely, there is only one edge, perfectly symmetrical in its
curvature around a center point, and thus all resolves to One. For
comparison, a cube would have six sides or edges, and this is one of the
simplest three-dimensional shapes that there is. The sphere has only one
If Dr. Jenny turned up the
frequency to a higher level, then more complex geometric structures would
appear, and when he turned it back down to the original level, the exact
same geometry that he started with would be seen once again in the same way.
This is quite a dramatic demonstration when seen on Dr. Jenny’s “Cymatics”
video, which is accessible from various sources – yet such research has been
remarkably undervalued and / or ignored by the scientific community.
The five most important three-dimensional geometries are collectively known as the Platonic solids, since the Greek philosopher Plato first wrote them about in modern times.
As one note, the label “St. Tetrahedron” is an abbreviation for “Star Tetrahedron,” or what is more technically known as an interlaced tetrahedron.
You can also examine the tetrahedron by itself, which is simply
a four-sided pyramid with equilateral triangles on each face, but in terms
of the workings of energy as vibration, it appears that most tetrahedral
structures have two tetrahedrons stuck inside of each other as we see above.
Many of these group members have deliberately arisen to power in various scientific institutions, and are thus positioned to deflect certain types of research, especially those related to free energy / anti-gravity, as we shall discuss in Volume II.
Richard Hoagland and the Enterprise Mission, working with Lt. Col. Tom Bearden, have shown how such suppression efforts trace back to the 19th century, at least. The great 19th century pioneer who analyzed the behavior of the electromagnetic (EM) wave was Sir James Clerk Maxwell. His equations, known as “quaternions,” were used to map out the full, hidden internal structures of the EM wave in full 3-D view, with over 200 equations altogether.
When you analyze all 200+ quaternions as a group, you see the geometry of a tetrahedron inside a
sphere. This is the hidden secret of the electromagnetic wave, the
underlying structure that determines its behavior as it moves along – and
Oliver Heaviside and others, who reduced Maxwell’s equations to
four basic quaternions and declared the hidden geometry to be “occult nonsense”,
vigorously removed it from all academic debate. Had this not been done, we
may have “solved the puzzle” far earlier along.
19th century mystic Madame Blavatsky predicted that the aether would be removed from discussion, and that,
Even now, the anti-aether bias is so strong that you
will be almost immediately dismissed if you try to bring it up in a
scientific discussion – but we are not concerned, as time and proof will
heal this wound.
Without the geometry, matter would not be possible, as geometry is what allows the “field bubbles” of the aether to clump together in precise, organized patterns, forming specific molecules. Otherwise, the best we could hope for is that the spheres would line up pole-to-pole, and otherwise be free flowing around each other – and this behavior would not be complex enough to build matter.
The tips of the geometries have more
strength to attract each other than the other areas on the surface of the
sphere, as we shall discuss below, and this allows the spheres to organize
into non-random “matrix” patterns.
These geometric forms therefore possess both qualities of a fluid, as they are forming in a fluid medium, as well as a crystal, as they are clearly geometric – hence Dr. Harold Aspden refers to them as “fluid crystals.”
By the end of Volume III, we will have constructed a complete physics model to demonstrate how these formations are hidden within all physics, whether quantum, biological or cosmological. If you think the science of chemistry and quantum physics is complete as it is, you will be very surprised to find out how many problems there are with the current models – and that the design we present here solves every one of these problems.
In this book we will cover some of the basics of how this
geometric patterning works, including the “Global Grid” of energy lines on
the Earth, which directly shape the continents.
Plato and other Greek
philosophers also pointed out that all the angle measurements in these
geometric solids are the same, and that each side of the three-dimensional
objects have to be the same shape. Although this may seem confusing at
first, it actually works out very nicely. There are only five major shapes
to contend with when we look at this information. Those five shapes are the
octahedron, star tetrahedron, cube (hexahedron),
dodecahedron and icosahedron.
In order to understand why such geometric objects form inside a vibrating sphere of fluidlike energy, we have to know a little about wave movement. If we have a simple two-dimensional wave, such as a vibrating guitar string, then there are three basic components that will stay the same if the wave is not disturbed. These three basic components are the wavelength, the frequency and the amplitude.
