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Brother Marcus
Hammonds, Mark
Our Holy Remote Viewer
and Erudite Commentator
on the Profane Pursuits of Club Egyptology
The Secret Chamber Beneath the Great Sphinx:
An Holy Remote View
In an attempt to dig deeper into the mysteries of the pyramids and
the sphinx, we enlisted the aid of Brother Marcus, our
Remote-Viewing Frater. Here are the results of his Holy Quest:
"What exactly is in the 'secret chamber' underneath one of the paws
of the Sphinx? Who put it there and why?"
One wonders why the Good Frater would use his three wishes for this
question, since it would be impossible for him to verify it
immediately, if at all. Still, it has the merit of being really
interested in pstuff, [PSI + stuff = "pstuff" -B:.B:.] rather than
wanting to play the stock market.
I am working on your questions, and they are good ones. That area is
hard to scan, because so many people are curious about it. It puts
up a kind of psychic backwash/force field kind of thing that I am
still winding my way through. The actual answer is star charts, but
you want a description of the objects (that's the reasonable
desire), and I have to get close enough to them to see what they are
made of and so on. And "star charts" is a little vague, too. They
are a mathematical model of the history of their makers, encoded all
information, included DNA and astronomical data, rendered in a
material I have not been able to identify.
But it IS beautiful! Busted and broken, too, but still beautiful,
even if crumbled. Water damage, flaking, wall erosion, but there
doesn't seem to be any "finish" to the rock surface itself. No tomb
paintings, anyway, or plaster. Older than that, although the chamber
was enlarged and turned to other uses (worship secret in the
secret-place kind of thing).
The last beings in this space were not the people who made it, but
the last ones in sealed the entrance and covered it over with stone
(and, wait, yes, I get a glimpse of metal of some kind). There is an
obelisk or pyramidion made of some pitchblack material, but it is
not Egyptian. And I just got cut off!
Wow.
That was strange.
But I got enough of a good look that I can answer some of your
questions. I'll work on it. What do you think so far? Imagine an
object that can INFORM your mind just by being near it, and then
only in the degree that your mind can hold the information. No
wonder they buried it. It would be the "god that speaks through the
stone." It's not a god, it's a radionics device of some kind that
warps human consciousness into "programmed patterns. Wow. It's full
of memories, images, I don't know what to call it. IT TALKS! No
wonder it has such a psychic field around it!
And it is alive in some way, I feel, though that's not the right
word. It is interactive with consciousness!!!!! All things!!!!!!
Wow, wow, wow. It's a made object, but by whom? I'm working on it.
"By the gods," says the voice, but that is not the original voice.
Weird, weird, weird. "The lifegivers," still not the original
"surface."
IT'S a BEACON! MY GOD!!!! IT'S A BEACON OF THE MIND!!! And that's
where the shape of the pyramids comes from. The big pyramids were an
attempt to..... interruption....the relationship is obscured by some
sort of static....markers, but what for? The largest pure form, but
of what? Why two big ones and a little one?
[Note: Brother Marcus refereth here, no doubt, to the Three Holy Pyramids of the Egyptian
Giza Plateau -- the True Secret of the Three Dots which follow the
Sacred Letters of the abreviated name of our Holy Order -B:.B:.]
Khufu, Khafra, Menkara. We interrupt this moment to say that you
have strayed from Brother Blue's question. The relationship of the
Giza pyramids to the contents of the Sphinx chamber was not the
request.
So, okay, what did we get? Something so outstanding that I am in
awe. I wish I could plug you in directly, instead of have to write,
gifted prose or not. It's SO wonderful. You can talk to everyone.
See, words just don't cut it. This is only a metaphor, but think of
an object that could connect you instantly with anyone who ever
lived, anyplace that was every experienced, and you could understand
and comprehend that time/place/person perfectly!!
An Most Holy Pyramidal Ben-Ben
YES!!! I SEE !!! Why do I keep hearing the word "ben-ben" over and
over again? That's an Egyptian capstone.
Of course, now I see. It's a communications device, one that records
and plays back consciousness. You don't need language. You don't
need methodologies. You just need to show up. I wonder what the
operating radius is. And all that pressure against getting close. Is
that caused by the device, or is it a result of others trying to
keep it hidden? It's astronomical info, medical info, all the rest.
It's a model of all consciousness. And you "enter" it with your
mind, just as later you entered the great pyramid's central chamber.
Was that an attempt to create a physical relationship that would do
what this thing does?
Who put it there? I'm trying, trying...someone not from this earth.
