by Richard C. Hoagland

Futurism Conference Promo
18-Dec-2006

Spanish version
from VideoGoogle Website

 

Kokopelli is a fertility deity, usually depicted as a humpbacked flute player (often with a huge phallus and feathers or antenna-like protrusions on his head), who has been venerated by some Native American cultures in the Southwestern United States. Like most fertility deities, Kokopelli presides over both childbirth and agriculture. He is also a trickster god and represents the spirit of music.

Among the Hopi, Kokopelli carries unborn children on his back and distributes them to women (for this reason, young girls often fear him). He often takes part in rituals relating to marriage, and Kokopelli himself is sometimes depicted with a consort, a woman called Kokopelmana by the Hohokam and Hopi.

Kokopelli also presides over the reproduction of game animals, and for this reason, he is often depicted with animal companions such as rams and deer. Other common creatures associated with him include sun-bathing animals such as snakes, or water-loving animals like lizards and insects. Because of this, some scholars believe that Kokopelli's flute is actually a blowgun (or started out as one). Alternatively, the "flute" may actually be a pipe for smoking tobacco in a sacred ceremony, or some other device entirely.

In his domain over agriculture, Kokopelli's fluteplaying chases away the Winter and brings about Spring. Many tribes, such as the Zuni, also associate Kokopelli with the rains. He frequently appears with Paiyatamu, another flautist, in depictions of maize-grinding ceremonies. Some tribes say he carries seeds and babies on his back.

In recent years, the emasculated version of Kokopelli has been adopted as a broader symbol of the Southwestern United States as a whole. His image adorns countless items such as T-shirts, ball caps, and keychains. A bicycle trail between Grand Junction, Colorado, and Moab, Utah, is now known as the Kokopelli Trail.

 

The year 2012 will be marked by,

  • the near-Earth crossing of the Asteroid Eros

  • Superbowl XLVI

  • the Diamond Jubilee of Queen Elizabeth

  • the end of the Mayan Calendar

In this introduction to the 2006 Conference at the Joshua Tree Resort Center, Richard C. Hoagland explores the ramifications of what exactly the end of the Mayan Calendar entails.

 

Is it the end of the world by Comet impact, as the Bible code suggests, or the beginning of a new period of time in human history?



 


 


In 2012, according to the Mayan Calendar, the World Ends ...

In this breakthrough, Richard C. Hoagland unveils revolutionary new evidence - drawn from his decades-long Enterprise Mission investigation of "ancient ET ruins in the Solar System" - regarding what is REALLY going to occur in 2012 ... and "why."

Over a quarter of a century in the making, Hoagland's 2012 discoveries are based on a critical ET geometric code found amid the Martian "Ruins of Cydonia" - a code now pointing to an extraordinary Hyperdimensional Physics ... of "The End of Time."

Drawing upon many correlating traditions of this planet - from Ancient India to the American Southwest ... from the Vedas to the Maya, from the Aztec to the Anasazi and the Hopi - Hoagland lays out his unique, predictive, ET Hyperdimensional decoding of how "the Fourth World Ends ... and a New World Will Begin."

And ... what we can do about it!