The wavelength is how long each part of the
wave is, i.e. “the observed distance between two adjacent wave crests,”
(measured as a length quantity in angstroms when dealing with visible
light.) The frequency is the number of wave crests that pass by an observer
each second – measured as cycles per second or “hertz,” and the
how high each wave is – i.e. “the size of the wave measured from zero to
That’s all there is to it. If
those 440 cycles didn’t all have the same frequency and amplitude, then we
wouldn’t hear a steady pitch at a steady volume. If we increase the
frequency of the sound, such as by going up to 497 cycles per second, then
the pitch will go up as the wavelength shortens. If we increase the
amplitude, the volume of the sound will go up as the height of the wave
increases, but its pitch will stay the same.
That’s basically all there is to it. Since
these electromagnetic waves can move so fast, there is a great deal of
information that can be stored within them – and that is an important point.
The encoded information of AM/FM radio, CB, the police/fire/emergency
bands, broadcast and satellite television stations, cordless and cellular
telephone conversations are always around us in every moment.
Thus, as we pump up the strength (amplitude) of a given spherical energy field, so too will we increase its size – which explains why these structures exist from the tiniest level of quantum mechanics all the way up to the known Universe. It is also important to realize that in this fluidlike aether system, increases in frequency will also draw in more aetheric energy from the surrounding environment, and thereby increase the size (amplitude) of the sphere as one geometry shifts to another.
We will explore this later in the chapter, when
we see how neatly the different Platonic Solids “nest” inside of each other,
with each new geometry larger than the one inside of it. So typically, a
frequency increase will also involve an amplitude increase.
These areas are the “nodes,” and you obtain the
wavelength by measuring the distance between these nodes. A node could also
be seen as the area where a child’s seesaw is supported by a metal pole;
either side of the seesaw can go up and down, but the middle of the board
will always stay in the same place. Again, such a point is known in wave
mechanics as a “node” or a “moment point.”
These points are where the least amount of vibration is occurring throughout the entire sphere. Consequently, we will see that in this “stillness” is great power, caused by the pressure surrounding the points. These node areas (as well as the exact center of the sphere) actually have the greatest energetic strength across the entire surface of the sphere, because the surrounding higher-pressure zones of vibration will naturally gather up and direct everything “loose” in the area back to these low-pressure zones. It is for this very reason that the most number of loose “colloids” would gather into these nodes in Dr. Jenny’s experiments.
(This is also the same reason why high-pressure storm clouds will rush into a low-pressure zone in our atmosphere.)
Since these nodes exert great force on
each other by the laws of vibration, then as the old saying goes, “the
shortest distance between two points is a straight line.” So, straight lines
of force are naturally formed between these nodes once they are created, and
when you see all the lines combined together, the geometric object emerges –
just like connect-the-dots.
think in these terms, it becomes easy to put the model together – it is
based on simple, known physical principles of vibrating fluid, and the
quasi-solid “stresses” that can be formed inside of it by vibration.
This is perhaps the most frequently studied connection that was explored by the inheritors of the ancient mysteries, long after they had lost track of the full scope of scientific knowledge that was behind it.
So, one early puzzle that we worked on from 1996 to 1998 was,
We do not need eight shapes, as the ancient traditions tell us that the sphere exists both at the beginning and the end of the Octave.
Similarly, in the Octave of sound, any note that is an octave higher than
another note will sound the same, just in a different register – a higher or
lower octave. Mathematically, any musical note that is an octave higher than
another note will have exactly twice as many cycles per second – so “A” at
440 cycles per second will again become “A” when it gets to 880 cycles per
The answer was found in the “religious myths” of the ancient Vedic scriptures from India, the remnants of the Rama empire, as told in Robert Lawlor’s invaluable book Sacred Geometry. The Hindus, or their contacts, supplied the answer by supplying us with one of the Platonic Solids twice. Just as the sphere appears twice, at the beginning and end of the octave, so does its closest harmonic partner, the icosahedron, located at the second and seventh density levels.
For the rich, mystical culture of the ancient Vedic texts, with the full cooperation of extradimensional entities flying about in fabulous vimanas, the icosahedron shape was actually turned into a god.