Sorry, Blue, that's the best I can do. It was a beacon/commlink/archival
record, but it can do more than that. "The one true stone," says a
voice. Made of star matter? How?
Well that's all I'm going to get here.
Some Secular Corroboration
The Orion Mystery: Unlocking The Secrets of the Pyramids
by Robert Bauval & Adrian Gilbert
Crown Publishers, NY - 1994
[review by Dr. Greg Little]
About four months ago in a motel near Oklahoma City I was transfixed
by an hour long program on Discovery. The show concerned a small
robot's probing of the Great Pyramid by a German engineer named
Rudolf Gantenbrink. In 1991, Gantenbrink's research team was
employed to improve ventilation to the interior of the pyramid as
the many visitors there had substantially increased the humidity
through their respiration and perspiration. The result of the
increasing humidity is a deterioration of the inner limestone blocks
caused by the condensation and subsequent seepage from this humid
air. Gantenbrink began his job by creating and building a small
robot he called UPUAUT (the ancient Egyptian word for "opener of the
ways" and the device employed in the Egyptian "opening of the mouth"
ceremony used on the dead Pharaoh).
UPUAUT was fitted with a camera and placed into one of the
"ventilation" shafts in the King's Chamber. The robot was pulled
through the shaft by cables and it eventually cleared the debris
from the shaft fully opening it. After then doing the same to the
other shaft in the King's Chamber, two electric fans were mounted
into the shafts bringing in fresh air. The film taken during this
process was, in itself, spectacular, but only a prelude to what was
to occur much later. Plans called for the research team to
eventually complete the project by probing the smaller shafts in the
Queen's Chamber at a later time and explore the possibility of using
those two shafts for more ventilation. It wasn't until March 1993
that Gantenbrink returned to probe the two smaller shafts in the
Queen's Chamber.
The two small Queen's Chamber air shafts were first discovered in
1872 by a British engineer, Waynman Dixon. A few years later it was
decided that these two 8 inch square shafts were very short and
probably represented unfinished or abandoned ventilation features.
They have been essentially ignored by researchers, Pyramidologists,
and archaeologists. Most archaeologists thought that the shafts were
very short and unimportant representing an unfinished project. In
March 1993, Gantenbrink's remarkable new robot, UPUAUT 2, equipped
with its own self-propelled traction, remote video camera, laser
guidance, and headlights beamed back stunning pictures of the shafts
that have been unseen and unused for thousands of years. The ripples
from the findings of this robotic probe will be felt for some time
to come.
Briefly, UPUAUT 2 showed that the shafts are much, much longer than
ever supposed. The shafts are aligned North-South like those in the
King's Chamber and they extend 65 meters, nearly to the outside of
the pyramid, but they do not emerge. Incredibly, in one of the small
shafts that UPUAUT 2 managed to reach the end of, it abruptly
stopped at a slate door with sliding fittings. UPUAUT 2's camera
beamed back a tantalizing image of a crack at the bottom of the
probable sliding door showing that something was on the other side.
I was excited and eager to find out more.
A month later I obtained Robert Bauval's The Orion Mystery from
Arcturus Book Service and read more about the mysterious shaft.
Bauval, a construction engineer has spent the past decade studying
the Great Pyramid and the so-called Pyramid Texts, the oldest
writings known to man. Bauval had been working on a fairly radical
theory of the Pyramid's use which involved a deceased Pharaoh
becoming a star through rituals held in the inner chambers at
critical star alignment times. Bauval subsequently met with
Gantenbrink and others involved with the project and The Orion
Mystery is the remarkable result of a rather remarkable project.
Armed with Gantenbrink's data on the two Queen's Chamber shafts,
particularly the precise alignment of the shafts obtained by the
laser guidance system of UPUAUT 2, Bauval has pieced together solid
evidence of the Pyramid's age, use, and the meaning of its
alignments.
It has long been known that the two shafts in the King's Chamber
were precisely aligned to the lowest star in the Belt of Orion (Al
Nitak) and what was once the North star, Thuban. UPUAUT 2 indicated
that the two shafts in the Queen's Chamber were aligned to the stars
Sirius and one of the stars of Ursa Minor (The Little Dipper).
Subsequent calculations of the stellar alignments showed that the
pyramid was built to be used about the year 2450 BC and that it was
designed to specifically draw attention to the "First Time of Osiris"
in 10,450 BC! Thus, among other things about to be described, the
Pyramid was specifically designed to point to the year 10,450 BC as
important. I refer the reader to the book for a more complete
understanding of why this is so, however, Bauval's conclusions are
firmly footed on solid evidence.
This 10,450 BC date, Bauval points
out, may be coincidence, but he refers to Edgar Cayce's statement
that the Pyramid was designed about 10,400 BC and that a hidden
chamber with records would be found in the last 20 years of this
century. Bauval says that the door at the end of the shaft from the
Queen's Chamber may be the opening to the chamber Cayce predicted.
In addition, Bauval cites various unrelated sources stating that
10,400 BC date is important because it is the beginning of the
Egyptian time cycle, the First Time, perhaps revealing when some
important founding event took place. He briefly mentions the
possibility that the Atlantis legend may have some relevance to
this.
But this is not the end of Bauval's incredible assertions. The three
great pyramids, not placed in a straight line, are precisely aligned
exactly as the three stars comprising the Belt of Orion. That is,
the Pyramids of Giza represent the constellation of Orion on earth.
The alignment of the pyramids of Giza on the Nile show that the Nile
itself represents the Milky Way. Bauval also cites that various
Egyptian scholars have translated ancient texts stating that ancient
Egypt was built to resemble heaven on earth. And, to this reviewer,
the correspondences that occur when a star map of Orion is
superimposed on Giza are astounding, indeed. This alone would at
least strike hardened skeptics as remarkable. Yet, Bauval shows us
even more, drawing heavily from the ancient Pyramid Texts.
As has been known for some time, the Pyramid Texts describe funerary
rituals and details of the afterlife of pharaohs. For some time, it
has been known that the texts' translations were lacking and that a
full understanding of them was not available. The texts were first
described in 1881 and were originally believed to be written in 3200
BC. They are partly found on extensive wall and ceiling inscriptions
in the Serapeum, a large "tomb" within an underground labyrinth
associated with five separate pyramids. The most extensive texts
were ascribed to the last of the Fifth Dynasty Kings, [We believe
the author meant to say Fifth DENSITY Kings here -B:.B:.] Unas, in
2300 BC. Scholars have recently gained a more full understanding of
what the texts reveal.
In brief, Bauval shows us that the ancient Pyramid Texts tell of the
"Star" religion of the Egyptians involving the Phoenix symbol
(rebirth), the Benben stone (a stellar "seed" - a large,
"conically-oriented" meteorite stone placed atop an important
obelisk), and the ritualistic use of the stellar-aligned pyramid.
Bauval states that there was a two-stage process in the ritual of
the dead Pharaoh. First, the Pharaoh's mummy was prepared and
brought by a procession to the Pyramid from the city of Khem (now
Letopolis) due North of the Pyramid. Khem was ritually placed due
East of the Temple of the Phoenix at Heliopolis - or West of Khem. (Heliopolis
was called the "Thunderbolt City" because of a large meteorite that
had fallen and been subsequently found there. The meteorite was
believed to be a "seed" [semen from God] and placed atop the Benben
stone obelisk and it was accorded the power of rebirth.)
The dead King was then taken inside the Pyramid to the Queen's
Chamber and placed standing upright into a "rebirth" chamber. The
Pharaoh's son, the Horus, approached the mummy in an extended ritual
and placed the Upuaut (an iron tool) into the dead king's mouth.
Wearing the Horus hawk-mask, the son performed the "opening of the
mouth" ritual by prying the jaws open with the iron device. The iron
for the Upuaut was obtained from a meteorite.
Bauval tells us that various experts have now asserted that the
shaft leading from the Queen's Chamber to the Ursa Minor is kinked
and shaped to symbolize the iron device known as Upuaut. Bauval
states that the ritual of the mouth opening was timed to coincide
with the star Kochab (the brightest star in the Little Dipper)
aligning with the North chamber shaft. Then, an astral rebirth
occurred and the Pharaoh became a star in what is known as the Belt
of Orion. (Actually, the ancients saw this stellar alignment not as
a "belt" but as the actual phallus of Orion.) From there, the
Pharaoh would join with the other stellar kings and continue the
seed to the next generation.
Bauval states that the shafts in the pyramid serve to function as a
channel between the phallus of Orion to the womb of Isis (the star
Sirius). This enabled the seed from Orion to bring forth another
Horus (the son of Isis-Sirius) so that the Pharaoh's line on earth
could continue. Bauval leaves open the possibility that an actual
copulation could have taken place during the ceremony between Horus
and an "Isis."
After this Ceremony, Bauval says that the dead king was perhaps
taken to the King's Chamber where the "weighing of the heart" ritual
occurred and the dead king could have been placed into the now-empty
sarcophagus. Bauval also believes that nine months later the pyramid
was opened and another ritual held so that the impregnated
Isis-Sirius could give birth.