They named him Purusha, and in the seventh dimension, or density, he represents the masculine force in the universe.
As we just said, Purusha also shows up as the first shape for the sphere to crystallize into when we are at the beginning of the spectrum.
Therefore, the One, being a manifestation of all conscious entities, must crystallize down into the world of form as Purusha, and any entity must again attain the level of Purusha to return to the One at the end of the cycle.
The next image from Lawlor’s Sacred Geometry shows how you would draw an icosahedron in two dimensions, using a compass and straightedge.
Before we assert that the Hindu culture was sexist and male-driven, assigning masculinity to all the best spiritual forces in life, realize that there is a yin to our yang.
The universal feminine force is referred to as Prakriti, and is identified as the dodecahedron, or the sixth density.
In fact, it appears that each density can be considered as having either “male” or “female” qualities, the second being female, third male, fourth female, fifth male, et cetera. Let us not forget that the Oneness is a combination of both genders in Unity.
Thus, as Purusha starts as female in the second density, we see that it is, indeed, a father / mother god, also encompassing the feminine, or Prakriti archetype within itself. Once we read further into the design and understand the metaphysical and spiritual properties of the dimensions, their “genders” will make tremendously good sense.
Other than the sphere, we can see that Purusha and
Prakriti are the
two highest shapes in the spectrum, so it makes sense, in some way, that
these two shapes themselves could have been personified as gods and
goddesses. These higher realms are clearly something we can aspire to, and
these are, essentially, conscious shapes.
However, more often than not these vibrations would remain undetectable, as they are only the underlying framework of reality, not the actual reality itself. When you look at a finished skyscraper, you don’t see the I-beams. Similarly, we don’t see the "zero-point energy" that creates "virtual particles" of protons, neutrons and electrons which constantly wink in and out of existence, but yet we know that it must exist.
Therefore, the ancient physics would teach us that this shape represents the fundamental background for all matter in our "density."
This is the forgotten ancient teaching. It is important to realize that this is only a general rule, as within our own density we see evidence of all the Platonic Solids, representing the different “sub-densities.”
We need all of them in place to be able to build physical matter – but the strongest one in third-density is the octahedron.
To look at just the top half of an octahedron, we can easily see that it is identical to the shape of the Egyptian Great Pyramid.
With the full physics model in place, this simple fact will clearly illustrate that all pyramids were designed in order to be able to focus this geometric energy of the aether, much as would a funnel direct a flow of water.
As we will see later
in this volume, the “torsion fields” on the Earth can vary from place to
place far more than the normal “push” of gravity or of the Earth’s magnetic
field, and in the Russian lingo, any pyramid acts as a “passive torsion
There are always torsion fields coming out of the Earth in spirals, and the cone shape can direct and focus these fields. Let us not forget that these fields are composed of intelligent energy, so one major benefit of harnessing these fields is that they will dramatically enhance your physical health as well as your spiritual consciousness in a short time – hence the ancient Egyptians referred to the pyramids as “temples of initiation.”
And we know that the
Greek word “Pyramid” is a conjunction of the words “Pyre” and “Amid,”
meaning “Fire in the Middle.” This “fire in the middle” represents the
energy fields that are harnessed inside the Pyramid – hence the name itself
conceals part of the secret.
Then, all we have to do is think in three dimensions, and we will quickly discover that the Pyramid mathematically fits perfectly within a half-sphere.
So, in a very direct fashion, the pyramid structure forms “resonance” with the aether, causing a sphere of unseen energy to form around itself just like this.
Remember that the strongest geometric energy structure of our own
dimension, if we could see it, would look exactly like this. Thus, the
Pyramid was not only a geometric object, it was literally built as a giant,
solidified “consciousness unit.” On one level, we could think of it as a
giant statue in honor of the energy density that we now inhabit – but it is
also a very potent machine. We have also been told by Ra that it was far
more effective when it was first built than it is now, due to the changing
positions of the Earth and the deterioration of its stone faces.
Since scholars understand that the Pyramid perfectly fits into
a half-sphere, many have concluded that the Pyramid is designed to represent
the Earth. But that wouldn’t explain why the pyramid builders didn’t simply
erect a globe, especially with the apparent technology that they had at
their disposal to precisely position such huge stones. It is only now that
we can see why the octahedral form was chosen in order to do this.