It is difficult to give Bauval's remarkable book justice in a
review, however, it is clear that he has certainly found some
interesting and credible new insight into the Pyramid's use. It is
an excellent and deep book that has some adventurous reading placed
between thought provoking data. In Grand Illusions I speculated and
agreed with Dr. Melvin Morse that the sarcophagus in the King's
Chamber was probably used for inducing a near- death experience in
the Horus -- the dead Pharaoh's son. I still am inclined to believe
that the Pharaoh-to-be was required to undergo a near death
experience in the King's Chamber and that the Pharaoh was never
buried there, however, Bauval's assertions now show the purpose of
the Queen's Chamber which has never been fully understood. Finally,
Bauval gives us one tantalizing piece of evidence on what may be
behind the stone door at the top of the shaft on the South side of
the Queen's Chamber. The so-called ancient Westcar Papyrus speaks of
the "secret chamber of Thoth" containing a mysterious and
significant set of materials. This chamber has never been found.
Bauval believes that the meteoric apex of the Benben stone - and
perhaps much more -- may lie behind the still unopened stone door.
[end secularius corroboratus]
On the Holy Atlantean Crystals
4-D : : In An Atlantean Living Crystal, Darkly
Many 4-D readers have been curious about what an Atlantean crystal
"looks" like. Amusingly enough, many people tend to think of quartz
crystals, or other "natural" crystalline forms when they image an
Atlantean crystal. The Atlantean crystals, however, were entirely
artificial creations, whose base shape was, of course, pyramidal.
Most of the Atlantean crystals that survive into our own probability
stream are in this form. The "ben-ben" stone of ancient Egypt was a
memory of such crystals, which were worshipped in the original as a
means of connecting with the "god in heaven." These forms were
essentially communication devices to transmit directly from mind to
mind.
Nonetheless, the root cystalline shape could be used for a great
variety of applications, from "storage devices" that retained states
of consciousness like we use disk storage in computers, to the
construct underlying the mutable surfaces on buildings which
constitued the bas-relief effects we call Atlantean "writing," and
energy transduction. The "living" crystals were a basement
technology.
Crystals of Consciousness
In appearance, the surface of a living crystal is a perfect
mirror--except that it has NO reflection. I know that's a paradox,
but it is one that describes perfectly the "perspective" of seeing
one "in the flesh." It is said that there may actually be a
reflection as "normal," but the inner mind is entrained so quickly
from the eye sense that the brain doesn't have enough time to
"return" the echo and thus perceive or recognize a reflective image.
That's why some people, including me at an earlier time, thought of
them as "transparent," when in fact it is the contact with them that
shows the "transparency" of the human mind--the notion that the
physical crystal is clear is only a projection of the "clear" nature
of the human mind. Living crystals jumpstart your mind immediately
to whatever is "inside" the crystal. Some people psay that the
reason people developed a fondness for clear crystal balls--as well
as have an instinctive attraction to the brilliance of gemstones--is
in rememberance of this effect upon us way back when.
The crystal skulls that are so popular now are not Atlantean in
origin, at least in the sense that they are not living crystals.
Another way to tell an Atlantean crystal is that they were NEVER
round balls. The crystals were grown naturally to design and not
ever "cut" in any way. A cut Atlantean crystal is a dead Atlantean
crystal, just like a Pentium chip snipped apart.
In approaching an Atlantean crystal, there is a sense of being
"drawn" forward. This effect, which accurately describes the sense
of attraction that most people feel toward these things even in the
abstract, is actually an effect of the crystal. As you come closer,
you enter the sphere of the crystal's influence. It begins to "tune"
your mind in a rhythmic entrainment that induces a state of
concentrated focus. The result is the desire to get closer, and the
closer you get, the more you are entrained. Eventually you are
wholly enthralled to whatever conscious state has been inprinted on
the crystal.
Once you have "made contact" with a given crystal
consciousness, you are always part of the "continuum" of that
crystal. Whatever else is connected within it, you are also
connected to in a psi current. This current becomes permanently
enfolded within your mind. For most people thus exposed, they sit
there helplessly in a trance. More than one crystal is surrounded by
the skeletons of people--particularly in Egypt and Tibet--who,
frozen into tranced immobility, starved to death on the spot. These
things were NOT made for our minds, but for the minds of beings who
were vastly more psi potent than us. The only reason that we
interact with the crystals at all is because part of the Atlantean
nature was used to create us, and it is to that part of our
mindstreams that the crystals "speak."