These were made of white Tura limestone that was precisely mirror-polished to a glowing sheen (Lemesurier, 1977.) It was so bright in daylight as to be blinding, hence the ancient Egyptians named it “Ta Khut,” or “The Light.” It would be very easy to conclude that it was not built by primitive human beings when seen in this original form.
In the next picture below, we see the remnants of these stones that still exist along the bottom.
What is not often known is that the spaces in between these casing stones were only 1/100th of an inch wide (Lemesurier, Hoagland.)
the best that modern technology could do to align the heat shield tiles on
the Space Shuttle was one thirtieth of an inch tolerance (Hoagland.) This
puts the fashioning of the casing stones on the level of optical precision;
something we would normally only use for extremely sensitive pieces of
equipment. All of this precision was used to make it that much more
effective as a “machine” that harnessed torsion fields.
Still to this day, no one has provided a satisfactory explanation for how this could have been done. It certainly appears that the stones themselves were fused in place, and thus it wasn’t cement at all, but a product of extreme heat, melting the two stones together. So how did they get the heat? A laser, perhaps? Or was it focused consciousness, transforming the matter phase of conscious limestone molecules?
Ra’s explanations start to make more and more sense to us as we
go along, as in their model, they were able to use consciousness to
visualize how they wanted the stones to arrange themselves, and their
visualizations would then become reality.
Again, it is no wonder that ancient Egyptians referred to it as “Ta Khut,” or The Light.
When it was in its true crystal state, there could be no doubt that it was not built by the humans of the time; it would be a most totally alien-looking structure. We can only imagine its original appearance now, as earthquakes jarred most of the casing stones loose in the early years of the first millennium AD, and these perfect white stones were then hauled off to build mosques in Cairo. Thus we can only measure the original design of the casing stones from the few that remain along the bottom, still intact.
The top of the second pyramid also has some casing stones still remaining.
This almost insane degree of precision starts to make a lot more sense when we realize what energies might be able to be harnessed by the building of such a structure. These energies would not be cold and lifeless like electricity; instead, they would represent conscious energy, and could thus be directed by a conscious human being, once trained.
The author’s own sources, along with Ra and the Cayce readings, indicate that a person well trained in directing this energy could rejuvenate dying bodies to extreme youth and vitality, travel in time and levitate massive objects with ease.
Furthermore, it helped to stabilize the Earth on its axis, decrease severe
weather and earthquakes in the surrounding area, heal and normalize the
mind, purify water, create usable energy and eliminate leftover radiation
from nuclear battles in much shorter amounts of time. The more we learn
about the science that is involved, the more obvious this will become – and
the greater of a desire we will have to rebuild a worldwide network of
pyramids once again to heal the earth of the present damages that we are
Having a “temple of initiation” meant that higher-level energies could be harnessed and integrated into the physical and nonphysical bodies of the human seeker, and the full soul evolution progress through the spectrum of seven densities could then be made while still on Earth. This was a very rigorous and terrifying process, as one essentially confronts all of the “distortions” of the personality self at once, in what amounts to a subjectively long-lasting nightmare.
healer, who can travel with the person out-of-body while they go on this
journey, was always present for this work to be done, since the fear alone
could cause the person to lose track of the physical body and thereby die.
According to the
Edgar Cayce readings,
Jesus enjoyed a
former lifetime as Hermes, the co-designer of the Pyramid with the priest
Ra-Ta, who later reincarnated as Cayce himself. Thus, it appears that Jesus
later utilized the very piece of technology that he originally helped to
build, in order to complete his own initiation.
In 1981, Ra said that Mars is the only remaining planet in our Solar System that had third-dimensional humanoid life like ourselves in any recent past. And in the late 1980’s, Richard Hoagland’s work began to be more widely known, which did indeed reveal the remnants of just such a civilization.
From Hoagland and others’ data regarding Mars, we see that the largest and
easiest pyramid to identify in the Viking-photographed
Cydonia region of
Mars is five-sided, almost precisely duplicating the top of an
or the Hindu god Purusha, if we remember. Near this five-sided pyramid is a
city complex of slightly smaller pyramids that appear identical to those we
see in Egypt.