There are "caches" of living crystals all over the earth, though by
far the greatest "library" of these in as yet undisturbed in
Antartica. Many smaller collections can be found in South and
Central America, off the eastern coast of Florida, in Egypt and the
Near East (yes, there are some buried deep beneath Jerusalem, which
is why that place is as it is), and in the "wastes" of central
Asia/Tibet. Some few are found as well in Australia and New Zealand.
Some have been removed from Mexico and transported to the United
States, though not without great difficulty and the inevitable loss
of life that comes from handling these things. They are radioactive
in a psychic sense--and may even be radioactive in the physical way,
too. They do, certainly, glow in the dark.
The making of a living crystal for consciousness was a "priestly"
function. The crystals were not made in factories like we tend to
think of production, but were "grown" carefully, slowly, and with
absolute stillness of concentration by Atlanteans who had the mental
powers/training to work with the raw materials. The elements present
were primarily iron and carbon with rare metal traces, as best I can
tell--yet I am not certain.
These things are difficult to assess.
The "power" source for the functions of the crystal appears to be a
natural result of being within surging currents of the Earth's
magnetic field. Sunlight may be destructive to them, though I wonder
at that since they "powered" the great pyramids, unless they were
shielded with gold as the ancients of the classical world were told
by Egyptian priests.
There were different grades of living crystals. On the low end,
there was a basic "recordkeeping" type. These were easiest to make
and consequently there were many more of them in use. They were
fragile, small, and usually shortlived as they were prone to damage.
Being very sensitive to movement of any kind (as the U.S. military
found out, to their embarrassment in moving the Yucatan group), they
will fracture at the slightest provocation--an effect only
intensified by the passage of time. Once cracked, the crystals
immediately dissolve, crumbling into a pile of useless and likely
poisonous dust. Among the higher grades of living crystals were
communications types, which will be discussed below, and the highest
of all the forms, the type from which they get their name: those
used to embed a living consciousness.
The goal of every Atlantean priest was to be able to form a living
crystal matrix that would serve as a receptable for their enduring
consciousness. In merging their consciousness with this crystal,
they would--in their terms--be closer to their own "creators," or
the equivalent of what we call "gods." In short, they extended their
"lives" through the physical duration of the crystal. The cataclysms
that destroyed Atlantis shattered most of these kinds of crystals,
but there are some left even now. In this way it is possible to
"talk" with an Atlantean, if your mind circuits are rated for the
amperage and you don't starve to death in the process.
Communications Crystals
The Atlanteans did not exist in the "3-D" world we are habitually
prone to see, even though they did have a material expression. As
said in another context, they were in the world but not of it. Their
true existence as mindstuff was clearer to them than most of us have
understanding of our physical bodies. If they ate something, for
example, their conscious contact with the food did not end with the
taste buds. They followed the whole digestive process, indeed they
were the process in a way not available to ordinary human
consciousness. That's why they liked sex so much, because it was a
way of jumping through existence after existence, cascading from
probability stream to probability stream. These words barely hint at
the extent of their way of being conscious. One of the ways they
"invented" to share these experiences was through the use of living
crystals as communications devices.
These crystals worked in the same basic way as the recording
crystals described above, except that the emphasis in their
structure was on a particular space/time connection, rather than the
perpetuation of waves states across space/time. If you think about
it, you can see the natural reflexivity of this function. When using
such a crystal, the Atlantean would be transported to the experience
of a specific time/space in a present tense, where the
consciousness-type crystal resonated with a mindstream. Difficult
distinction, I suppose, until you get used to Atlantean mind
patterns.
Power Cystals
Here's the biggie: the "fire crystals." These were a wondrous
technology. Basically, every power crystal was related to every
other one in existence. The huge ones, made of single iron crystals
placed deep within the crust of the earth formed a grid that
transduced energy from large fields into "lines." These lines of
power could be tapped by smaller crystals by harmonic resonance.
These things were physically hot, and could glow white hot if the
Atlantean using it focused that much concentration on using it. They
could also explode if misused, and were for humans absolutely
untouchable, as they would fry you on the spot. Relate to the Ark of
the Covenant, anyone?
It was the magnificent integration of these crystals that resulted
in the destruction of the Atlantean continent. The energy used in
one spot on the earth's surface was far greater than that of the
earth as a whole. This disparity eventually caused a premature
expression of the pole shift/ice age cycle already present on the
earth. It is written in certain records that this is the cause of
the precession of the equinoxes, but I cannot be certain of this as
actuality as it goes beyond my psi range.
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