Our own ex-NASA astrophysicist Maurice Chatelain, whom we also shall discuss in later chapters, came forward in 1995 with the shattering revelation that NASA had found "geometric ruins of unknown origin" on the Moon during the Mariner and Apollo missions.
similar testimony was given at the
Disclosure Project conferences, starting
on May 9, 2001 – and we attended the May 10 event and personally interviewed
Through a moderately complex set of procedures, one can demonstrate how each geometric form will naturally “grow” out of the one before it. To begin with, the sphere into the icosahedron is relatively obvious – the movement of formless Unity into geometric form – so there is no real modeling to be done. The second-density icosahedron into the third-density octahedron will be clearly modeled in Volume II.
In order to turn our own octahedron into the shape of the 4th dimension, all that is required is to expand each face into a basic four-sided triangle, or tetrahedron. In our diagram here, we conceptualize it as if you were going to place a tetrahedron onto each face separately.
Each face on the octahedron, which is in the form of an equilateral triangle, (composed entirely of 60-degree internal angles, with each side the same length,) becomes one three-sided tip of a star tetrahedron.
As the octahedron has eight sides, you would then need to add eight tetrahedra to its faces. To animate this progression like a cartoon, it would appear that the octahedron was suddenly blooming like a flower; the faces suddenly sprout upwards as the tetrahedra rise into position.
[Compare the diagram here with the original harmonic table in order to help visualize this. The top right shape in the diagram shows where one of the eight tetrahedra would be, in terms of position, if it were not attached directly to the octahedron.]
In order to then progress from the fourth dimension to the fifth, you can look at the diagram and easily see how a simple connect-the-dots on the edge points of the star tetrahedron forms the cube.
To go from the fifth-dimensional cube to the sixth-dimensional dodecahedron, a further outward expansion is required, where each face of the cube sprouts an inward-slanting "rooftop" in order to turn into the dodecahedron.
The "roof" shape that appears is most easily seen in the rectangular area below, whereas the square area would be more akin to an overhead view.
Then, if you put a dot in the center of each pentagon on the dodecahedron and connect all of the dots together, you will have a series of lines that form five-pointed stars that create the icosahedron shape, the last major node before the return to the Sphere.
In short, going back to our original harmonic table again, we can see how the entire progression is a sphere, or a Oneness, expanding into the “seed” or fundamental form of the icosahedron, which then by its structure gives rise to all of the other forms contained therein (Lawlor, 1982.)
The "seed" aspect of the icosahedron is why the Hindus associated it with a male god - they were using the metaphor of the semen, or "seed of life."
What we have here is an understanding of the fact that the shapes formed by
these energy vibrations can grow, much in the way that crystals grow.
If you still find it difficult to
understand, just be reminded that it isn’t an essential point that is needed
to understand the physics. In order for the Universe to truly be
must be a level where there is no space and no time – where All is Here and
Now. Sources such as “Seth” through Jane Roberts tell us that nothing in the
Universe really ‘exists,’ including the aether itself – that all the
Universe is expanding and contracting from a single point of Oneness in each
and every moment.
Think of a balloon that is constantly inflating and deflating from a very tiny point to a very large sphere.
At the highest level of vibration,
all of the energy in the sphere is contained within the central point.
Though this does seem confusing, various sources such as
Ra tell us
that all of those single points are actually joined together in Oneness –
that there is only one single point that all is emanating from. This is
another way that we can understand that we do have a perfect “spark” of the
One Infinite Creator within ourselves.
This is the only way we can explain that Seth would tell us, loosely paraphrased, that,
Another analogy that we have used is the idea of a filmstrip.
The actual filmstrip in a movie camera
is a series of still pictures that are separated from each other, but when
we watch them fast enough, they form “moving pictures,” or “movies.”
Since all of physical reality is ultimately nothing but conscious energy in vibration, each density would then have the illusion of only existing at one level in this energetic system. In fact, all of the densities are interpenetrable, and the vibrations from higher densities will exert measurable stresses in space and time here in the third.
Among other things, this forms the basis for the Global Grid, which we will examine in future...